Paris: Fragrance, 1950. Ten Poems by the West Indian (Martinique) poet Aime Cesaire, together with an abundance of finely printed illustrations by Picasso: an etched title on the cover, a fine original etching/drypoint portrait frontispiece, 10 aquatints each illustrating a poem title, and 20 drypoint engravings, all on Montval wove paper with a "Corps Perdu" watermark. Folio. Folded sheets, loose as issued, in original white printed paper wrappers; housed in a vellum-backed orange board chemise and orange board slipcase. One..... More

New York: Abrams, 1961. Introduction by Georges Boudaille. 32 pages of text in English & Spanish, followed by the illustrations, which reproduce 3 of Picasso's sketchbooks drawn in 1959. Folio, white cloth with multi-colored pictorial covers (spine sun-darkened, as usual); pictorial cloth slipcase (well-rubbed and repaired; now sound). New York: Abrams, (1961). First American edition. Scarce. Internally fine, a very good(+) copy of this handsomely printed book. The plates (black & white, sepia and color), many of which are single-sided..... More

Monte Carlo: Andre Sauret, 1964. Illustrated with two original b/w lithographs which are the frontispiece and the double-spread wrappers. Over 140 additional plates throughout, some in color or tinted. 152 pages. 4to, original pictorial wrappers (some sunning at edges and just a bit bumped at spine ends), protected with acetate, chipped. Monte Carlo: Andre Sauret, (1964). Text in French. A very good(+) copy, internally clean. The fourth volume of the catalogue raisonne of Picasso's lithographs. More

New York: Abbeville, 1989. Preface by Michel Leiris. Edited with Introductions by Marie-Laure Bernadac and Christine Potter. Illustrated with 184 facsimile reproductions of his manuscript pages. Small folio, maroon cloth with pictorial label (binding a bit shaken; spine evenly sunned). New York: Abbeville Press, (1989). First American Edition. A very good(+) copy, lacking the dust wrapper. More

Zurich: Thomas Ammann, 1988. 32 color illustrations. Thin 4to (10 x 12 inches), stiff gray paper wrappers with large pictorial label (spine sunned and a bit rubbed at edges). Introduction in German & English. Zurich: Thomas Ammann Fine Art. June -September 1988. Exhibition catalog. Very good(+). More

New York: Artisan, 1997. Introduction by Susan Grace Galassi. Illustrated in black and white. 79 pages. Oblong 12mo, decorative black boards, d.w. New York: Artisan, (1997). Near fine in a very good(+) dust wrapper. More

Brussels: Palais des beaux arts, 1956. Black & white illustrations. Thin 8vo, unpaginated, pictorial wrappers. Bruxelles: Palais des beaux arts, 1956. Exhibition catalog. Text in Dutch & French. More

Madrid: Fundacion Mapfre, 2010. 350pp., Square 4to, pictorial boards, lightly rubbed at extremities. Madrid: Fundacion Mapfre, (2010). More

Basel: Fondation Beyeler / Flammarion, 2005. Profusely illustrated in color and black-and-white. 253 pages, 4to, pictorial wrappers. Basel: Fondation Beyeler / Flammarion, (2005). A fine copy. Text in German, French, and English. More

Stuttgart: Gerd Hatje, 1988. Einleitung von Ernst- Gerhard Guse. 774 plates, some in color; text illustrations. Small folio, d.w. (Stuttgart): Gerd Hatje, (1988). Near fine, except for large rubber stamp on flyleaf. More

Los Angeles: Los Angeles County Museum of Art, 1966. 441 illustrations, small square 4to, stiff gray printed wrappers Los Angeles: Los Angeles County Museum of Art, 1966. Very good(+). More

Paris: Gallimard, 1989. Illustrations mostly in b/w. 454 pages. Thick 4to, black blind-stamped cloth, white graphic d.w. in a black cardstock slipcase (spine very sunned on both cloth and d.w.). Paris: Reunion des musees nationaux et Editions Gallimard, (1989). A near fine copy in a very good dust wrapper, internally clean. `. More

Paris: Cahiers d'Art, 1970. Illustrated abundantly in color and in black and white. Unpaginated, four pages of text in French. Tall 4to, white wrappers (toned, lightly dust-soiled and edgeworn). Paris: Cahiers d'Art, (1970). Internally clean and tight, still a very good(+) copy. More