Los Angeles: Getty, 2010. Illustrated throughout in color and b/w photographs. 236 pages. Square thick 4to, brown cloth-backed pictorial boards. Los Angeles: Getty, (2010). First edition. A near fine copy. Catalog for exhibition at the J. Paul Getty Museum in Los Angeles from June 29 - November 14, 2010. Includes the work of Leonard Freed, Philip Jones Griffiths, W. Eugene and Aileen M. Smith, Susan Meiselas, Mary Ellen Mark, Lauren Greenfield, Larry Towell, Sebastiao Salgado, James Nachtwey.
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New York: Abrams, 1964. Trans. by Francois Hirsch and John Ross. 76 mounted color plates. 126pp. Large 4to, cloth, d.w.; dust wrapper worn. New York: Abrams, 1964. Very good. The enamels in the Georgian National Museum of Fine Arts in Tiflis, with descriptions of the processes of cloisonne, champleve, and repousse as well as the history, iconography and execution of each piece dating from the 7th through 12th century. "Treats Georgian enamels as a development of local tradition, distinct from.....
London: National Gallery of Art, 1996. Profusely illustrated, much in color, with over 2200 entries, arranged alphabetically by artist. Very thick 4to, silver-lettered black cloth, d.w. London: National Gallery of Art, (1996). Reprint. Small private library stamp on front endpaper, otherwise a fine copy in a fine dust wrapper.
London: Goupil, 1904. Many illustrations, rubricated title, 302pp. folio, green cloth. London: Goupil & Co., 1904. Very good. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture.
London: Goupil, 1904. Many b/w illustrations, 302pp. 4to, beautifully rebound in full green morocco with floral gilt-decorated covers and spines, raised bands, inner and outer dentelles, a.e.g. London: Goupil & Co., 1904. Near fine. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture.
New York: 1951. Fine content T.L.S. 8vo. 1 page, New York, October 15, 1951, pertaining to his explosive expose in a series of articles in The New Yorker about art dealer Joseph Duveen, in full: "Thank you very much for your kind note about Duveen. I am delighted that you like it. I hope you continue to like it, I regret to inform you that there will be six parts, so if you are faithful you will have a bust.....
Budapest: Corvina, 1964. 48 color plates, 31 monochrome illus. 147pp. of text. 4to, blind-stamped maroon silk. Budapest: Corvina Press, (1964). Near Fine. 43 manuscripts and 2 incunabula of the original Bibliotheca Corviniana, comprised primarily of 15th century illuminated manuscripts of Italian origin.
New York: Guggenheim Museum, 2004. With essays by Jennifer Blessing, Kirsten A. Hoving, and Ralph Rugoff. Previous owner's inscription and tracing of a hand on the contents page. 96 plates, 96 figures, and fully illustrated catalogue entries. 264 pages, black pictorial boards, dust wrapper. New York: Guggenheim Museum, (2004). A fine copy in a fine dust wrapper. "In the last ten years Henry M. Buhl has amassed a collection of more than one thousand photographs of hands."...