Paris: Skira, 1948. 27pp of text in French. Illustrated throughout with fine mounted color plates, loose as issued in printed wrappers; two-part board slipcase (broken). Paris: Skira, (1948). A fine copy in a fine dust wrapper but poor box. Les Tresors de la Peinture Francaise. More
Olivetti, 1964. Tall thin folio, printed stiff wrappers. Limited text in Italian. 12 full color plates tipped onto loose card leaves. Italy: Olivetti, 1964. First Edition. Italian primitive painter. The glassine dust wrapper has a long tear, otherwise fine. More
Cleveland: World, 1962. Illustrated. xiv + 303pp. 8vo, cloth, d.w. ; lightly edgeworn. Cleveland: The World Publishing Company, 1962. First edition. More
Paris: Galerie Schoffel-Valluet and Galerie Samy Kinge, 2010. With color and b/w images. 140 pages. Slim 8vo, black cloth. Paris: Galerie Schoffel-Valluet and Galerie Samy Kinge, 2010. A near fine copy. More
Paris: L'Aventurine, 1995. 187 illustrations, many in color. 325pp., 4to, blue cloth, d.w.; dust wrapper spine and part of cover a bit sun-darkened. Paris: L'Aventurine, (1995). A near fine copy in a very good dust wrapper. More
Paris: Plon, 1938. 32 plates of which 8 are in color, one folding. Small slim 8vo, 63pp., light blue unprinted wrappers. Paris: Librairie Plon, (1938). First Edition. Very Good. More
New York: American Federation of Arts, 1962. Slim 4to, green cloth, faded at edges. New York: American Federation of Arts, (1962). A new edition. A very good(-) copy, lacking the dust wrapper. More
Stuttgart: 1954. Illustrated in b/w. 64pp., tall 8vo, flexible embossed boards with dust wrapper (edgeworn). Stuttgart, (1954). Text in German. A very good copy. More
Birmingham: Crane Hill, 1994. Numerous color plates, slim 4to, black cloth, d.w. Birmingham: Crane Hill, 1994. First Edition. Fine. Signed by both artists on the half-title. More
New York: Dodd, Mead & Co., 1950. Illustrated. 182 pages, 8vo, cloth, d.w.; dust wrapper chipped. New York: Dodd Mead, (1950). a very good copy in a good dust wrapper. More
New York: Abrams, 1994. Illustrated with 150 photographs in full color. Short thin 4to, black cloth, d.w. (New York: Harry Abrams, 1994). A fine copy in a fine dust wrapper. More
New York: Macmillan, 1923. Foreword by Professor A. G. Keller. Frontispiece plus 3 plates. xv, 330pp. 8vo, burgundy cloth (lightly scuffed; inner front hinge mended). New York: Macmillan, 1923. First edition. A very good copy. Garrison-Morton 6456. More
New Haven: Yale University Press, 1927. 48 pages of text followed by 36 b/w illustrations. 4to, gray cloth spine with gilt-decorative blue boards. New Haven: Yale University Press, 1927. A very good copy with some wear to corners. More
Munich: Prestel, 1996. Photographs by Michael Cavanagh and Kevin Montague. Introduction by Roy Sieber. 112 color and 6 black & white illustrations, plus 5 maps. 232 pages. 4to, yellow cloth, d.w. Munich: Presetel, (1996). A fine copy in a near fine dust wrapper. Published in conjunction with the exhibition. More
France: Morance, 1956. Illustrated with 50 fine photographic plates. 15 pages of text, Folio, pictorial board portfolio (corner slightly bumped), yellow cloth spine, cloth ties. France: Albert Morance, (1956). A near fine copy. More
Nara: Tenri Museum, 1954. Black & white illustrations. 64 pages, Small slim square 8vo, fragile and browned, green pictorial wrappers (inked translation of title on cover). Nara: Tenri Museum, 1954. Scarce. A very good(-) copy. Text in Japanese (but for the title). More
New York: Abrams, 1997. Illustrated throughout in color square 4to, blue boards, dust wrapper, torn at head. New York: Abrams, 1997. A near fine copy in a very good(+) dust wrapper. More
New York: Oxford University Press, 1962. B/w illus., 421pp., 8vo, dec. cloth, d.w.; (d.w. is tattered). New York: Oxford University Press, 1962. Very good+ with a fair d.w. More
I love old books and I have to say that your shop was my favourite attraction in NYC, and I put it up there along with the MET Opera! I don’t tend to visit NYC very often but I will surely visit the shop next time I go.
I wanted to let you know that the Lehár autograph quotation arrived safe and sound having made its transatlantic journey without any problems. It’s a beautiful thing, and I can’t wait to get it up on the wall. I’m absolutely delighted with it – thank you!