New York: Andre Emmerich, 1959. Photographs by Lee Boltin. Thin 8vo, leather backed marbled boards. N.Y.: Andre Emmerich Gallery, (1959). Limited First Edition. An anthology of poems, and objects of art of the pre-Columbian past. Of 1500 copies printed, this is one of 50, signed by each of the contributing poets, each on a separate blank page. The poets include Theodore Roethke, W. Carlos Williams, W.S. Merwin, Octavio Paz, Louise Bogan & Richard Wilbur. This is No XVI, and is.....
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Austin: University of Texas, 1980. 2 volumes. Hundreds of black-and-white illustrations plus 4 large fold-out maps in separate folder. viii + 416pp plus 198pp., 4to, two-toned cloth, pictorial slipcase; ownership signature on front free endpaper of each volume. Austin and London: University of Texas Press, (1980). A near fine set.
Mexico: Universidad Nacional Autonoma de Mexico, 1993. 14 color plates, including a large folding one at the front and rear, many black & white text illustrations. 191pp., tall 8vo, glossy, pictorial wrappers; small ownership signature. Mexico: Universidad Nacional Autonoma de Mexico, 1993. A very good (+) copy. One of 3,000 copies.
Recklinghausen: Aurel Bongers, 1959. With an Introduction by Raul Porras Barrenechea. Translated from the Spanish by Roger Peniston-Bird. Illustrated with 144 mounted color plates. 296 pages. Very thick 4to, natural cloth, worn & torn d.w. Recklinghausen: Aurel Bongers, 1959. Number 138 of the Limited Edition. Several spots on top edge and a few pages bumped in corner, else a very good(+) copy in a good dust wrapper.
Austin: University of Texas Press, 1982. Illustrated in black and white 241 pages (previous owner's name on front free endpaper, foxing to top edge but interior clean), 8vo, grey cloth, dust wrapper (some foxing to interior of dust wrapper.) Austin: University of Texas Press, (1982). A fine copy in a very good(+) dust wrapper.