Paris: Filipacchi, 1976. Illustrated in b/w and color. 67 pages with text in French. Thin 4to, brown cloth, d.w. (lightly worn, creased on back flap). Paris: Filipacchi, (1976). Very light foxing on top edge, a very good(+) copy in a very good(+) dust wrapper. More

Beaux Arts Editions, 1999. Gorgeously illustrated in color with many full-bleed images. 328 pages, thick folio, pictorial boards backed in gold cloth with silver stamping. Beaux Arts Editions, (1999). A near fine copy of this large, attractively designed book. More

Paris: Maeght, 1998. Illustrations in color and in black & white. 250 pages. Square 4to, pale green cloth, d.w. Paris, Maeght, (2000). First Edition. A fine copy, lacking the slipcase. More

Milan: Leonardo Arte, 1994. Nearly 200 color illustrations, 100 black-and-white photographs. 400 pages. Square 4to, glossy pictorial wrappers. Milan: Leonardo Arte in association with the National Gallery of Art and The Museum of Modern Art, (1994). Near fine. Essays by Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, and Hans Janssen. More

Secaucus: The Wellfleet Press, 1978. Lavishly illustrated with 504 plates, including 347 plates in full color. 324 pages. Large square 4to, green cloth, d.w. Front hinge partially cracked, still a very good(+) copy in very good dust wrapper. More

New York: Abrams, 1975. 217 illustrations, including 53 plates in full color. 206 pages. Oblong 4to, white-lettered orange cloth, d.w. New York: Abrams, (1975). First edition. Near fine in near fine dust wrapper. The original edition, superior to the reprint. -- Freitag 2223. More

Greenwich: New York Graphic Society, 1966. Translated from the French by Phoebe Pool. 61 tipped-on color plates, 770 black & white illustrations. 348 pages. Folio, blue cloth with white lettering (rubbed at extremes with spine and edges rather sunned). Greenwich: New York Graphic Society, (1966). A good copy, lacking the dust wrapper. More

Paris: Tisne, 1957. Illustrated with mounted color plates. 179pp with text in French. Tall square 8vo, yellow cloth with inset pictorial label; matching cloth box (a bit worn and soiled). Paris: Editions Pierre Tisne, (1957). A very good(+) copy. More

Norman: University of Oklahoma Press, 1971. Few black-and-white illustrations. 8vo, blue cloth, d.w.; dust wrapper worn. Norman: University of Oklahoma Press, (1971). A near fine copy in a good dust wrapper. More

Paris: Bibliotheque des arts, 1956. 20 plates, 12mo, colored pictorial wrappers; uncut & partially unopened. Paris, (1956). Presentation copy by the artist. More

Boston: New York Graphic Society, 1975. 64 color and 661 black-and-white illustrations. 267 pages. Square 4to, white cloth (slightly dust-soiled at bottom edge), d.w. (largely intact but rubbed and with on large tear on front panel, taped on rear). Boston: New York Graphic Society, (1975). First edition. Near fine in very good dust wrapper. More

New York: George Wittenborn, 1959. Frontispiece, color and black & white plates throughout. Small 4to, light brown cloth with gilt lettering and label at spine. New York: George Wittenborn Inc., (1959). Sunned at spine, cloth slightly dust-soiled. Toned endpapers, infrequent spotting at page edges. A very good(+) copy lacking the dust wrapper. With sections on the works of Pablo Picasso, Georges Braque, Juan Gris, and the influence of cubism in France. More

New York: Scribner, 1988. 325 pages, 8vo, orange cloth backed orange boards, dust wrapper. New York: Sribner's Sons, 1988. First Edition. Near fine in fine dust wrapper. "The Armory Show and the Pageant, Martin Green shows so brilliantly, were the last manifestations of a pre World War I radicalism -- in art and in the ranks of the proletariat, of the old International Workers of the World. More