New York: Columbia University Press, 1959. Translated by Francis J. Tschan. 8vo, red cloth, d.w. New York: Columbia University Press, 1959. Very good (+). With the ownership inscription of art historian Meyer Schapiro on the inside front cover.
London: Constable, 1950. Several Illus. 8vo, green cloth, front cover warped, edges of corners lightly worn, spine sunned, front flyleaf and last blank page browned. London: Constable, (1950).
New York: Abrams, 1989. Introduction by Everett Fahy. Fables Translated from the Greek by Bernard McTigue. Illustrated throughout with 151 color facsimiles. 175pp. Slim square 4to, gilt- stamped navy blue cloth, d.w. New York: Abrams, (1989). One corner very slightly bumped, still a near fine copy in a near fine dust wrapper. Inscribed by Fahy on the title page, to Shirley Hazzard & Francis Steegmuller. Reproductions of the elegantly-illuminated 15th century Florentine manuscript, traced to the library of Lorenzo de...
New York: Abrams, 1989. Introduction by Everett Fahy. Fables Translated from the Greek by Bernard McTigue. Illustrated throughout with 151 color facsimiles. 175pp. Slim square 4to, gilt- stamped navy blue cloth, d.w. New York: Abrams, (1989). A fine copy in a fine dust wrapper, inscribed by Fahy on the title page. Reproductions of the elegantly-illuminated 15th century Florentine manuscript, traced to the library of Lorenzo de Medici's son, Piero.
110 illus., 15 in color. 4to, cloth, d.w. N.Y.: Stein and Day, (1972). vg.
Nashville: Vanderbilt University Press, 1971. xi + 176pp., thin 8vo, cloth; slightly skewed. Nashville: Vanderbilt University Press, (1971). A very good copy.
With renderings into English verse by Howard Mumford Jones. 373pp. 8vo, cloth; worn. Chapel Hill: The University of North Carolina Press, 1928.
Berkeley: University of California Press, 1992. Illustrated in black and white. 480 pages, thick 8vo, salmon color cloth backed boards (lightly bumped, text on spine double printed due to manufacturing flaw), dust wrapper. Berkeley: University of California Press. A very good(-) copy in a very good(-) dust wrapper (some edgewear to wrapper, neatly reinforced with tape) Part of the English Monarchs series.
New York: Columbia University Press, 1941. Translated from the Old French by Merton Jerome Hubert. Notes and Documentation by John L. La Monte. Illustrated. xi + 478pp. thick 8vo, green cloth. New York: Columbia University Press, 1941. A very good (+) copy. Columbia University Records of Civilization.
Penguin, 1954. 48 black & white plates. 30pp., thin 12mov, cloth, d.w. Penguin, (1954). A very good (+) copy in a very good dust wrapper.
New York: 1948. Frontispiece. 337 pages, slim 8vo, cloth. New York, 1948. A very good copy.
New York: Random House, 1970. Photographs by Wim Swaan, in color and in black & white. 304 pages, 4to red cloth, dust wrapper (some text worn off dust wrapper, one tear to head of spine). New York (1970). A very good(+) copy in a very good dust wrapper.
Gap: Ophyrs, 1957. Illustrated, folded map. 129pp., thin 8vo, printed wrappers; wrappers dust soiled, worn, pages yellowed and unopened. Gap: Editions Ophyrs, 1957. A very good (-) copy.
New York: Artabras, 1988. Principal photography by Takashi Okamura. Exquisitely illustrated with hundreds of photos in color and black & white. 2 volumes, Thick and heavy 4tos, blue cloth, pictorial slipcase. New York: Artabras, Abbeville Press, (1988). A near fine copy in a near fine slipcase. The art and architecture of Florence throughout the ages.
New York: Artabras, 1988. Principal photography by Takashi Okamura. Exquisitely illustrated with hundreds of photos in color and black & white. 2 volumes, Thick and heavy 4tos, blue cloth, pictorial slipcase (worn and a with one stain). New York: Artabras, Abbeville Press, (1988). A near fine copy in a very good slipcase. The art and architecture of Florence throughout the ages.
8vo, cloth, d.w. (chipped d.w.). Ithaca: Cornell UP, 1965.
Numbers I - XXIV. Each volume is illustrated in b/w throughout the text. Published by Andre Grabar & Jean Hubert. 4to. The first 3 volumes are bound together in green cloth, all others are in the original brown printed wrappers. Paris: Imprimerie Nationsale - Editions Klincksieck, 1945-1975. Very good to near fine condition.
London: Adam and Charles Black, 1939. Illustrated with 50 color plates by Lawrence B. Saint. 269 pages. Thick 8vo, burgundy cloth. London: Adam and Charles Black, 1939. Third edition. A near fine copy.
London: Adam and Charles Black, 1956. Illustrated with 50 color plates by Lawrence B. Saint. 269 pages. Thick 8vo, burgundy cloth, d.w. London: Adam and Charles Black, 1956. Reprint of the third edition. A near fine copy in a very good(-) dust wrapper.
Milan: Fratelli, 1943. 281 black & white illustrations. 233pp., tall 8vo, original stiff printed wrappers (spine stained and rubbed). Milano: Fratelli, 1943. Very good. With the small ownership signature of art historian Meyer Schapiro. Text is yellowed as it was printed on wood pulp paper.
New York: Knopf, 1953. viii + 552pp. 8vo, cloth, spine faded, worn at ends. New York: Knopf, 1953. A very good (-) copy.
New York: 1969. Profusely illus. in color & b/w. 4to, red cloth. N.Y., (1969).
Garden City: Doubleday, 1985. Illustrated. xi + 226pp., 8vo, cloth-backed boards, d.w. Garden City: Doubleday, 1985. First edition. A very good copy in a very good dust wrapper.
London: Collins, 1957. 384pp., 8vo, cloth, d.w.; dust wrapper lightly worn. London: Collins, 1957. A very good copy in a very good (-) dust wrapper.
Malibu: Undena, 1985. xxxii black & white plates, each with multiple igmages. xx + 223pp., 4to, stiff red wrappers. Malibu: Undena Publications, 1985. A near fine copy. Bibliotheca Mesoptoamica: Primary sources and interpretive anyses for the study of Mesopotamian civilization and its influences from late prehistory to the end of the cuneiform tradition. Volume Eighteen.
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