The Engraved Work of F.L. Griggs; Etchings and Dry-Points 1912-1928.
Stratford-Uopn-Avon: Shakespeare Head, 1928. A catalogue. 93pp., untrimmed, tall slim 8vo, black cloth. Stratford-Upon-Avon, 1928. Limited to 325 copies. Very Good (+). More
Stratford-Uopn-Avon: Shakespeare Head, 1928. A catalogue. 93pp., untrimmed, tall slim 8vo, black cloth. Stratford-Upon-Avon, 1928. Limited to 325 copies. Very Good (+). More
Haybarn Press, 2018. Frontispiece on Rives Heavyweight, printed from a painting on a Mylar plate, and hand-colored by the artist. Illustrated in color by Ed Colker. Letterpress printed. Unpaginated, unbound in burgundy cloth portfolio, as issued. Haybarn Press, 2018. A fine copy. Limited edition, number 24 of 125. Signed by the artist on the limitation page. Poems by: Lee Briccetti, Lea Graham, Kathryn Hellerstein, Catherine Kasper, Kadya Molodowsky, Kathleen Norris, Nina Pick, Ronnie Scharfman, Rosmarie Waldrop, Jeanne Murray Walker, and..... More
California Library Association, 1961. 39 pages. Very slim 8vo, original tan printed wrappers, staple-bound. California Library Association, 1961. First Edition. Near Fine. Limited Edition. One of 750 copies designed by Ward Ritchie and Printed by the Ward Ritchie Press. Keepsake Series No. 2. Inscribed by the author on the half-title. More
Portland: Mosher, 1900. Highly decorative title page and with some rubricated initials throughout. 53 pages. Slim 8vo, original pale blue boards with paper labels. Outer hinges are cracked an re-glued but internally fine. Portaland maine: Thomas Mosher, 1900. Limited edition. Overall a very good copy. One of 450 copies. More
Pennyroyal Press, 1975. Frontispiece portrait of Beekman is an engraving by Barry Moser, printed from the block. Book design by Richard Hendel. Printed throughout in black & red. Unpaginated. Thin oblong 12mo, black cloth with red leather spine label (label is a bit roughed at one edge, otherwise a fine copy). No place: Pennyroyal Press, 1975. Limited edition. Number 150 of 200 copies printed. Signed by Beekman & Moser on the limitation page. More
London: Nonesuch Press, 1923. Decorative borders in mid-sixteenth century style, printed in sienna. Unpaginated 8vo, thin boards covered with maroon batik paper. London: Nonesuch Press, 1923. Limited Edition. Fine Number 51 of 250 copies. In a blue paper (slightly rubbed) slipcase with a decorative label. More
San Francisco: Arion Press, 1996. Translated from the Hebrew by Robert Alter. Original two-color frontispiece etching by Michael Mazur, signed by the artist. Original purple handmade paper wrappers, purple cloth chemise and slipcase. Largo folio, printed in red and black on handmade paper. San Francisco: Arion Press, 1996. Slipcase is just a bit faded, else a fine copy. No. 25 of 200 copies, signed by the translator at the foot of the colophon. "Designed as a large folio, the Arion..... More
London: 1914. Illustrated with 10 color plates after F. Caley Robinson, protected with lettered tissue. 89 pages. Slim 4to, linen-backed boards with paper labels on spine & cover; uncut edges, top edge gilt. London: Philip Lee Warner/Medici Society, 1914. Limited Edition. Fine. Limited edition -- number 324 of 500 copies printed at the Riccardi Press. More
New York: Central Conference of American Rabbis, 1984. Hebrew texts, English translations, introduction, and new liturgies. Translations edited by Rabbi Albert H. Friedlander... Liturgies edited by Rabbi Herbert Bronstein... Illustrated and designed by Leonard Baskin. Original frontispiece lithograph, signed & dated. 37 watercolor plates. 323pp. Folio, cloth, d.w. New York: Central Conference of American Rabbis, 1984. A fine copy. New Translations of Ecclesiastes, Esther, Song of Songs, Ruth and Lamentations, with explanatory notes. Text in Hebrew and English. One of..... More
Chelsea: Ashendene, 1904. 62p., printed in black & red wih blue initials drawn by Graily Hewitt. 8vo, (19 x 13 cm), full limp vellum with gilt title on spine, (2 bookplates loosely pasted). Chelsea: Ashendene Press, 1904. Limited Edition. Fine. One of 150 copies. Enclosed in 1/4 brown leather slipcase. "A varied and beautiful work." Colin Franklin. More
San Francisco: Auerhahn PRess, 1964. Deckle edge, thin 4to, gray boards. (San Francisco: The Auerhahn Press, 1964). Near Fine. One of 175 numbered copies inscribed by the author. More
London: Trianon, 1954. Full page color illustrations. Slim 8vo, original 1/2 brown calf, (light scuff marks on spine) tan boards, board slipcase. London: Trianon Press, 1954. Facsimile edition. Near fine. Limited Edition. Number 168 of 800 copies. More
