New York: Collins, 1986. Photographed by 200 of the world's leading photojournalists on one day, May 2, 1986. 268 pages of color and black & white photographs. Folio, black cloth, dust wrapper. Wrapper is very lightly rubbed on back cover. New York: Collins, (1986). Near-fine. More about A Day in the Life of America
New York: Collins, 1986. Photographed by 100 of the world's leading photojournalists on one day, March 6, 1981. 286 pages of color and black & white photographs. Folio, black cloth, dust wrapper. Wrapper is very lightly rubbed on back cover. Sticker residue on back endpaper. Otherwise near-fine. New York: Collins, (1986). More about A Day in the Life of Australia
New York: Collins, 1988. Photographed by 100 of the world's leading photojournalists on one day, May 7, 1987. 220 pages of color and black & white photographs. Folio, black cloth, dust wrapper. Wrapper is lightly rubbed. Near fine. New York: Collins, (1988). More about A Day in the Life of Spain
New York: Collins, 1987. Photographed by 100 of the world's leading photojournalists on one day, May 15, 1987. 240 pages of color and black & white photographs. Folio, black cloth, dust wrapper. Wrapper is lightly rubbed, closed tear to back panel. New York: Collins, (1987). A fine copy in a very good(+) dust wrapper. More about A Day in the Life of the Soviet Union
Photographs and Commentary by Philip Hyde. Color plates, some double page. 144pp. Small folio, cloth, d.w. San Francisco: Sierra Club, 1971. A near fine copy. More about Slickrock: The Canyon Country of Southeast Utah
New York: Horizon, 1964. Numerous black & white plates, small folio, black cloth, d.w.; cloth rubbed, dust wrapper chipped with a large tear to front cover. New York: Horizon, (1964). First Edition. Very good copy in poor dust wrapper. More about The World of Atget
New York: Aperture. Preface by Berenice Abbott. Design by Marvin Israel. 51 black & white plates. 109pp., 4to pictorial boards, d.w.; minor bumping to spine ends, and edgewear to dust wrapper.. New York: Aperture, (1979). More about Lisette Model
1945. Exceedingly rare black-and-white portrait on a 10.5 x 8.25-inch heavy-stock board, taken by "Starvis & Ewing," official photographers of the British Royal Family. The photo shows Abdullah as King Regent and Field Marshall, war-dated January 1, 1945, boldly signed "Abdullah" in English and Arabic, not personalized as it would be considered demeaning. Authentic signatures of Starvis and Ewing on the lower border attest to the fact that this is an official portrait. Abdullah is extremely rare due to the... More about Signed Vintage Photograph
New York: Billboard, 1986. 350 photographs, many in color. 280pp., folio, blue cloth, d.w.; minor sunning at foot of spine, else near fine. New York: Billboard, (1986). A very good(+) copy in a very good dust wrapper. More about Jazz: A Visual Retrospective
Foreword by James M. McPherson. Profusely illustrated with color photographs by Kenneth Garrett and Jack Kotz. 192pp., 4to, gilt- stamped cloth, d.w. (d.w. slightly worn at corners). Charlottesville: Thomasson-Grant & Lickle, (1996). Near fine. More about Hallowed Ground: Preserving America's Heritage
Boston: Bullfinch, 1990. Edited by Andrea Stillman. 100 black & white photographic illustrations. Oblong folio, grey cloth, d.w. Bpston: Bulfinch Press, (1990). First Edition. Fine. More about The American Wilderness
Boston: New York Graphic Society, 1986. Written with Mary Street Alinder. Illustrated with 277 b/w photographs. 400pp. Square 4to, red cloth, d.w. Boston: New York Graphic Society, 1986. Later printing of the first edition. A near fine copy in a near fine dust wrapper. More about An Autobiography
Boston: New York Graphic Society, 1980. With the collaboration of Robert Baker. 130 photos, 40 text figures. 221 pages. Small 4to, black cloth, d.w. Boston: New York Graphic Society, 1980. First Edition. Top edges a bit foxed and small stain at foot of wrapper. First volume of the New Ansel Adams Photography Series. More about The Camera
Boston: New York Graphic Society, 1974. Foreword by Wallace Stegner. Illustrated with 115 extended range photolithographic plates. Oblong folio, two-toned cloth, d.w., cracked board slipcase. Boston: New York Graphic Society, 1974. First printing. A fine copy in a near fine dust wrapper and poor box. More about Images 1923-1974
