Rhythms of Modern Life: British Prints 1914-1939
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
GRAPHIC ART
Rhythms of Modern Life: British Prints 1914-1939
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, blue cloth, pictorial dust wrapper. Boston: Museum of Fine Arts, (2008). Near fine. More
Graphic Art of the 18th Century
New York: McGraw-Hill, 1964. Illustrated (b/w and color). 254 pages. 8vo., tan cloth. New York: McGraw-Hill, (1964). A near fine copy. More
Toulouse-Lautrec: Das gesamte graphische Werk, Bildstudien und Gemalde
Cologne: DuMont Buchverlag, 2005. Illustrated in color and in black and white. 465 pages with text in German. Thick 4to, matte pictorial wrappers. Cologne: DuMont Buchverlag, (2005). Near fine. More
Ninth Annual of Advertising Art; From Advertisements Shown at the Exhibition of the Art Directors Club, Art Center, New York, May 6 to 29
New York: Art Directors Club, 1930. Hundreds of illustrations, many in color. 136 pages, 4to, green cloth; spine darkened, cloth along front hinge split, some spotting to cover. New York: Art Directors Club, 1930. Internally clean, a very good(-) copy. More
Twelfth Annual of Advertising Art
New York: Art Directors Club, 1933. Extensively illustrated, many in color. 89 pages plus ads & index, tall 8vo, cloth. New York: Art Directors Club, (1933). one illustration (page 67/68) has been cut out, else a very good copy. More
Axel Herman Haig and His Work.; Illustrated from his etchings, pencil-drawings and water-colours, with a biography and
London: Fine Art Society, 1905. descriptive catalogue of his etched works. 45 plates, (26 etchings, 4 watercolors and 16 pencil drawings) portrait of Haig and 1 original etching signed in pencil of the Burgos Cathedral, lettered tissue guards throughout. Rubricated title, t.e.g.. Scattered foxing on the first few pages. Very thick tall 4to, 3/4 green morocco. London: Fine Art Society, 1905. More
Anschlage: Deutsche Plakate als Dokumente der Zeit 1900-1960
Munich: Langewiesche-Brandt, 1963. Text in German. Profusely illustrated in color. Unpaginated, with pages toned at edges, as usual. Tall, narrow 4to, pictorial cloth-backed boards. (Munich): Langewiesche-Brandt, (1963). A very good copy--dust-soiled and a bit scuffed. More
Tenth Annual of Advertising Art; From Advertisements Shown at the Exhibition of the Art Directors Club, Art Center, New York April 18 to May 18
New York: Art Directors Club, 1931. Extensively illustrated, mostly in black-and-white, but with a number of pages in full color. 114 pages plus ads and index, small 4to, black cloth; rather worn, chipped at spine ends. New York: Art Directors Club, 1931. A very good(-) copy. More
27 Contemporary American Artists.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler..... More
Corn Kernel
New York: Fortune, 1938. Pictorial infographic. Color lithograph. Measures 14" x 11" This fascinating diagram depicts all the products derived from a corn plant, illustrating how the germ is separated from the kernel. Various processes separate the gluten, dry starches, dextrins, syrups, sugars, refined dextrose, and germ oil, with a wide range of products created from these parts of the corn plant. Verso features a black and white painting of Vancouver, opening up to a map of Canada by Richard..... More
Bookplates: Being a Lecture Delivered to the Print Collectorss' Club on Wednesday November 18th, 1925.