Montagnola: Bodoni, 1925. 28 pages, untrimmed, light foxing on fly-leaves, tall slim folio, green board, vellum spine (lightly soiled, tiny chip). (Montagnola: Officina Bodoni, 1925). Very Good. Number 82 of only 275 copies. This edition prints the original Latin text of the pact on which the Swiss Confederation is based, as well as translations of the pact into languages recognized in Switzerland: German, French, Italian, Ladin, and Romansh. More
New York: Chroma Press, 1986. A slim volume of poetry with several in-text drawings and an original etching by Gregory Crane. 8vo, green cloth with paper spine label (small faint stain at head, else fine). New York: Chroma Press, 1986. Limited edition - from a total of 100 signed copies, this is number 1 of only 20 copies that include an etching by Gregory Crane, printed by Pelavin Editions, signed and numbered. An uncommon Press Book. Paul Bray was a...... More
New York: Elsgon Press, 1900. Initial letters & ornate borders by H.M. O'Kane on every page. Thin 4to, original vellum backed boards; very light soiling. (New York: Elston Press 1900). Limited Edition. Near fine copy of the first book by Clarke Conwell's Elston Press, inspired by William Morris. More
Oxford: Shakespeare Head Press, 1928. 8 volumes in the original bindings -- linen backed aqua boards, spines are sun-darkened and somewhat stained and covers are partially dis-colored by the sun. Numerous hand colored illustrations, original untrimmed edges and paper spine labels (new clean spine labels are tipped into each volume). Pages are crisp and clean. Oxford: Shakespeare Head Press Stratford-Upon-Avon, 1928-29. Limited Edition. A very good set, internally fine. Number 264 of 375 copies (of which 350 were for sale..... More
New York: Gemor, 1942. Including the cover, there are 3 mounted plates by Andre Masson. Unpaginated. Tall slim 8vo, original black wrappers with paper spine label (rubbed; head of spine chipped; partial loss to spine label). New York: Gemor Press, 1942. First A very good copy of this scarce book featuring the prose & poetic work of American surrealist Hugh Chishom . Limited edition of 500 copies, set by Hand. The Gemor Press was founded by Anais Nin, and very..... More
London: Golden Cockerel, 1934. 6 woodcut engravings by Eric Gill with tissue guards. 41 pages, untrimmed, slim 8vo, cloth backed green boards, paper spine label. (London): Golden Cockerel Press, 1934. Limited Edition. Near Fine. Number 102 of 300 numbered copies signed by the author and illustrator. More
Norwalk: Easton, 1996. Tall 8vo, ornately gilt blue leather, a.e.g. Norwalk: Easton Press, (1996). Fine. More
New York: Derrydale, 1928. Illustrated with 3 colored engravings, protected by tissue. 36pp. Slim 8vo,vellum backed boards with paper label on front cover; uncut edges. New York: Derrydale Press, 1928. First Edition. Near fine. Limited to one of 350 numbered copies. More
London: Nonesuch Press, 1932. Ed. by E. M. Simpson. 80pp., untrimmed, foxing on fly-leaves, 4to, embossed white boards, age toning on top edge. London: Nonesuch Press, 1932. Very good. One of 750 numbered copies. More
Gwasg Gregynog, 1927. Printed throughout in red & black. 1 full-page woodcut and title page vignette by David Jones. 21 pages. Short slim 4to, publisher's full dark blue levant with simple gilt lettering and frame, inner gilt dentelle (front joint slightly worn and with small chip at head; internally fine). Uncut edges, t.e.g. Gwasg Gregynog, 1927. A very good(+) copy of this scarce book. Number 20 of only 25 numbered copies on Batchelor handmade paper in a full binding executed..... More
Roslyn Harbor: The Stone House Press, 1979. Songs by Jim Gelfand. 41 pages. Slim 8vo, blue cloth, paper title labels on spine and front cover. Roslyn Harbor: The Stobe House Press, 1979. Fine. One of 100 numbered copies. More
Darmstadt: Ernst Ludwig Presse, 1922. 214pp., Small 4to, original light green boards, faded to tan, vellum spine; top edge gilt, other edges untrimmed; end-leaves slightly toned. Darmstadt: Ernst Ludwig Presse, 1922. The Ernst Ludwig Presse was founded in 1907 as private printing company for the Grand Duke Ernst Ludwig von Hessen, and was one of the first German private presses. The type-face & initials in this book were by Christian Kleukens at his press in Frankfort... More
New York: Grabhorn Press, 1928. Illustrated with tinted wood blocks designed and engraved by Valenti Angelo. 362 pages. Tall 8vo, rebound in older full red leather with marbled endpapers (minor wear at extremities and one small neat repair at top joint). New York: Printed by Edwin and Robert Grabhorn for Random House, 1928. A very good(+) clean copy. Limited Edition, Number 342 of 980 numbered copies. More
An oasis in the restless city. One of my best discoveries in NYC.
Hallo from Bavaria, Book has been received. I am highly pleased. All the best wishes.