London: Jack, 1930. 73 plates, many in color, most with tissue guards. ix + 131 pages. Thick 4to, decorative boards; minor foxing to inside covers and title page, minor fading to spine and wear to head; uncut edges, t.e.g. London: T. C. & E. C. Jack, (1930). A very good copy.
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24 fine full page black & white plates reproduced by the heliotype process. Rubricated title. Decorative maroon cloth, spine rubbed. Boston: James Osgood, 1883. A scarce book.
Milan: Edizioni Del Milione, 1956. Illustrated with tipped in plates, both color and black and white. 107 pages, slim 4to, grey cloth (spine ends worn). Milan: Edizioni Del Milione, 1956. A very good copy.
University Park: Pennsylvania State University, 1985. Frontis plus 123 black-and-white illustrations. xiv + 108pp., 4to, cloth; spine faded. University Park and London: Published for The College Art Associates of America by The Pennsylvania State University press, 1985. A near fine copy.
Princeton: Princeton University Press, 1949. Volume 2 ONLY. 413 illustrations, 1 double folded. 285pp. of text. 4to, black cloth, dustwrapper is price clipped, worn, and significantly chipped and stained on spine. Princeton UP, 1949. Second printing. A near fine copy in a poor dust wrapper.
Princeton: Princeton University Press, 1949. Volume 2 ONLY. 413 illustrations, 1 double folded. 285 pages. of text. 4to, black cloth, dust wrapper significantly chipped and worn. Princeton UP, 1949. Second printing. A near fine copy in good dust wrapper.
New York: Smithmark Publishers, 1998. With many illustrations, mostly in color. 133pp. Short, slim 4to, black boards with mounted color illustration, d.w. slightly faded toward cover edges. New York: Smithmark Publishers, (1998). A fine copy in a near fine dust wrapper. From the Master Artists Library.
New York: Braziller, 1970. Illustrated with 118 color plates and 8 halftones. 251 pages. 4to, natural cloth, d.w. New York: Braziller, 1970. First edition. A near fine copy in a near fine dust wrapper. Frescoes from ancient Rome to the 18th century, with emphasis on the Italian late middle ages and Renaissance.
New York: Metropolitan Museum of Art, 1968. Profusely Illustrated in color and b/w. Short slim 4to, red cloth. New York: Metropolitan Museum of Art, 1968. A very good copy.
London: Warburg, 1961. 33 black-and-white plates with 74 figues, one folding map, one text illustrations. x + 109pp., 8vo, cloth. London: The Warburg Institute, University of London, 1961. A fine copy. Studies of the Warburg Institute, Vol. 26.
Munich: Nagel Verlag, 1969. Text in German. 89 color illustrations and a map. 137pp. Tall 4to, gold cloth, slightly edge-worn d.w. Munich: Nagel Verlag, (1969). Sunned edges, still a very good(+) copy in a very good(+) dust wrapper. Forward by Archbishop Makarios. German translation by Dr. Beat Brenk.
Florence: Comitato Della il Mostra di Affreschi Staccati, 1958. Illustrated with 29 b/w plates at back. 31pp. Thin short 8vo, slightly sunned stiff wrappers. (Florence: Comitato Della il Mostra di Affreschi Staccati, 1958). A near fine copy.
New York: Abbeville, 1996. Color illustrations photographed by Antonio Quattrone. 464 pages. Folio, green cloth, d.w. New York: Abbevile, (1996). First Edition. Fine.
New York: Harcourt, 1981. Illustrated in black and white and color. 4to, burgundy cloth, dust wrapper. New York: Harcourt, (1981). A fine copy in a near fine dust wrapper.
Novara: Geografico de Agostini, 1962. 72 plates, some in color. 11pp., folio, cloth, d.w.; dust wrapper rubbed, torn at spine ends. Novara: Instituto Geografico de Agostini, (1962). A near fine copy in a very good (-) dust wrapper.
Geneva: Droz, 1971. Italie - France - Espagne. Etudes Comparatives. 51 black & white illustrations. Tall slim 4to, stiff glossy printed wrappers. Geneve: Droz, (1971). A very good copy, with the small ownership signature of art historian Meyer Schapiro.