New York: Harper, 2011. Illustrated extensively with the drawings of Lauren Redniss. 208 pages, 4to, pictorial boards. New York: Harper, 2011. A fine copy.
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London: Nonesuch Press, 1923. Each page printed within burgundy decorative borders by Geofroy Tory. Thin 8vo, red parchment-backed patterned boards. London: Nonesuch Press, 1923. A very good(+) clean copy. One of 625 copies reproducing text from the 1639 edition.
London: Nonesuch Press, 1923. Each page printed within burgundy decorative borders by Geofroy Tory. Thin 8vo, red parchment-backed patterned boards. London: Nonesuch Press, 1923. A fine clean copy in very good box. One of 625 copies reproducing text from the 1639 edition.
Norwalk: Easton, 1983. Illustrated throughout in color. 428 pages, large 8vo, brown pictorially gilt stamped leather, all edges gilt, silk moire endpapers. Norwalk: Easton, 1983. A fine copy.
London: Oxford University Press, 1965. 5 volumes. The Text based on Collation of the Early Editions. With Noted Indexes and (black and white) Illustrations From Contemporary Sources. Small 8vos, handsomely rebound by Sangorsky and Sutcliffe in 3/4 green crushed morocco over green cloth, marbled endpapers and top edges gilt, gilt stamped spines (spines slightly toned). London: Oxford University Press, (1965). A fine set.
Norwalk: Easton Press, 1977. With an Introduction by Louis Auchincloss and illustrations in color and black and white by Tony Buonpastore. 241 pages, tall 8vo, ornately gilt brown leather, all edges gilt, pale pink silk moire endpapers. Norwalk: Easton Press, 1977. a fine copy.
Norwalk: Easton, 1996. Delicate color illustrations by C.E. and H.M. Brock. 397 pages, 8vo, full red leather, stamped in gilt and black, peach silk moire endpapers, all edges gilt. Norwalk: Easton Press, (1996). A fine copy. The 100 Greatest Books Ever Written series. Easton Press subscriber's bookplate attached to verso of front endpaper.
London: George Allen, 1913. Drawn from the best French Sources and Re-told by Beider. Rendered into English by Hilaire Belloc. vi, 184pp. Short 8vo, original brown cloth with pictorial cover. London: George Allen & Company, 1913. A near fine bright copy.
London: Heinemann, 1947. Color frontispiece with tissue guard. 252 pages, slim small 8vo, 3/4 orange calf (spine slightly toned, very light rubbing of extremities) over marbled boards, decoratively gilt stamped spine with raised bands, top edge gilt, marbled endpapers. London: Heinemann, 1947. A near fine copy.
8vo, cloth, d.w. New York, 1972. A very good copy in a very good dust wrapper.
London: Frederick Muller, 1964. 222pp., small 8vo, cloth, d.w.; dust wrapper price clipped. London: Frederick Muller, (1964). A very good (+) copy in a very good dust wrapper.
London: Folio Society, 1967. Illustrated with delicate copper engravings by Ru Van Rossem. small slim 4to, peach silk, (spine faded) in publishers box. A near fine copy in a lightly worn slipcase. Love Lyrics from Ancient Palestine.
Paris: Hachette, 1878. Revision du texte original et preface par Gaston Paris. Illustrated with 9 lovely engraved plates. [4 blank], xxxi, 104, [4 blank]pp with text in French. Each text page is printed within a red border. Short thin 4to, elegantly bound by David in full dark green morocco; ornate gilt-tooled covers and spine; wide inner dentelles, marbled endpapers, a.e.g. Paris: Libraire Hachette, 1878. Joints and edges a bit rubbed, otherwise a near fine copy. Scarce and beautiful edition in...
New York: Clarkson Potter, 1979. Frontispiece illustration with b/w drawings and photographic illustrations throughout. xii, 323 pages. tall 8vo, magenta cloth-backed boards. New York: Clarkson Potter, 1979. First edition. A very good(+) copy.
New York: Putnam, 1974. Illus., some in color. 8vo, lavender cloth, d.w. New York: Putnam, (1974). Very good.
Paris: 1761. Engraved title page. 47 pages. Slim 12mo, older brown boards with plain cloth spine. (Paris), 1761. First Edition. Scarce. Front enpaper lacking, otherwise a very good clean copy of this uncommon book. Tale of love; an early work by the noted French poet and man of letters. Not in Brunet.
London: Edw. Jones, 1692. 174 pages, slim 12mo, handsomely rebound in full brown polished calf, blind stamped pattern on both covers and red leather spine labels. In the Savoy: Printed by Edw. Jones, for Henry Herringman, London, 1692. Seventh Edition. Near fine. The text was written by Boyle when he was but 22 years old and is in the form of a letter addressed to Lindamor, 'a learned youth, well-born and well-bred.' It was suggested that this imaginary character, who...
Norwalk: Easton, 1978. Illustrated by Barnett Freedman. 431 pages. 8vo, gilt-stamped red leather, all edges gilt, peach silk moire endpapers. Norwalk: Easton Press, (1978). A fine copy. 100 Greatest Books Ever Written series.
London: John Murray, 1926. Many black and white illustrations. 7 volumes. 8vo, bound in 3/4 blue calf, decoratively gilt spines, marbled boards, top edge gilt (lightly rubbed). London: John Murray, 1926. The Haworth Edition. Spines evenly faded to green, still a very good(+).
Frontispiece and several other illustrations. 520pp. Short thick 8vo, handsomely rebound in full crimson morocco; extra gilt spine with raised bands, marbled page edges. No publisher listed, circa 1880. A fine copy.
Franklin Center: Franklin, 1975. Illustrated in black and white. 338 pages, 8vo, gilt-stamped burgundy leather, all edges gilt, light blue silk moire endpapers. Franklin Center: Franklin Library, 1975. A fine copy, as new in the original un-opened Franklin Library packing sleeve with embossed gold seal. 100 Greatest Books of All Time series.
Norwalk: Easton, 1980. Illustrated with color lithographs by Barnett Freedman. 331 pages, 8vo, blue leather with gilt filigree stamping, all edges gilt, blue silk moire endpapers. Norwalk: Easton Press, (1980). A fine copy. 100 Greatest Books Ever Written series.
New York: Putnam, 1906. Illustrated by Frederick Simpson Coburn with 6 full-page sepia plates each protected with lettered tissue, and 20 text pages with large colored headpieces and decorations. Tall 8vo, the original vellum boards with handsome gilt-stamped design by Margaret Armstrong are preserved, but the book has been re-backed in plain gray cloth, a.e.g. New York: G.P. Putnam's Sons, (1906). First Edition thus. Limited Edition - number 95 of only 100 copies printed on Japanese vellum. The limitation page...
Berkeley: University of California, 1986. Illustrated. x + 138 pages, 12mo, red cloth, d.w.; some dampstaining to lower edge of dust wrapper and a couple of spots on the cover affected as well. Berkeley: University of California Press, (1986). Internally fine, a very good(+) copy in a very good dust wrapper.
Paris: Lemerre, 1889. Frontispiece portrait in sepia, xv + 185 pages, untrimmed, rubricated title. 16mo, rebound in 3/4 tan calf, gilt spine, marbled boards with the original printed wrappers bound in, top edge gilt. (hinges a bit dry). Paris: Alphonse Lemerre, 1889. Very good (+). Limited, number 8 of only 10 numbered copies on papier de Chine. Previous owners name on original wrapper.