Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More

New York: McGraw-Hill, 1964. Illustrated (b/w and color). 254 pages. 8vo., tan cloth. New York: McGraw-Hill, (1964). A near fine copy. More

New York: Art Directors Club, 1930. Hundreds of illustrations, many in color. 136 pages, 4to, green cloth; spine darkened, cloth along front hinge split, some spotting to cover. New York: Art Directors Club, 1930. Internally clean, a very good(-) copy. More

Tokyo: Kodansha, 1983. Profusely illustrated in color with examples of Japanese graphic design. Folio, red cloth, illustrated d.w. (slightly rubbed). Tokyo: Kodansha, (1983). First edition. A near fine copy in a near fine dust wrapper. More

Munich: Langewiesche-Brandt, 1963. Text in German. Profusely illustrated in color. Unpaginated, with pages toned at edges, as usual. Tall, narrow 4to, pictorial cloth-backed boards. (Munich): Langewiesche-Brandt, (1963). A very good copy--dust-soiled and a bit scuffed. More

New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler..... More

London: Print Collectors' Club, 1927. 33 black & white plates, scattered foxing. Slim square 4to, brown cloth backed boards (warped). Publication No. 6. London: Print Collectors' Club, 1927. First Edition. Limited to only 500 numbered copies. More

New York: Art Direction Book Company, 1984. Profusely illustrated with images of 950 designed objects, some in color. 4to, black cloth, d.w. New York: Art Direction Book Company, (1984). Some bumping to boards and d.w. resulting in several closed tears to the latter. A very good copy in a very good dust wrapper. More

Northampton: Gehenna Press, 1969. Complete set of 15 signed and numbered wood engravings and etchings on various wove papers, enclosed in the original red leather portfolio within a leather backed- marbled board clam-shell case, lightly rubbed on the spine. Folio. Northampton: Gehenna Press, 1969. Limited First Edition. One of 175 copies. This set has Roman numerals, typically reserved for the edition with double plates. More

New York: Knopf, 1927. Illustrated with 196 black & white plates including a frontispiece portrait. 36 pages of text. 4to, black-lettered beige cloth (sunned at spine and edges). New York: Alfred Knopf, 1927. First Edition. A very good solid copy, lacking the original board slipcase. More

Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris. More

New York: Educational Publishing, 1900. 39 pages of illustrations of suggested monthly drawings for the classroom. 8vo, cloth-backed printed boards; rubbed, with a large dent/tear to the upper front. New York: Educational Publishing Company, (n.d.). A very good copy, internally fine. More

New York: Tiber Press, 1954. Illustrated by Schneebaum with 13 large silk-screened plates (one double-page) mounted on thick cardstock printed with Bourjaily's text. Loose as issued in a red board portfolio. New York: Tiber Press, (1954). Plates are all in fine condition, though as usual the acidic leaves are toned, and slightly dinged at margins; outer portfolio is sound but rough at edges. A very good copy. Limited edition - number 310 of 1500 copies. Despite the fairly large printing..... More