Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine.
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Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper.
Secaucus: Chartwell, 1973. Translated from the French by Jane Brenton; forward by John Rewald. Profusely illustrated. Large 4to, brown cloth, d.w. Secaucus: Chartwell Books, 1973. A fine copy in a very good dust wrapper.
New York: Delano Greenidge, 2002. 463 illustrations in color. 38/8 pages. Thick square 4to, yellow boards, d.w. (just a bit worn at top edge). New York: Delano Greenidge Editions, (2000). First edition. A fine copy in a very good(+) dust wrapper. Signed and dated on front endpaper, possibly by the author. With entries by more than 250 European artists, notes, list of illustrations, bibliography, and index. The result of 20 years of research by Jaroslav Andel, this authoritative survey is...
London: Fine Art Society, 1905. descriptive catalogue of his etched works. 45 plates, (26 etchings, 4 watercolors and 16 pencil drawings) portrait of Haig and 1 original etching signed in pencil of the Burgos Cathedral, lettered tissue guards throughout. Rubricated title, t.e.g.. Scattered foxing on the first few pages. Very thick tall 4to, 3/4 green morocco. London: Fine Art Society, 1905.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler...
London: Print Collectors' Club, 1927. 33 black & white plates, scattered foxing. Slim square 4to, brown cloth backed boards (warped). Publication No. 6. London: Print Collectors' Club, 1927. First Edition. Limited to only 500 numbered copies.
New York: Abrams, 1960. Introduction by P.M. Bardi. 12 drawings preceding title page, 2 color plates and 71 illustrations. xix + 75pp., 4to, natural cloth with decorative cover. New York: Harry N. Abrams, (1960). A fine copy.
Northampton: Gehenna Press, 1969. Complete set of 15 signed and numbered wood engravings and etchings on various wove papers, enclosed in the original red leather portfolio within a leather backed- marbled board clam-shell case, lightly rubbed on the spine. Folio. Northampton: Gehenna Press, 1969. Limited First Edition. One of 175 copies. This set has Roman numerals, typically reserved for the edition with double plates.
Newtown: Bird & Bull Press, 2005. Black & white wood engravings, one folding and in color. 74 pages, black silk cloth, red silk slipcase. Newtown: Bird & Bull Press, 2005. Limited Edition. One of only 140 numbered copies. Fine.
Vienna: Ludwig, 1911. 12 plates individually presented in a black paper mat. Original half vellum folder with colored patterned boards, quite dust-soiled and rubbed, vellum torn at foot; the plates are fine. Small slim 4to, Vienna: Dr. Rud. Ludwig, 1911. Limited Edition. Very good. Number 101 of 250 numbered copies. Text in German.
Baltimore: Johns Hopkins Press, 1970. Many black & white illustrations. 539pp., small thick square 4to, red cloth; spine ends bumped. Baltimore: Johns Hopkins Press, (1970. First Edition. Very Good.
New York: Braziller, 1955. Illustrated in black and white. 48 pages of text, 233 pages, slim 4to, black cloth. New York: George Braziller. A very good copy.
New York: Braziller, 1955. With 237 reproductions on 100 plates. 48 pages of text. 4to, black cloth, dust wrapper. Wrapper has tear on top of spine. New York: George Braziller, 1955. Inscription and little drawing on front endpaper. Otherwise very good (+).
New York: Knopf, 1927. Illustrated with 196 black & white plates including a frontispiece portrait. 36pp of text, Small folio, beige cloth, remnants of slipcase. New York: Alfred Knopf, 1927. First Edition. A very good(+) copy.
St. Charles: Privately Printed, 1951. 2 volumes, Slim 8vo, 1/2 brown and green leather, patterned boards and matching slipcase. St. Charles: Privately Printed, 1951. Limited to one of only 500 copies. Near Fine. Previous owners ex libris.
Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris.
Warsaw: Sztuka, 1956. Illustrated. 63pp., thin 8vo, pictorial wrappers; some repaired damage to foot of spine. Warsaw: Sztuka, 1956. A very good copy.
New York: Educational Publishing, 1900. 39 pages of illustrations of suggested monthly drawings for the classroom. 8vo, cloth-backed printed boards; rubbed, with a large dent/tear to the upper front. New York: Educational Publishing Company, (n.d.). A very good copy, internally fine.
Berne: Kornfeld et Klipstein, 1968. Nearly 1400 images, some in color. 310 pages. 4to, natural cloth with printed title on front cover and spine; some edgewear, and ink ownership stamp front endpaper. Berne: Kornfeld et Klipstein, (1968). A very good copy. Printed for the occasion of the Exposition of the Museum of Beaux- Arts in Zurich June-August 1968. Limited text in French, English & German, captions in French. From the personal library of Nan Rosenthal, with her name hand-printed in ink on front free endpaper.
London: Alpine Fine Arts, 1962. Illustrated with 287 illustrations. Folding list of plates at rear. Folio, 4to, brown cloth. London: Alpine Fine Arts, 1962. Exc.
New York: Abrams, 1963. Illustrated with 307 gravure plates. 42 pages of text. Folding list of plates at rear. Thick 4to, brown cloth, d.w. New York: Abrams, 1963. Fine. Excellent reproductions, with text by the Chief Conservator of Prints in the Rijksmuseum, Amsterdam.
1970. Offset-lithograph printed in color, 17.5 x 23 inches. On wove paper, from an edition of unknown size, 1970. Near fine. Shrink wrapped on foam core board. Christopher Logue (1926-2011) the English poet, screenwriter, and actor, was awarded the 2005 Whitbread Poetry Award, the Paris Review/Bernard F. O'Connor Award, and was honored by the Queen of England as a Commander of the Most Excellent Order of the British Empire for his contributions to literature. His poetry is marked by his...
New York: Martin Gordon, 1979. Many black & white illustrations. Tall square 8vo, decorative white cloth. New York: Martin Gordon, 1979. First Edition. Very Good (+). With the booklet "Catalogue Additions and Revisions" in the rear.
New York: Tiber Press, 1954. Illustrated by Schneebaum with 13 large silk-screened plates (one double-page) mounted on thick cardstock printed with Bourjaily's text. Loose as issued in a red board portfolio. New York: Tiber Press, (1954). Plates are all in fine condition, though as usual the acidic leaves are toned, and slightly dinged at margins; outer portfolio is sound but rough at edges. A very good copy. Limited edition - number 310 of 1500 copies. Despite the fairly large printing...