New York: Viking, 2011. A modern retelling by ACKROYD, Peter. 316 pages, 8vo, black boards, dust wrapper. First American Edition. New York: Viking, 2011. A fine copy in a near fine dust wrapper. More
New York: Columbia University Press, 1941. Translated from the Old French by Merton Jerome Hubert. Notes and Documentation by John L. La Monte. Illustrated. xi + 478 pages. Thick 8vo, green cloth. New York: Columbia University Press, 1941. A near fine copy. Columbia University Records of Civilization. More
Middkesex: Penguin, 1950. Translated by Robert Graves. 298pp. small 8vo, marbled boards, white spine, board slipcase. Middlesex: Penguin, (1950). Fine. One of 2000 copies signed and numbered by Robert Graves. More
Boston: Houghton Mifflin, 1992. 214 pages, 8vo, black cloth dust wrapper. Boston: Houghton Mifflin, 1992. First edition. A near fine copy in a near fine dust wrapper. Inscribed on the front free endpaper: "For Barbara with love, Louis." More
Boston: Houghton Mifflin, 1992. 214 pages (foxing to top and fore-edges, not affecting interior). 8vo, black cloth spine over black boards, dust wrapper. Boston: Houghton Mifflin, 1992. First edition. A very good(+) copy in a very good(+) dust wrapper. Signed in full on the front free endpaper by Auchincloss. More
London: Heinemann, 1929. Illustrated by Arthur Rackham with 24 color plates, 12 tinted plates, and 66 black & white drawings in the text. 549pp. Thick tall 8vo, brownish pictorial cloth with gilt lettering (spine repaired). William Heinemann, 1929. Later printing. A good(+) copy. Humorous parodies of medieval folklore and poetry. More
London: Dent, 1898. 12 color plates with tissue guards, 90 in-text figures, and pictorial end papers, all by Arthur Rackham. xxiv, 638pp. Thick 8vo, original green gilt pictorial cloth (light wear at spine ends; front end paper detached and with bookplate), t.e.g., uncut edges. London: J.M. Dent, 1898. First edition with these illustrations. A very good copy. Latimore & Haskell 11. Humorous parodies of medieval folklore and poetry. More
Norman: University of Oklahoma Press, 1996. Illus. 4to, black boards, d.w., pages throughout are slightly wavy, otherwise very good. Norman: University of Oklahoma Press, (1996). More
Munich: Dromer, 1962. Beautifully illustrated with 148 fine photogravure plates, most full-page, some mounted. 272pp with German text. Thick square 4to, pictorial boards, worn d.w. (Munchen: Droemer, 1963). A very good copy; internally fine. More
Leiden: Brill, 1974. 97 pages, tall slim 8vo, original cream printed wrappers. Leiden: Brill, 1974. Fine. Mnemosyne Bibliotheca Classica Batava. More
303pp., 8vo, cloth-backed boards, d.w. San Francisco, (1994). More
New York: Crown, 1944. Foreword by Carl Sandburg. 932pp. Thick 8vo, tan cloth. New York: Crown, (1944). Very good(+) _. More
Austin: University of Texas Press, 1981. Illus. 4to, black cloth, d.w. lightly soiled, cloth covers slightly warped. Austin: University of Texas Press, (1981). More
New York: Bell, 1979. Illustrated. 160pp. 8vo, simulated leather, d.w. New York: Bell Publishing Compan Very good. Very good copy in a good dust wrapper. More
color and b/w illus. 4to, cloth, d.w. (Feltham): Hamlyn, (1968). vg. More
Chicago: University of Chicago Press, 1982. Illus. 8vo, blue cloth. Chicago: University of Chicago Press, (1982). Very good. More
Ann Arbor: UMI Research Press, 1980. Includes 101 b/w illustrations at back. 245pp. 8vo, beige cloth. (Ann Arbor: UMI Research Press, 1980). A fine copy. Studies in the Fine Arts: The Avant-Garde, No. 1. More
Cambridge: Harvard University Press, 1981. 8vo, orange cloth, d.w., corners of cloth bumped, some pages creased in upper right corner margins. Cambridge: Harvard University Press, (1981). More
New Rochelle: Caratzas Brothers, 1982. Translated and enlarged by Jane E. Harrison. Includes 138 b/w illustrations. 335pp. 8vo, black cloth. New Rochelle: Caratzas Brothers, 1982. A fine copy. More
London: William Jackson, 1929. Frontispiece and color illustrations by John Austen. 85pp., slim 8vo, 1/2 blue morocco; (covers slightly soiled, bookplate pasted into page after flyleaf). London: William Jackson Ltd., 1929. Very good. One of 800 numbered copies, signed by the artist. More
Milan: Gruppo Editoriale Fabbri, 1990. Illustrated (color and black & white). 288 pages. 4to, black cloth, dust wrapper, lightly shelf-worn publisher's slipcase. Milan: Gruppo Editoriale Fabbri, (1990). A near fine copy. More
Cologne: Konemann, 2000. Hundreds of color photographs. 335pp., 4to, orange cloth, d.w.; minor fading to spine of dust wrapper. Koln: Konemann, (2000). A fine copy in a fine dust wrapper. More
Tucson: University of Arizona Press, 2008. Illustrated in color and black and white. 195 pages, small square 4to, brown cloth, dust wrapper. Tucson, University of Arizona Press, 2008. A fine copy in a near fine dust wrapper. DVD included in back. More
Boston: Little Brown, 1947. 320pp. 8vo, cloth, d.w.; rubbed, dust wrapper torn and worn. Boston: Little, Brown and Company, 1947. A very good copy in good dust wrapper. More
New York: Abrams, 2013. Profusely illustrated in color. 288 pages, 4to, green pictorial boards, d.w. New York: Abrams, (2013). First Edition. Fine. Signed on the half-title with a drawing. More
Congratulations on a lovely and well-deserved article in the latest New Yorker. As a modest customer of long-standing, let me add that the Argosy (including all of you) has provided me with countless hours of pleasure and pleasant discovery over the past 30+ years. My bookshelves, my mind and my life have been enriched by you all. Thank you,
Your beautifully wrapped package of books -- two copies of "Journal in the Night" -- arrived at my door this morning and made my day! A thousand thanks for the care you took, first to find them, and then to send them as you did, all done up with tissue paper to boot. It was like Christmas in June AND it was my first experience buying books on the Internet. All the best to you, and perhaps our paths will cross again.