German Expressionism, 1915-1925: The Second Generation.
Munich: Prestel, 1988. 516 illustrations, including 89 in color. 197 pages. 4to, blue cloth, d.w. Munich: Prestel, (1988). A fine copy in a near fine dust wrapper. More
Munich: Prestel, 1988. 516 illustrations, including 89 in color. 197 pages. 4to, blue cloth, d.w. Munich: Prestel, (1988). A fine copy in a near fine dust wrapper. More
New York: Alpine, 1976. Translate by I. Mark Paris. 48 color reproductions, many illustrations in black-and-white. 170 pages. 4to, blue cloth, torn d.w. New York: Alpine Fine Arts Collection, (1976). A near fine copy in a very good dust wrapper. More
Los Angeles: Museum of Contemporary Art, 2002. Essays by Paul Schimmel, Richard Shiff and Anne M. Wagner. 124 color plates, 6 black-and-white illustrations. 199 pages. Small folio, green cloth, d.w. Los Angeles. Museum of Contemporary Art, Los Angeles, (2002). First Edition. A fine copy in near fine dust wrapper Published to accompany the exhibition: Willem de Kooning: Tracing the Figure. Inscribed on the title page by Paul Schimmel. More
Zurich: Galerie Wurthle Wien, 1983. Illustrated in color. Bilingual in English and German. 298 pages, square 4to, pictorial wrappers. Zurich: Galerie Wurthle Wien, (1983). A very good(+) copy. More
New York: Knopf, 1978. Profusely illustrated in b/w & color, slim 4to, burgundy cloth, edgeworn dust wrapper (a bit worn at foot; red remainder mark lower edge). New York: Knopf, 1978. A very good copy in a very good dust wrapper. More
New York: Skira, 1980. 75 illustrations in color and 270 in black and white. 223 pages, large square 4to, tan cloth, dust wrapper (light surface rubbing to wrapper). New York: Skira, (1980). A fine copy in a very good(+) dust wrapper. More
New York: L & M Arts, 2007. 20 full-page color plates, additional illustrations. 79 pages. Folio, natural cloth-backed boards with photographic portrait of De Kooning inset front cover. New York: L & M Arts, (2007). Upper front corner dented, otherwise a near fine copy. With contributions by Mart Stevens and Annalyn Swan, Jill Weinberg Adams, Tom Ferrara, and Ed McCormack. More
Paris: Galerie Maeght Lelong, 1986. With b/w and color images throughout. Unpaginated. Slim, narrow folio, pictorial wrappers. Paris: Galerie Maeght Lelong, (1986). A near fine copy with light sunning and light stray marks to rear cover. More
Geneva: Skira, 1983. 92 reproductions in full color 140 black and white illustrations. 170 pages, large square 4to, ocher cloth with white stamping, dust wrapper. Geneva: Skira, (1983). A fine copy in a near fine dust wrapper. More
Munich: Prestel, 1983. Illustrated in color and in black and white. 237 pages with text in German. 4to, orange cloth with black lettering, d.w. (lightly edgeworn). Munich: Prestel, (1983). Ownership signature on flyleaf. Near fine in a very good(+) dust wrapper. More
New York: Hudson Hills Press, 1998. Illustrated in b/w throughout plus 48 full-page color plates. 168pp. More
Munich: Galerie Thomas, 2007. Many full-page color plates. 88pp., 4to, printed boards; lightly worn at corners and edges. Munchen: Galerie Thomas, (2007). Internally fine, a very good copy. More
New York: Abbeville, 1985. Foreword by Millard F. Rogers, Jr. Over 170 illustrations, including 70 in color. 188 pages. 4to, purple cloth, d.w. New York: Abbeville Press/Cincinnati Art Museum, (1985). First edition, second printing. Cloth lightly sunned at the edges. A near fine copy in a near fine dust wrapper. Published on the occasion of the exhibition: The Vital Gesture: Franz Kline in Retrospect at the Cincinnati Art Museum, November 27, 1985-march 2, 1986. More
New York: Abbeville, 1983. Many Illus., most in color. 136pp. 4to, pr. wrs. New York: Abbeville Press, (1983). Very good. More
Houston: Sarah Campbell Blaffer Gallery, 1977. Frontispiece, and numerous black and white woodcut illustrations, printed on brown paper. Short slim 4to, spiral-bound stiff pictorial boards (rubbed). Houston: Sarah Campbell Blaffer Gallery, University Houston, 1977. A very good copy. More
Zurich: Pro Litteris, 1990. Extensively illustrated, several in color. 191pp., 4to, stiff, pictorial wrappers. Zurich: Pro Litteris, (1990). A fine copy of this scarce catalog. More
Barcelona: Ediciones Poligrafa. Preface by Harold Rosenberg. With color and b/w images throughout. 218 pages. Oblong 4to, natural cloth, d.w. with die-cut text on front panel. Barcelona: Ediciones Poligrafa, n.d. A near fine copy in a very good(+) dust wrapper, sunned spine, light edgewear to rear cover. More
Viterbo: Primaprint, 1997. 62 color illustrations. 128 pages with text in English and Italian. 4to, black cloth, d.w., publisher's pictorial slipcase. Viterbo: Edizioni Primaprint, 1997. First Edition. A fine copy in a fine dust wrapper and slipcase, inscribed on the half title: "To... with affection, Mike. 3/27/98" This well-illustrated monograph is the major reference work on the noted second generation American Abstract Expressionist painter Michael Goldberg. Scarce. More
New York: Robert Miller, 2014. 23 full page color reproductions. Thin square 4to, green cloth; minor scuff marks on front cover. New York: Robert Miller Gallery, (2014). A near fine copy. One of a thousand copies. More
Cologne: Schauberg, 1971. 40 full-page color plates. folio, red cloth, d.w. Koln: M. DuMont Scauberg, (1971). Third printing. A fine copy in a near fine dust wrapper. More
New York: Praeger. Color frontispiece and illustrations in b/w. 211pp. 8vo, orange cloth (worn), d.w. (yellowed, dust rubbed, and edgeworn). New York: Praeger, (n.d., circa 1954). A good copy in a good dust wrapper. More
New York: Neue Galerie, 2002. Illustrated with black and white photographs. 108 pages, slim small 4to, grey cloth with white stamping, dust wrapper. New York: Neue Galerie, 2002. A fine copy in a fine dust wrapper. More
Hamburg: Hans Christians, 1960. Foreword by Rudolf Grossman. 67 woodcuts, some full page, 6 in color, printed on hand made paper, slim folio, rough decorative cloth. Hamburg: Hans Christians, (1960). One of only 200 signed and numbered copies. Boldly signed and inscribed on the half-title by the artist. More
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I received my book order today, sooner than I expected and packaged with the care I have come to know from ABAA book sellers. When you described this book’s condition as Fine, you meant it! I couldn’t find one fault. Thank you.