New York: Hugh Lauter Levin Associates, 1988. Lavishly illustrated in color with the artist's paintings, drawings, and prints. 327pp. 4to, navy cloth, dust wrapper. New York: Hugh Lauter Levin Associates, Inc., (1988). First American edition. A near fine copy in a near fine dust wrapper. Selection and catalogue by Marina Bessonova. Designed by Mikhail Anikst and Kirill Selvinsky. Translated from the Russian by John Crowfoot and Alex Miller.
Philadelphia: Pennsylvania Academy of the Fine Arts, 1987. Color and black and white illustrated exhibition catalogue. 168 pages, slim 4to, pictorial wrappers (slightly sunned and spine creased). Philadelphia: Pennsylvania Academy of the Fine Arts, (1987). A very good copy. Published in conjunction with the exhibition Jack Tworkov: Paintings, 1928-1982, held at the Pennsylvania Academy of the Fine Arts, January 30-April 5, 1987. From the library of Nan Rosenthal, curator of modern art at the National Gallery, with her signature on the front free endpaper.
Los Angeles: Museum of Contemporary Art, 2002. Essays by Paul Schimmel, Richard Shiff and Anne M. Wagner. 124 color plates, 6 black-and-white illustrations. 199pp., folio, d.w. Los Angeles. Museum of Contemporary Art, Los Angeles, (2002). A fine copy in a near fine dust wrapper. Published to accompany the exhibition: Willem de Kooning: Tracing the Figure.
New York: L & M Arts, 2007. 20 full-page color plates, additional illustrations. 79 pages. Folio, natural cloth-backed boards with photographic portrait of De Kooning inset front cover. New York: L & M Arts, (2007). Upper front corner dented, otherwise a near fine copy. With contributions by Mart Stevens and Annalyn Swan, Jill Weinberg Adams, Tom Ferrara, and Ed McCormack.
Bern: Fonds Mercator, 1981. In French. Patterned endpapers, color frontispiece; profusely illustrated in color and black and white with many full-bleed images. 478 pages, wide 4to, two-tone blue and white cloth with gilt stamping, dust wrapper, black board slipcase (light scuffing and damp staining). Bern: Fonds Mercator (1981). A fine copy in a fine dust wrapper.
New Haven: Yale University Press, 1997. Many color and b/w Illus. 4to, black cloth, d.w. sunned on spine portion. New Haven: Yale University Press, (1997). Very good Presentation copy from the author to Nan (Rosenthal). Nan Rosenthal was a curator of modern art at the Metropolitan Museum of Art and the National Gallery of Art.