London: Print Collectors' Club, 1927. 33 black & white plates, scattered foxing. Slim square 4to, brown cloth backed boards (warped). Publication No. 6. London: Print Collectors' Club, 1927. First Edition. Limited to only 500 numbered copies. More
Andy Warhol: The Life Years, 1949-1959
Munich: Hirmer, 2015. Well-illustrated throughout, mostly in black and white. 196 pages with text in English & German. Tall 4to, white pictorial boards, d.w. (Munich: Hirmer, 2015). First edition. Fine in fine dust wrapper. Published on the occasion of the exhibition. More
From Rhapsody: House, Trees, Beach, Birds. A Suite of Four Prints
New York: Abrams, 19865. The complete suite of 4 original drypoints (sugarlift, aquatint, spit-bite, and drypoint over a photo-etching of a grid), printed on TH Saunders paper. Loose sheets, as issued, protected with tissue and housed in a tan cloth portfolio with ribbon ties. New York: Abrams, 1985. Limited first edition. Number 50 of only 100 copies, signed by Bartlett in pencil on rear of sheet D. The cloth portfolio is a bit rubbed and dust-soiled, but all plates are..... More
Laus Pictorum: Portraits of Nineteenth Century Artists Invented and Engraved by Leonard Baskin
Northampton: Gehenna Press, 1969. Complete set of 15 signed and numbered wood engravings and etchings on various wove papers, enclosed in the original red leather portfolio within a leather backed- marbled board clam-shell case, lightly rubbed on the spine. Folio. Northampton: Gehenna Press, 1969. Limited First Edition. One of 175 copies. This set has Roman numerals, typically reserved for the edition with double plates. More
American Prints in the Library of Congress: A Catalog of the Collection.
Baltimore: Johns Hopkins Press, 1970. Many black & white illustrations. 539pp., small thick square 4to, red cloth; spine ends bumped. Baltimore: Johns Hopkins Press, (1970. First Edition. Very Good. More
George W. Bellows: His Lithographs.
New York: Knopf, 1927. Illustrated with 196 black & white plates including a frontispiece portrait. 36 pages of text. 4to, black-lettered beige cloth (sunned at spine and edges). New York: Alfred Knopf, 1927. First Edition. A very good solid copy, lacking the original board slipcase. More
21 Engravings.
St. Charles: Privately Printed, 1951. 2 volumes, Slim 8vo, 1/2 brown and green leather, patterned boards and matching slipcase. St. Charles: Privately Printed, 1951. Limited to one of only 500 copies. Near Fine. Previous owners ex libris. More
Portfolio
Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris. More
Exhibition of Polish Graphic Art; Exposition De L'Art graphique Polonais
Warsaw: Sztuka, 1956. Illustrated. 63pp., thin 8vo, pictorial wrappers; some repaired damage to foot of spine. Warsaw: Sztuka, 1956. A very good copy. More
Designs for Blackboard Drawings for Every Month in the School Year
New York: Educational Publishing, 1900. 39 pages of illustrations of suggested monthly drawings for the classroom. 8vo, cloth-backed printed boards; rubbed, with a large dent/tear to the upper front. New York: Educational Publishing Company, (n.d.). A very good copy, internally fine. More
Felix Buhot: Catalogue Descriptif de son Oeuvre Grave
New York: Martin Gordon, 1979. Many black & white illustrations. Tall square 8vo, decorative white cloth. New York: Martin Gordon, 1979. First Edition. A very good(+) clean copy. With the booklet "Catalogue Additions and Revisions" in the rear. More
The Girl in the Abstract Bed.
New York: Tiber Press, 1954. Illustrated by Schneebaum with 13 large silk-screened plates (one double-page) mounted on thick cardstock printed with Bourjaily's text. Loose as issued in a red board portfolio. New York: Tiber Press, (1954). Plates are all in fine condition, though as usual the acidic leaves are toned, and slightly dinged at margins; outer portfolio is sound but rough at edges. A very good copy. Limited edition - number 310 of 1500 copies. Despite the fairly large printing..... More
Bonnard: The Complete Graphic Work
New York: Gallery, 1981. Introduction by Antoine Terrasse. Translated by Jane Brenton. 536 illustrations, 60 in color. 351 pages. Folio, green cloth, d.w. (one tear on rear panel). New York: Gallery books, (1981). A fine copy in a near fine dust wrapper. More
Views of Old New York; The rare old Prints are from the Private Collections of Mr. Robert Goelet, Mr. Percy R. Pyne,
Hastings-on-Hudson: Valentine's Manual, 1928. Mr. I. N. Phelps Stokes, Mr. J. Pierpont Morgan, Mr. W. Loring Andrews... and Others. Many plates, some in color. Small folio, original 1/2 blue cloth, boards with some light soiling, spine with small area of light soiling. Hastings-on-Hudson: Valentine's Manual, 1928. First Edition. Very good Mostly views of 19th century New York architecture. Also there are several views of 17th century Dutch and English New York. More