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Boston: Loring, 1868. 8vo, original embossed green cloth, spine title in gilt. Boston: Loring, (1868). First Edition.; First state with "Fame and Fortune" announced for December, and Dick standing alone on the engraved half-title. Good copy of a book frequently found in deplorable condition. The book is cocked; some blistering and staining on covers; repair to inner front hinge; pencillled bibliographic notes on endpaper, but altogether attractive.
New YorkB: Boni & Liveright, 1925. 317 pages. Large 8vo, original vellum-backed black boards (spine sun-darkened and foxed, as usual; contemporary ownership info on front pastedown; wrinkle on front flyleaf). New York: Boni & Liveright, 1925. Limited First Edition. A very good copy. Number 80 of 350 signed copies.
New York: Simon & Schuster, 1959. Profusely illustrated with fine photographs by Avedon, many full-page. Comments by Capote. 151 pages. Thin folio, glossy white printed boards (spine is very lightly darkened at ends; internally clean), printed board slipcase (overall still sturdy but well-worn, yellowed and chipped). New York: Simon & Schuster, 1959. First edition. A very good(+) book in a good slipcase.
New York: Simon & Schuster, 1959. Profusely illustrated with fine photographs by Avedon, many full-page. Comments by Capote. 151 pages. Thin folio, glossy white printed boards. New York: Simon & Schuster, 1959. First edition. Fine copy with glassine dust wrapper, in the publisher's printed board slipcase, which is near fine, but tanned at edges.
London: Grant Richards, 1901. 27 color illustrations. , 113 pages consisting of 56 single-sided pages, with text pages facing the illustrations so there are back-to-back blanks throughout. 16mo, pale green cloth with decorative stripes (cloth fingered and spine browned; inner hinges partially cracked but holding; several pages with minor staining). London: Grant Richards, 1901. Sixth edition. A very good copy, preserved in a lovely custom clamshell box with Sambo inlaid in colored leather on cover.
Athenaion, 1927. 13 mounted plates, 10 color. 274 pages, 4to, gilt pictorial blue cloth. Wildpark-Potsdam, 1927. First Edition. Near Fine. History of Early and High Renaissance painting in Northern Italy. In Handbuch der Kunstwissenschaft, "one of the most scholarly series ...written by recognized authorities and containing bibliographies". Chamberlin 444. Lucas, p. 82.
Cleveland: Burows Brotheres, 1895. Text throughout printed in black & red, some pages within highly decorative borders. , 131 pages, 8vo, linen- backed blue holland boards, pictorially stamped in black & red. Cleveland: Burrows Brothers, 1895. First edition. Bradley's masterpiece of American Art Nouveau book design. Number 8 of 40 copies on Japan Paper. Enclosed are 3 portraits of Blackmore & Bradley, on Japan Paper and each numbered 8. Bookplate.
London: John Murray, 1841. 14 volumes. Frontispiece portraits. 12mo, handsomely bound by Zaehnsdorf in 3/4 dark blue morocco; gilt-tooled spines with red floral designs and raised bands; lightly shelf-worn. London: John Murray, 1841-1874. First editions. A near fine set. The collection comprises: The Zincali (2 volumes, 1841), The Bible in Spain (3 volumes, 1843), Lavengro (3 volumes, 1851), The Romany Rye (2 volumes, 1857). Wild Wales (3 volumes, 1862), and Romano Lavo-Lil (1874).
Houston: University of Houston, 1985. Illustrated sparsely in black & white. Slim and tall 12mo, stiff pictorial wrappers with staple binding. Houston: University of Houston / M.D. Anderson Library, 1985. First edition. A near fine copy. Catalog for an exhibition held at the M.D. Anderson Library at the University of Houston - University Park, from March 20 - May 21, 1985.
New York: Delacorte, 1974. Illustrated in color and black-and-white doodles and photography throughout. Un-paginated, very slim 4to, turquoise patterned boards with metallic blue pictorial stamping. New York: Delacorte, 1974. Blacked-out price on front endpaper, else a very good(+) copy. Printed in the authors' handwriting.