London: George Newnes, 1902. Color frontispiece by Frank Brangwyn, b/w illustrations throughout. 186 pages. Large 8vo, pictorial navy cloth, gilt-stamped. London: George Newnes, 1902. A very good(+) copy. Ownership label on flyleaf; small spot on back cover. More
New York: New York University Press, 1997. Illustrated in b/w throughout. 367 pages. Tall 8vo, burgundy cloth, d.w. New York: New York University Press, (1997). A fine copy in a fine wrapper. More
New York: Scribner, 1937. With an introduction by Royal Cortissoz. 76 black & white plates. Wide 4to, gilt-lettered blue cloth. New York: Charles Scribner's Sons, 1937. A near fine copy. More
New York: Scribner, 1913. Illustrated with numerous reproductions of representative works. xvi, 312 pages. 8vo, rebound in 3/4 black leather; a bit worn at edges. New York: Charles Scribner's Sons, 1913. A very good (+) copy. More
New York: Whitney Library of Design, 1988. Illustrated in color. 160pp. 4to, green cloth, d.w. New York: Whitney Library of Design, (1988). A fine copy in a near fine dust wrapper. More
Turin: Istituto Bancario, 1996. TWO VOLUMES. Beautifully illustrated in color. 243pp. and 251pp., 4to, cloth, d.w., board slipcase. Torino: Istituto Bancario San Paolo di Torino, (1996 & 1997). A fine set in fine dust wrappers. Essays by various authors. More
Chicago: University of Chicago, 1940. Introduction by Rockwell Kent. Biographical essay by Josias Leao. 92 black-and-white plates, 8 color. 9 pages of text, 4to, blue cloth (spine faded and somewhat spotted), tattered d.w. Chicago: University of Chicago Press, (1940). A very good copy in a good dust wrapper. Number 487 of 525 individualized copies. More
Boston: Noyes, 1902. Extensively illustrated. xiii + 264pp., 8vo, decorative green cloth, t.e.g; untrimmed, corners and spine ends lightly bumped, 2 ownership signatures front free endpaper. Boston: Noyes, Platt & Company, 1902. A very good (+) copy. More
London: Phaidon, 1966. With 265 illustrations, including 9 mounted color plates. 292pp. 4to, reddish cloth, d.w. London: Phaidon, (1966). First English edition. A fine copy in a very good dust wrapper. With the ownership signature of art historian Meyer Schapiro. More
London: Phaidon, 1966. With 265 illustrations, including 9 mounted color plates. 292pp. 4to, reddish cloth, dust wrapper. London: Phaidon, (1966). A very good copy in a very good dust wrapper, large tear on front cover. More
New York: Abaris, 1975. 23 color plates, 451 monochrome illustrations. 379pp. + index. 4to, black cloth, chipped d.w. New York: Abaris, (1975). Ownership inkstamp, still a very good(+) copy in a very good dust wrapper. More
Washington: Dumbarton Oaks, 1982. 47 color and 125 black and white illustrations. 4to, bluecloth. Washington, D.C.: Dumbarton Oaks, 1982. A very good (+) copy. More
With 115 illustrations, mostly color. 117pp. Thin 4to, yellow cloth, d.w. New York: Rizzoli, (1986). First American edition. A fine copy in near fine dust wrapper. More
Peking: Foreign Language Press, 1974. Many color and black-and-white plates. 98pp., 4to, cloth, d.w.; dust wrapper lightly edgeworn. Peking, 1974. A fine copy, in a very good dust wrapper. Text in the book is in Chinese, but include is a thin 16pp. booklet with the English translation. More
Paris: Maisonneuve et Larose, 1997. Many color Illus. 95pp. 4to, pictorial wrs. (Paris: Maisonneuve et Laroe, 1997). Fine. More
New York: Rizzoli, 2013. Many color photo illustrations. 227 pages. Oblong, small folio, copper boards, d.w. New York: Rizzoli, (2013). A near fine copy in a near fine dust wrapper, slight scuff to both front cloth and front panel. More
Sofia: Foreign Languages Press, 1966. With 38 color plates and 72 other illustrations. 221 pages, 8vo, orange cloth (edge-worn and rubbed at corners; endpapers yellowed). Sofia: Foreign Languages Press, 1966. First edition. A very good copy. More
New York: Rizzoli, 1994. Many illustrations in color and in black & white. 269 pages. 4to, blind stamped blue cloth, dust wrapper. New York: Rizzoli, (1994). First American edition. A fine copy. More
New York: G.P. Putnam's Sons, 1969. 312 illustrations, 56 in color. 518pp. Very thick 4to, red cloth, d.w.; chipped and worn. New York: G.P. Putnam's Sons, 1969. First American Edition. A very good copy in a worn and chipped dust jacket. More
Uppsala: Almqvist & Wiksell, 1963. Illustrated with a 94 of b/w images on plates at rear, some other within the text. 260 pages. Slim 4to, green cloth. Uppsala: (Almqvist & Wiksell), 1963. A fine copy. More
New York: Abrams, 2006. Packed with 355 color illustrations. 464pp. Thick 4to, red boards, d.w. New York: Abrams, (2006). A fine copy, as new in the original shrinkwrap. More
Washington: The National Gallery of Art, 1993. Illustrated in black and white with several additional color images. 87 pages, Slim small 4to, pictorial wrappers. Washington: The National Gallery of Art, (1993). A near fine copy. More
Ontario: Art Gallery of Ontario, 1975. Illustrated throughout, mostly in black and white. 198 pages. Short 4to, blue printed wrappers (spine toned). (Ontario): Art Gallery of Ontario, 1975. Revised edition. A fine copy. More
New York: Edith C. Blum Art Institute, 1985. Illustrated in color and black and white. 80 pages, slim 4to, pictorial wrappers. A fine copy. New York: Edith C. Blum Art Institute, 1985. A fine copy. Exhibition catalog. More
New York: Stein and Day, 1963. Illustrated in black and white. 457 pages. 8vo, cloth-backed boards. New York: Stein and Day, 1963. A very good copy-- one bumped corner and faint stain at foot of spine. More
Thanks for the help. You are one of 'The Last of the Good Guys'...
The book came and what a treasure, thank you! It was autographed on one of the early pages by the author, to the famous British writer Rebecca West. I like this author, James Milne, and am thrilled to have a book autographed by him, and to someone like Rebecca West, too! One never knows what one will find in an old book!