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New York: Museum of Modern Art, 2014. Illustrated with 615 four-color, five-color, and duotone reproductions. 400 pages. Folio, lime-green cloth, pictorial d.w. New York: The Museum of Modern Art, (2014). First edition. Small ownership sticker on front endpaper, nonetheless a fine copy in a fine dust wrapper. With contributions by Jim Coddington, Constance McCabe, Hanako Murata, and others.
New York: Abrams, 1964. Trans. by Francois Hirsch and John Ross. 76 mounted color plates. 126pp. Large 4to, cloth, d.w.; dust wrapper worn. New York: Abrams, 1964. Very good. The enamels in the Georgian National Museum of Fine Arts in Tiflis, with descriptions of the processes of cloisonne, champleve, and repousse as well as the history, iconography and execution of each piece dating from the 7th through 12th century. "Treats Georgian enamels as a development of local tradition, distinct from.....
London: National Gallery of Art, 1996. Profusely illustrated, much in color, with over 2200 entries, arranged alphabetically by artist. Very thick 4to, silver-lettered black cloth, d.w. London: National Gallery of Art, (1996). Reprint. Small private library stamp on front endpaper, otherwise a fine copy in a fine dust wrapper.
London: Goupil, 1904. Many illustrations, rubricated title, 302pp. folio, green cloth. London: Goupil & Co., 1904. Very good. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture.
London: Goupil, 1904. Many b/w illustrations, 302pp. 4to, beautifully rebound in full green morocco with floral gilt-decorated covers and spines, raised bands, inner and outer dentelles, a.e.g. London: Goupil & Co., 1904. Near fine. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture.
Boston: Little Brown, 1993. Black & white and color photographic illustrations. xv, 240 pages. 4to, black cloth-backed green boards with gilt lettering, d.w. (toned at interior). Boston: Little, Brown & Company, (1993). First edition. Boards toned at edges, small inked mark at outer bottom edge of pages. A near fine copy in a near fine dust wrapper.
Budapest: Corvina, 1964. 48 color plates, 31 monochrome illus. 147pp. of text. 4to, blind-stamped maroon silk. Budapest: Corvina Press, (1964). Near Fine. 43 manuscripts and 2 incunabula of the original Bibliotheca Corviniana, comprised primarily of 15th century illuminated manuscripts of Italian origin.