Rome: Abbonatevi, 1959. Numerous b/w illustrations. 88pp with text in Italian. Slim narrow 8vo, pictorial wrappers. Roma: Abbonatevi, 1959. A fine copy of this uncommon periodical. This number is devoted to Futurism.
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Milan: Editoriale Domus. Illustrated with 166 plates, including 13 in color. 164 pages with text in Italian. Folio, rebound in green cloth with leather spine label; original pictorial boards bound-in. [Milano]: Editoriale Domus, no date circa 1939. A very good copy.
New York: Metropolitan Museum of Art, 1988. Foreword by Philippe de Montebello. Extensively illustrated, including many full page color plates. lvi + 272pp., 4to, stiff, pictorial wrappers. New York: The Metropolitan Museum of Art, (1988). A near fine copy. Published in conjunction with the exhibition: Boccioni: A Retrospective.
New York: Abrams, 1988. Profusely illustrated in color & in black & white. 272pp. Thick square 4to, blue cloth. New York: Harry Abrams, (1988). First edition. Covers are just a bit scuffed, else a near fine copy, lacking the dust wrapper. Published in conjunction with his exhibit at the Metropolitan Museum of Art September 1988 - January 1989.
London: The British Library, 1978. Illustrated in black and white. 136 pages, wide 8vo, pictorial wrappers. London: The British Library, (1978). A near fine copy.
London: Atlas, 1995. Illustrated. Square 12mo, stiff black wrappers. (London): Atlas, (1995). Near fine.
New York: Designers & Books, 2016. A recent facsimile which includes only material that was in the 1927 original, reproduced as faithfully as possible, with artwork showing the original printing quality permutations, entirely un-retouched. Illustrated throughout with Depero's futuristic work in painting, sculpture, architecture, theater and commercial designs, but above all his experimental avant-garde typography, all printed on paper of various colors, weights, and textures, plus 4 tissue (glassine) pages and 1 two-panel gatefold. Oblong 4to, blue printed paper boards...
Newark: Rabin & Krueger Gallery, 1962. Illustrated profusely in black & white. 4to, blue cloth with inlaid image. Newark, NJ: Rabin & Krueger Gallery, (1962). Slightly edge-worn, still a very good(+) copy.
New Haven: Yale University Art Gallery, 1983. Many Illus., several in color. 118pp. 4to, pictorial wrappers. New Haven: Yale University Art Gallery, 1983. Fine Exhibition catalogue.
New York: Whitney Museum, 1994. With 215 illustrations, including 100 in color. 279 pages. 4to, glossy pictorial wrappers. New York: Whitney Museum of American Art/Abrams, (1994). First softcover edition. A fine copy. Published on the occasion of the Whitney exhibition.
New York: Abbeville, 1986. Illustrated. 638 pages. Very thick 4to, gray cloth. New York: Abbeville, (1986). First American Edition. 1/4 inch tear on cloth at top of spine, else very good(+). Massive exhibition catalogue of works loaned from museums all over the world, at the Palazzo Grassi, Venice. Illustrations on every page, mostly in color.
Milan: Bompiani, 1986. Illustrated. 638p., very thick 4to, silver wrappers lettered in red, yellow, blue & green. corners bent, and there are several scattered scratches. Milan: Bompiani, (1986). First Edition. Very good (+). Massive exhibition catalogue of works loaned from museums all over the world. Illustrations on every page, mostly in color.
New York: Charterhouse, 1973. With b/w illustrations. 235 pages. Square 8vo, black cloth, d.w.; some chipping to dust wrapper. New York: Charterhouse, (1973). First edition. A very good copy in a very good dust wrapper.
New York: Rizzoli, 1975. Black & white illustrations, 236 pages, tall 8vo, white boards, d.w. New York: Rizzoli, (1975). Near fine. Text in English and Italian printed in double column.
Paris: Editions du Regard, 1995. Many Illus., mostly in color. 4to, pictorial wrappers. (Paris): Editions du Regard, (1995). Very good Text in French.
New York: Funk & Wagnalls, 1969. With introductions and notes by Walter Michel and C.J. Fox. 480pp. Thick 8vo, gold cloth. New York: Funk & Wagnalls, (1969). Slightly edge-worn, still a very good copy.
New York: Guggenheim Museum, 1973. The Lydia and Harry Lewis Winston Collection. Over 200 illustrations, a few in color. 251pp. Short square 4to, two-toned cloth. New York: Guggenheim Museum, 1973. A near fine copy.
Oxford: Clarendon, 1968. 15 plates in the text, 219 plates. xxx + 219pp., large 8vo, cloth-backed boards, inked ownesrhip name of Nan Rosenthal; front hinge weak, lower corners dented. Oxford: At the Clarendon Press, 1968. A very good(-) copy.
Paris: Galerie Jean Chauvelin, 1972. Text in French. Exhibition catalog from the Galerie Jean Chauvelin Mai-Juin 1972. Illustrated in color & in black & white. 63 pages, Square 8vo, printed wrappers (some soiling and light wear). Paris: Chauvelin, 1972. A very good copy.
Rome: De Luca Editore, 1959. Illustrated in color & b/w. 98 pages with text in Italian. Slim 8vo, paper wrappers with a color plate pasted on front cover. Roma: De Luca Editore, 1959. A very good(+) copy.
1976. Arte Moderna Italiana, No. 69. Edited by Giovanni Scheiwiller. Illustrated with 40 plates, several in color. 133pp. 12mo, glossy color pictorial wrappers (lightly rubbed). Milano: All'Insegna del Persce d'Oro, 1976. Text in Italian. A very good copy. Limited edition of 1500 numbered copies. This copy is boldly inscribed by the artist on the front endpaper in a red and green marker.
London: Heron, 1967. Illustrations in color & in black & white. Small 4to, 1/2 burgundy leather, pictorial boards. Lodnon: Heron, (1967). Fine.
Ann Arbor: UMI Research Press, 1981. 40 photo Illus. 8vo, tan cloth. Ann Arbor: UMI Research Press, (1981). Fine.
Paris: Berggruen & Cie, 1956. 2 page introduction by Severini and 3 page chronology by Hans Bolliger. Slim 8vo pamphlet. 24 pages in all with 15 illustrations, including 8 in pochoir, one of which is double-page, all printed by Jacomet. The color pictorial wrapper is a wrap-around lithograph printed by Mourlot. Paris: Berggruen & Cie, (1956). A fine copy of this scarce catalogue.