London: George Allen and Unwin, 1964. Illus. 8vo, blue cloth, d.w. lightly soiled and chipped. London: George Allen and Unwin, (1964). More

Suffolk: Antique Collectors' Club, 1986. Numerous illustrations in color & in black & white. Short 4to, cloth, d.w. (Suffolk: Antique Collectors' Club, 1986). First Edition. A fine copy in a fine dust wrapper. More

London: Ackermann, 1818. 15 fine color plates. 3 separate issues bound together: Volume V. May 1, 1818 No. 29, pages 250 - 314: Volume V. June 1, 1818. No. 30. pages 315 - 384: Volume VI. November 1. 1818, No. 35. pages 245- 310. slim 8vo, 3/4 red leather, marbled boards (rubbed). London: Ackermann, 1818. Very good (+). With a presentation and letter laid in by John Carnegie. More

Armani, 1998. Black and white photographs, loose as issued by Aldo Fallai and Carton Davis. Two frosted mylar folders (one with corners creased), one for women's collection and one for men's, housed in a folding black paper slipcase (a few scrapes on back). Plates clean and fine. 1998, Armani. Overall a very good(+) copy. More

New York: Harper, 1994. Text by Kevyn Aucoin and Tina Gaudoin. Foreword by Linda Wells, Essays by Cindy Crawford, Donna Karen, Polly Mellen, and Liza Minnelli. Edited by Antoinette White. 227 full color photographs, 176pp, slim folio, white boards. New York: Harper Collins/Callaway Editions, 1994. First Edition. Fine in a fine dust wrapper and the original shrinkwrap. More

Bergamo: Bolis, 1992. The Italian Industry as Seen by Dorothea Balluff, Enrico Guagnini, Paola Pisa, and Maurizio Valentini. Introduction by Sergio Zavoli. Extensively illustrated, 221pp., 4to, grey cloth, d.w.; dust wrapper lightly rubbed. Bergamo: Edizioni Bolis, (1992). First edition. A very good (+) copy in a very good dust wrapper. More

Paris: BALMAIN, Pierre. Ink, watercolor and gouache on xerograph. Fabric swatches attached with staples. Sheet measures 12.25" x 8.5". This original croquis from the designer Pierre Balmain was made from a xerograph of an original drawing, which was then hand-colored with ink, watercolor, and gouache. The design shows a knee-length coat. A swatch of the appropriate fabric, grey and black wool, is stapled to the sheet. These sketches were produced in a limited quantity and presented to potential clients in... More

Paris: BALMAIN, Pierre. Ink, watercolor and gouache on xerograph. Fabric swatches attached with staples, handwritten note directly on sheet. Sheet measures 12.25" x 8.5". This original croquis from the designer Pierre Balmain was made from a xerograph of an original drawing, which was then hand-colored with ink, watercolor, and gouache. The design shows a coat in three views. A swatch of the appropriate burgundy wool fabric is stapled to the sheet. These sketches were produced in a limited quantity and... More

Paris: BALMAIN, Pierre. Ink, watercolor and gouache on xerograph. Fabric swatches and note attached with staples. Sheet measures 12.25" x 8.5". This original croquis from the designer Pierre Balmain was made from a xerograph of an original drawing, which was then hand-colored with ink, watercolor, and gouache. The design shows a jacket and dress combination for daytime. Swatches of the appropriate fabric, a white and a blue checkered muslin, are stapled to the sheet. A typed note is also attached... More

Paris: BALMAIN, Pierre. Ink on xerograph. Fabric swatches attached with staples. Sheet measures 12.25" x 8.5". This original croquis from the designer Pierre Balmain was made from a xerograph of an original drawing. The design shows three views of a jacket and dress combination. The dress has a tie detail at the collar as well as a belt. Swatches of the appropriate fabric, cream muslin and cream jersey, are stapled to the sheet. These sketches were produced in a limited... More

Paris: Meynial. 3 volumes, 1918, 1919 and 1921 of the five volumes almanac. Beautifully illustrated with 19 pochoir color plates and 3 color title page vignettes by George Barbier in his characteristic art deco style. The volume for 1918 is in pink silk with cracked hinges and no dust wrapper; 1919 is with pictorial silk covers, hinges strengthened, chipped spine and partial dust wrapper; 1919 has a white pictorial silk cover and good dust wrapper. The interiors are all fine. Paris: Meynial, 1918, 1919, 1921. Very good (-). More

New York: Holt, 1977. Hundreds of illustrations in both color and black and white. 400 pages. Thick 4to, cloth, d.w.; dust wrapper price clipped, lightly rubbed. New York: Holt, Rinehart and Winston, (1977). First edition. A fine copy in a very good (+) dust wrapper. More