Rhythms of Modern Life: Briitish Prints 1914-1939
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper. More
New York: McGraw-Hill, 1964. Illustrated (b/w and color). 254 pages. 8vo., tan cloth. New York: McGraw-Hill, (1964). A near fine copy. More
Secaucus: Chartwell, 1973. Translated from the French by Jane Brenton; forward by John Rewald. Profusely illustrated. Large 4to, brown cloth, d.w. Secaucus: Chartwell Books, 1973. A fine copy in a very good dust wrapper. More
New York: Delano Greenidge, 2002. 463 illustrations in color. 38/8 pages. Thick square 4to, yellow boards, d.w. (just a bit worn at top edge). New York: Delano Greenidge Editions, (2000). First edition. A fine copy in a very good(+) dust wrapper. Signed and dated on front endpaper, possibly by the author. With entries by more than 250 European artists, notes, list of illustrations, bibliography, and index. The result of 20 years of research by Jaroslav Andel, this authoritative survey is..... More
London: Fine Art Society, 1905. descriptive catalogue of his etched works. 45 plates, (26 etchings, 4 watercolors and 16 pencil drawings) portrait of Haig and 1 original etching signed in pencil of the Burgos Cathedral, lettered tissue guards throughout. Rubricated title, t.e.g.. Scattered foxing on the first few pages. Very thick tall 4to, 3/4 green morocco. London: Fine Art Society, 1905. More
Munich: Langewiesche-Brandt, 1963. Text in German. Profusely illustrated in color. Unpaginated, with pages toned at edges, as usual. Tall, narrow 4to, pictorial cloth-backed boards. (Munich): Langewiesche-Brandt, (1963). A very good copy--dust-soiled and a bit scuffed. More
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler..... More
London: Print Collectors' Club, 1927. 33 black & white plates, scattered foxing. Slim square 4to, brown cloth backed boards (warped). Publication No. 6. London: Print Collectors' Club, 1927. First Edition. Limited to only 500 numbered copies. More
New York: Abrams, 1960. Introduction by P.M. Bardi. 12 drawings preceding title page, 2 color plates and 71 illustrations. xix + 75pp., 4to, natural cloth with decorative cover. New York: Harry N. Abrams, (1960). A fine copy. More
Northampton: Gehenna Press, 1969. Complete set of 15 signed and numbered wood engravings and etchings on various wove papers, enclosed in the original red leather portfolio within a leather backed- marbled board clam-shell case, lightly rubbed on the spine. Folio. Northampton: Gehenna Press, 1969. Limited First Edition. One of 175 copies. This set has Roman numerals, typically reserved for the edition with double plates. More
Vienna: Ludwig, 1911. 12 plates individually presented in a black paper mat. Original half vellum folder with colored patterned boards, quite dust-soiled and rubbed, vellum torn at foot; the plates are fine. Small slim 4to, Vienna: Dr. Rud. Ludwig, 1911. Limited Edition. Very good. Number 101 of 250 numbered copies. Text in German. More
Baltimore: Johns Hopkins Press, 1970. Many black & white illustrations. 539pp., small thick square 4to, red cloth; spine ends bumped. Baltimore: Johns Hopkins Press, (1970. First Edition. Very Good. More
New York: Knopf, 1927. Illustrated with 196 black & white plates including a frontispiece portrait. 36pp of text, Small folio, beige cloth, remnants of slipcase. New York: Alfred Knopf, 1927. First Edition. A very good(+) copy. More
St. Charles: Privately Printed, 1951. 2 volumes, Slim 8vo, 1/2 brown and green leather, patterned boards and matching slipcase. St. Charles: Privately Printed, 1951. Limited to one of only 500 copies. Near Fine. Previous owners ex libris. More
Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris. More
Warsaw: Sztuka, 1956. Illustrated. 63pp., thin 8vo, pictorial wrappers; some repaired damage to foot of spine. Warsaw: Sztuka, 1956. A very good copy. More
New York: Educational Publishing, 1900. 39 pages of illustrations of suggested monthly drawings for the classroom. 8vo, cloth-backed printed boards; rubbed, with a large dent/tear to the upper front. New York: Educational Publishing Company, (n.d.). A very good copy, internally fine. More
London: Alpine Fine Arts, 1962. Illustrated with 287 illustrations. Folding list of plates at rear. Folio, 4to, brown cloth. London: Alpine Fine Arts, 1962. More
New York: Martin Gordon, 1979. Many black & white illustrations. Tall square 8vo, decorative white cloth. New York: Martin Gordon, 1979. First Edition. Very Good (+). With the booklet "Catalogue Additions and Revisions" in the rear. More
New York: Tiber Press, 1954. Illustrated by Schneebaum with 13 large silk-screened plates (one double-page) mounted on thick cardstock printed with Bourjaily's text. Loose as issued in a red board portfolio. New York: Tiber Press, (1954). Plates are all in fine condition, though as usual the acidic leaves are toned, and slightly dinged at margins; outer portfolio is sound but rough at edges. A very good copy. Limited edition - number 310 of 1500 copies. Despite the fairly large printing..... More
New York: Gallery, 1981. Introduction by Antoine Terrasse. Translated by Jane Brenton. 536 illustrations, 60 in color. 351 pages. Folio, green cloth, d.w. (one tear on rear panel). New York: Gallery books, (1981). A fine copy in a near fine dust wrapper. More
Washington: Smithsonian, 1979. 220 plates, some in color, plus the Supplement of Soft-Ground Working Drawings and Documentary Illustrations. Washington: Smithsonian, 1970. First Edition. Fine. More
New York: Harmony Books, 1980. Frontispiece, profusely illustrated in color and b/w. 192 pages. 4to, red cloth, d.w. New York: Harmony Books, (1980). A near fine copy in a very good(+) dust wrapper, price-clipped with light tearing to lower corner of front cover. More
Hastings-on-Hudson: Valentine's Manual, 1928. Mr. I. N. Phelps Stokes, Mr. J. Pierpont Morgan, Mr. W. Loring Andrews... and Others. Many plates, some in color. Small folio, original 1/2 blue cloth, boards with some light soiling, spine with small area of light soiling. Hastings-on-Hudson: Valentine's Manual, 1928. First Edition. Very good Mostly views of 19th century New York architecture. Also there are several views of 17th century Dutch and English New York. More
This morning in Arnhem I did receive the book in fine condition. Thank you for your careful sending!
Hello. Many thanks for the 2 volumes which arrived this morning. They are outstanding examples of this scarce chess periodical and I am very pleased with them.