The Blood of his Servants.
New York: Times Books, 1984. Illustrated. 310 pages, 8vo, cloth-backed boards, d.w. New York: Times Books, (1984). A very good copy in a very good dust wrapper. More
Results
Results 1 - 9 (of 9)
The Piper in Peace and War
London: John Murray, 1927. Frontispiece + 7 b/w illustrations. xiv + 282 + 6 pages of ads. Thick 8vo, green cloth, gilt lettering and gilt decoration of a piper. London: John Murray, 1927. First edition. Newspaper clipping of book review attached to first blank with toning to nearby pages. Light rubbing to joints and spine ends, as well as to fore-corners of covers. Single penned correction by Major Scobie to page 259. Small stains to top and bottom edges of..... More
French Colour-Prints of the XVIII Century.
Philadelphia: Lippincott, 1913. 50 mounted color plates, lettered tissue guards. Thick folio, 3/4 black morocco, gilt-stamped raised bands; (ends and hinges repaired). Philadelphia and London: Lippincott/Heinemann, 1913. Very good (+). More
London Past and Present.
London: Studio, 1916. Edited by Charles Holme. Numerous illustrations, several in color, some folding. 194pp., text pages are tan.Tall 4to, cloth. London: The Studio, 1916. Very good. More
Londoners Then and Now As Pictured by Thier Contemporaries
London: The Studio, 1920. With commentary by SALAMAN, Malcolm C. Many color and black and white plates by various artists. 167 pages, slim 4to, tan cloth, with gilt stamping and beveled edges. London: The Studio, 1920. A very good(+) copy. More
Modern Masters of Etching, No. 18: H. Rushbury.
London: The Studio, 1928. 12 tipped-in sepia plates, 9pp. of text, slim oblong 4to, blue boards (rubbed) with paper label on spine and cover. London: The Studio, 1928. Very good. Number 18 of the Modern Masters of Etching series. More
Old English Colour-Prints.
London: Studio, 1909. 40 mounted color plates by Bartolozzi, Schiavonetti, Tomkins, Vendramini, and others. 4to, red 1/2 leather, g.t. London: Studio, 1909. Very good. Lucas, p.98. More
Old English Mezzotints.
London: The Studio, 1910. Edited by Charles Holme. Illustrated with 128 plates, many mounted and protected with lettered tissue. Short thick 4to, gray cloth with black leather spine label (edgeworn and spine somewhat darkened; several signatures sprung; light foxing in margins; bookplate and newspaper clippings affixed to preliminary pages). London: The Studio, 1910. A good reference copy. Lucas p.98. More
Modern Masters of Etching, No. 12: F. L. Griggs.
London: The Studio, 1926. Introduction by Malcolm C.Salaman. 12 gravure reproductions, mounted, with lettered tissue guards. 10pp. of text. Oblong 4to, grey boards, paper spine and cover labels. London: The Studio, 1926. Very good. Number Twelve in the Modern Masters of Etching series. More
Results 1 - 9 (of 9)