Boston: Little Brown, 1988. Edited by Mary Street Alinder and Andrea Gray Stillman. Foreword by Wallace Stegner. Frontis., over 100 black and white illustrations, 402pp., 4to, cloth, d.w. Boston: Little, Brown, (1988). First Edition. Fine. More about Letters and Images 1916-1984
Boston: New York Graphic Society, 1976. Selected photographs made from 1928 to 1968 in Arizona, California, Colorado, New Mexico, Texas and Utah. With a statement by the photographer and an essay on the land by Lawrence Clark Powell. Illustrated with 109 black and white photographs. Thin oblong 4to, terra cotta cloth, d.w. Boston: New York Graphic Society, (1976). First Edition. A fine copy in a near fine dust wrapper. More about Photographs of the Southwest
Boston: New York Graphic Society, 1984. Selected photographs made from 1928 to 1968 in Arizona, California, Colorado, New Mexico, Texas and Utah. With a statement by the photographer and an essay on the land by Lawrence Clark Powell. Illustrated with 109 black and white photographs. Thin oblong 4to, terra cotta cloth, d.w. Boston: New York Graphic Society, (1984). Seconf Edition. A fine copy in a fine dust wrapper. More about Photographs of the Southwest
Boston: New York Graphic Society, 1981. Introduction by John Szarkowski. 80 photographic plates. Slim square 4to, black cloth, d.w. Boston: New York Graphic Society, (1981). First printing with laser-scanned separations and new design. A fine copy in a fine dust jacket. A collection of Ansel Adams Portfolios Number One (1948) - Number VII (19976). More about The Portfolios of Ansel Adams
Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, d.w. Boston: New York Graphic Society, 1979. First edition. Some rippling along top & bottom edge of pages, still a very good copy. More about Yosemite and the Range of Light
New York: The Limited Editions Club, 1957. With a New Introduction by Francis Henry Taylor and Photographs by Samuel Chamberlain. 59 photo plates. 349 pages. Tall 8vo, cloth, gilt leather label, marbled board slipcase. N.Y.: The Limited Editions Club, 1957. Fine in a very good(+) slipcase. One of 1500 numbered copies signed by the illustrator. More about Mont Saint Michel and Chartres
New York: Doubleday, 1979. Introduction by Jacqueline Onassis. 76 black and white photographic illustrations. 120 pages. Thin square 8vo, glossy pictorial wrappers; spine faded. Garden City: Doubleday, 1979. A very good (+) copy. More about Atget's Gardens.; A Selection of Eugene Atget's garden photographs
New York: Time Home Entertainment Books, 2007. Many photo Illus. by the author. 4to, black boards, d.w. (New York: Time Home Entertainment Books, 2007). Fine. More about Mine Eyes Have Seen; Bearing Witness to the Struggle for Civil Rights
New York: Viking, 1970. Illustrated with black & white photographs by Bob Adelman. Slim 4to, black pictorial boards, d.w. New York: Viking, (1970). First Edition. A fine copy in a very good dust wrapper. More about On and Off the Street
Ostfildern: Hatje Cantz, 2008. With 227 photographic illustrations, including 97 in color. 224pp. 4to, green cloth, d.w. Ostfildern: Hatje Cantz, 2008. A fine copy, as new in the original shrinkwrap. More about Erwin Blumenfeld Dada Montages, 1916 - 1933: I was Nothing but a Berliner
New York: Abrams, 1997. 112 illustrations. Square 4to, blue cloth, d.w. (New York): Abrams, (1997). Very good. More about Early Days in the Adirondacks; The Photographs of Seneca Ray Stoddard
I don't think I have ever before felt the urge to write to a business, but I wanted to let you know that I have been extremely pleased with everything I have received. I started acquiring older titles when I decided to read some of the early writings in my field. While I noticed that some books were available digitally, I quickly discovered that nothing compares to having the actual books in my hands. For me, they inspire a feeling of deep respect for the work of these past authors that just cannot arise similarly from an eReader or a PDF. All of the books I ordered have been beautiful, packed with obvious care, and shipped in lightning speed. I'm hooked! The next time I head downstate I will look forward to visiting your store in person! Best Regards
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