An American in Paris
London: Linkline, 1977. Profusely illustrated in b/w. 208 pages. Slim 4to, maroon cloth, pictorial d.w. London: Bison, (1977). A near fine copy in a near fine dust wrapper. More
London: Linkline, 1977. Profusely illustrated in b/w. 208 pages. Slim 4to, maroon cloth, pictorial d.w. London: Bison, (1977). A near fine copy in a near fine dust wrapper. More
New York: 1948. Frontispiece. 337 pages, slim 8vo, cloth. New York, 1948. A very good copy. More
Paris: Delegation a l'Action Artistique, 1992. Profusely illustrated throughout with 300 images, just a few in color. 300pp with text in French. Square 4to, black boards, d.w. Paris: Delegation a l'Action Artistique/Hachette, 1992. First edition. A fine copy in a fine dust wrapper. More
New York: Farrar Straus & Giroux, 2006. 3 maps. 441pp. Thick 8vo, two-toned cloth, d.w. New York: Farrar, Straus, & Giroux, (2006). Very good. More
New York: Farrar Straus & Giroux, 2005. Illustrated in black and white, includes 3 maps. x, 441 pages. Thick 8vo, two-toned cloth, d.w. New York: Farrar, Straus, & Giroux, (2006). Small bump at tail, otherwise fine. A near fine copy in a fine dust wrapper. More
Munich: Prestel, 2000. Illustrated throughout with more than 160 sepia tone photographs by Egene Atget. 4to, tan boards, dust wrapper. Munich: Prestel, 2000. A fine copy in a fine dust wrapper. More
New York: Architectural History Foundation, 1991. Illus. 4to, red cloth, d.w. New York: Architectural History Foundation, (1991). Very good. Presentation copy. More
Cambridge: MIT Press, 1991. Illustrations in b/w. 378 pages. 8vo, red cloth, pictorial d.w. New York/ Cambridge: Architectural History Foundation/ MIT Press, (1991). A near fine copy in a near fine dust wrapper. More
San Francisco: Chronicle, 1994. Some b/w illustrations. 168 pages. 8vo, black cloth, pictorial d.w. (edges lightly curled). San Francisco: Chronicle, (1994). A near fine copy in a near fine dust wrapper. More
Baltimore: Johns Hopkins University Press, 2006. Illus. 8vo, green cloth, d.w. Baltimore: Johns Hopkins University Press, (2006). Very good. More
Paris. Printed on stiff beige paper. Numerous black & white illustrations which are full page, the text is printed on 1/2 size pages. Stiff yellow pictorial wrappers with an illustration by Bernard Buffet on front and back, yellow board slipcase. No place, no date, circa 2000. More
Washington: Middendorf Gallery, 1989. 74 plates, reproduced directly from vintage photographs. Small 4to, stiff photographic wrappers. (Washington D.C.): Middendorf Gallery, (1989). Near fine. More
Ithaca: Cornell University Press, 1971. Some b/w illustrations. 374 pages. 8vo, grey cloth (ownership signature on flyleaf, pages lightly foxed), pictorial d.w. (edgeworn with torn foot, price-clipped). Ithica: Cornell University Press, (1971). A very good(+) copy in a very good(+) dust wrapper. More
illus. 8vo, cloth, d.w. Boston: Little Brown, (1993). vg. More
Philadelphia: Carey and Hart, 1841. 2 volumes. viii + 243 pages and xi + 236 pages, short 8vo, leather-backed marble boards; scattered foxing throughout, minor edgewear. Philadelphia: Carey and Hart, 1841. A very good set. More
Paris: Anwile, 1980. Profusely illustrated. 240pp. 4to, glossy pictorial boards; corners dented. Paris: Anwile, (1980). A very good copy. More
New Brunswick: Rutgers University Press, 1988. Illustrated in color and black and white. 197 pages, 4to, red cloth with silver stamping, dust wrapper. New Brunswick: Rutgers University Press, 1988. A fine copy in a fine dust wrapper. More
New York: Pantheon, 1976. Translated from the French by Richard Miller. Black and white frontispiece and numerous fine black and white photo illustrations throughout. Short thin 4to, black cloth, lightly worn d.w. New York: Pantheon, (1976). First American edition. A fine copy in a very good(+) dust wrapper, with a lengthy inscription from Brassai on the title page in French, dated October 2, 1976. More
New York: Pantheon, 1976. Translated from the French by Richard Miller. Black and white frontispiece and numerous fine black and white photo illustrations throughout. Short thin 4to, black cloth, d.w. (a touch worn at head). New York: Pantheon, (1976). First American edition. A fine copy in a very good(+) dust wrapper. More
New York: Braziller, 1987. Illustrated. 359pp., 8vo, cloth, d.w. New York: George Braziller, 1987. More
New York: Knopf, 1977. Illustrated. 402pp., 8vo, cloth-backed boards, d.w.; minor chipping to dust wrapper. New York: Alfred A. Knopf, 1977. First edition. A very good (+) copy in a very good dust wrapper. Presentation copy signed by the author. More
New York: Viking, 1973. Approximately 50 full page black & white illustrations, + 62 pages of text. Slim square 8vo, black cloth, price-clipped d.w. New York: Viking, (1973). A fine copy in a near fine dust wrapper. More
New York: Putnam, 1993. 254 pages, 8vo, cloth-backed boards, d.w. (spine sunned). New York: G. P. Putnam's Sons, (1993). A fine copy in a near fine dust wrapper. More
Paris: Editions des Quatre Vents, 1945. 109p., printed boards. Paris: Editions des Quartre Vents, (1945), First Edition. Inscriptions by detainees written on prison walls during World War II. Presentation copy. More
San Francisco: Cameron, 1984. Text by Pierre Salinger. Profusely illustrated in color. Slim oblong 4to, burgundy cloth, d.w. (partially faded and foxed on verso). San Francisco: Cameron, (1984). First printing. Near fine in very good dust wrapper, More
I was very happy to receive the package this morning. The book is in beautiful condition exactly as described with an unexpected Mylar plastic cover. I used to frequent your bookstore and purchased many fine books there when I worked in Manhattan. Wishing you continued success. Sincerely,
Thanks for the note. I'm actually in NY for a few days and was hoping to get there but have to head back tomorrow. I've been stopping by the Argosy for over 60 years starting when my mother would take me there after shopping at Bloomingdale's and lunch at a long gone restaurant on the east side of Lexington between 58th and 59th that was torn down to make way for Alexander's department store; that is gone too, of course.