New York: Museum of Modern Art, 1972. 520 illustrations with 124 in color. 431 pages. Short thick 4to, plain white boards with translucent printed d.w. (yellowed as usual, but totally intact and still containing the five floating die-cut objects). New York: MOMA, (1972). First Edition. A near fine copy in a very good dust wrapper Catalogue for the famous exhibition at the Museum of Modern Art. One of the first books to survey new Italian design.
Tokyo: A+U Publishing, 1987. Text in English and Japanese. Illustrated with color and black and white photography and floor plans. 134 pages plus ads, slim 4to, pictorial wrappers. Tokyo: A+U Publishing, 1987. A near fine copy. Number 197. February 1987. Storefront Dissing + Weitling, Theo Bosch, Carl Nyren.
Minneapolis: Walker Art Center, 1957. Frontispiece and many b/w & color illustrations of the artist's work. Exhibition Catalogue. 59pp. Slim 4to, paper wrappers. Minneapolis: Walker Art Center, (1957). A very good copy. An exhibition organized by the Walker Art Center, Minneapolis, in collaboration with the Des Moines Art Center, San Francisco Museum of Art, and the Whitney Museum of American Art, New York. With essays by H.H. Arnason, Stuart Davis,
New York: Abrams, 2001. 330 illustrations including 190 plates in full color. 239 pages. Thick 4to, blue cloth with minor fading along lower edge, edgeowrn d.w. New York: Abrams in association with National Gallery of Canada, (2001). First edition. A near fine copy in a very good(-) dust wrapper. Essays by Colin B. Bailery, Peter Verg, et al.
New York: Abrams, 1986. Edited by Irving Sandler and Amy Newman with an introduction by Irving Sandler. black and white photo illustrations. 302 pages, tall 8vo, white cloth with blind-stamped portrait, dust wrapper. New York: Abrams, (1986). A near fine copy in a near fine dust wrapper. Previous owner's inscription on front free endpaper.
New York: Museum of Modern Art, 2004. Foreword by Glenn D. Lowry. Introduction by Harriet S. Bee and Michelle Elligott. 556 illustrations, 171 in color. 256 pages. 4to, orange cloth, d.w., orange cloth slipcase. New York: The Museum of Modern Art, (2004). A fine copy in a fine dust wrapper and slipcase.
New Haven: Yale University Press, 1990`. Many illustrations in color & in black & white, including photographs from the Lucien Herve collection. 224 pages Short 4to, glossy pictorial wrappers. New Haven: Yale University Press, 1990. Second printing. Small area of delamination on the front cover, still a near fine copy of this uncommon book.
New York: Scandinavia House, 2011. More than 50 paintings reproduced in full color. 160pp., 4to, stiff pictorial wrappers. New York: Scandinavia House, (2011). A fine copy. Organized by the American-Scandinavian Foundation and Presented at Scandinavia House: The Nordic Center in America October 25, 2011 - February 11, 2012.
Berne: Kornfeld et Klipstein, 1968. Nearly 1400 images, some in color. 310 pages. 4to, natural cloth with printed title on front cover and spine; some edgewear, and ink ownership stamp front endpaper. Berne: Kornfeld et Klipstein, (1968). A very good copy. Printed for the occasion of the Exposition of the Museum of Beaux- Arts in Zurich June-August 1968. Limited text in French, English & German, captions in French. From the personal library of Nan Rosenthal, with her name hand-printed in ink on front free endpaper.