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New York: Delano Greenidge, 2002. 463 illustrations in color. 38/8 pages. Thick square 4to, yellow boards, d.w. (just a bit worn at top edge). New York: Delano Greenidge Editions, (2000). First edition. A fine copy in a very good(+) dust wrapper. Signed and dated on front endpaper, possibly by the author. With entries by more than 250 European artists, notes, list of illustrations, bibliography, and index. The result of 20 years of research by Jaroslav Andel, this authoritative survey is.....
London: Fine Art Society, 1905. descriptive catalogue of his etched works. 45 plates, (26 etchings, 4 watercolors and 16 pencil drawings) portrait of Haig and 1 original etching signed in pencil of the Burgos Cathedral, lettered tissue guards throughout. Rubricated title, t.e.g.. Scattered foxing on the first few pages. Very thick tall 4to, 3/4 green morocco. London: Fine Art Society, 1905.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler.....
Northampton: Gehenna Press, 1969. Complete set of 15 signed and numbered wood engravings and etchings on various wove papers, enclosed in the original red leather portfolio within a leather backed- marbled board clam-shell case, lightly rubbed on the spine. Folio. Northampton: Gehenna Press, 1969. Limited First Edition. One of 175 copies. This set has Roman numerals, typically reserved for the edition with double plates.
Vienna: Ludwig, 1911. 12 plates individually presented in a black paper mat. Original half vellum folder with colored patterned boards, quite dust-soiled and rubbed, vellum torn at foot; the plates are fine. Small slim 4to, Vienna: Dr. Rud. Ludwig, 1911. Limited Edition. Very good. Number 101 of 250 numbered copies. Text in German.
Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris.
New York: Tiber Press, 1954. Illustrated by Schneebaum with 13 large silk-screened plates (one double-page) mounted on thick cardstock printed with Bourjaily's text. Loose as issued in a red board portfolio. New York: Tiber Press, (1954). Plates are all in fine condition, though as usual the acidic leaves are toned, and slightly dinged at margins; outer portfolio is sound but rough at edges. A very good copy. Limited edition - number 310 of 1500 copies. Despite the fairly large printing.....
Hastings-on-Hudson: Valentine's Manual, 1928. Mr. I. N. Phelps Stokes, Mr. J. Pierpont Morgan, Mr. W. Loring Andrews... and Others. Many plates, some in color. Small folio, original 1/2 blue cloth, boards with some light soiling, spine with small area of light soiling. Hastings-on-Hudson: Valentine's Manual, 1928. First Edition. Very good Mostly views of 19th century New York architecture. Also there are several views of 17th century Dutch and English New York.