Wilfedo Lam
Paris: Galerie Fabien Boulaki, 1985. 19 illustrations, in both color and black and white. Tall, thin pictorial wrappers. Paris: Galerie Fabien Boulakia, (1985). Near fine., Text in both English and Frrench.
EXHIBITION
Jackson Pollock: 21 Janvier - 19 Avril 1982.
Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
10 on 10: The Critics' Choice
New York: New York Chapter, the American Institute of Architects, 1988. Many photo Illus. Square, small 8vo, pr. wrs. New York: New York Chapter, the American Institute of Architects, (1988). Near Fine Exhibition catalogue of New York architecture.
Terry Winters, Prints & Sequences
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue.
Andrew Stevovich: Alternate Univers. September 29 through October 29, 2010
New York: Adelson, 2010. Introduction by Warren Adelson. Essay by James Gardner. 36 full color plates plus additional illustrations. Tall thin 8vo, pictorial boards. New York: Adelson Galleries, 2010. A fine copy. Includes price list.
Childe Hassam: An American Impressionist.
New York: Adelson, 1999. Illustrated with 95 color plates. Thin 4to, green cloth, d.w. N.Y.: Adelson Galleries & Houston: Meredith Long, (1992). A fine copy in a fine dust wrapper. A catalogue for the 1999 exhibition.
Dada and Surrealism Reviewed
London: Arts Council of Britain, 1978. Profusely illustrated in black & white and color. 506pp., folio, stiff pictorial gray wrappers (edges slightly rubbed). (London): Arts Council of Great Britain, 1978. First Edition. Very good (+). Published in association with the exhibition held at the Hayward Gallery, London from 11 January to 27 March 1978.
Dali
New York: Rizzoli, 2004. With the assistance of Montse Aguer. More than 200 full page color plates, many other illustrations in both color and black & white. 607pp., thick 4to, black cloth, d.w. New York: Rizzoli, in Association with the Philadelphia Museum of Art, (2005). First edition. A fine copy in a very good (+) dust wrapper.
Americans in Paris, 1860-1900
London: National Gallery, 2006. Many color plates. 4to, brown cloth, d.w. (London: National Gallery, 2006). Fine Exhibition catalogue.
Saving Place; 50 Years of New York City Landmarks
New York: Monacelli Press, 2015. Many photo Illus., mostly in color. 4to, black cloth, d.w. New York: Monacelli Press, (2015). Fine Exhibition catalogue.
Alechinsky a la ligne
Paris: Weber, 1973. Illustrated in both color and black-and-white. 53pp., tall thin 8vo, decorative printed wrappers; some wear to the spine. Paris: Galerie de France et Weber, (1973). A very good copy.
Paintings and Writings
Pittsburgh: Museum of Art, Carnegie Institute, 1977. Many color and b/w illustrations throughout. 4to, pictorial wrappers; very minor bumping at ends. (Pittsburgh): Museum of Art, Carnegie Institute, (1977). Near fine. Exhibition catalogue.
The Painted Page: Italian Renaissance Book Illumination, 1450-1550
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck.
Russische und Sowjetische Zeichnungen und Aquarelle von 1900 bis 1930 aus dem Puschkin-Museum Moskau
Mannheim: Stadtische Kunsthalle Mannheim, 1990. Many plates, several in color. Square, small 4to, pictorial wrs. Mannheim: Stadtische Kunsthalle Mannheim, 1990. Fine Exhibition catalogue.
The Avant-Garde in Exhibition: New Art in the 20th Century.
Berkeley: University of California Press, 1998. Profusely illustrated in color & b/w. 288 pages. Short 4to, glossy printed wrappers. Berkeley: University of California Press, (1998). First paperback edition. A fine copy.
Catalogue of a Special Exhibition of American Naval Prints and Paintings at the Peabody Museum of Salem July 6 to September 30, 1959.
Salem: Peabody, 1959. 196 black & white illustrations. 61 pages of text. Slim 8vo, blue printed wrappers; a bit edgeworn. Salem, MA: The Peabody Museum, (1959). A very goodcopy. Exhibition catalogue, commemorating the 160th Anniversary of the launching of the frigate Essex and the founding of the East India Marine Society, 1799.
Wolf Kahn. 18 November - 22 December, 2004
New York: AMERINGER YOHE FINE ART, 2004. Illustrated in color. 31 pages, pictorial boards, slim oblong 8vo. New York: Ameringer Yohe Fine Art, 2001. A fine copy.
Wolf Kahn: Continuity and Change, Paintings and Works on Paper 1958-66 / 2000-03
New York: AMERINGER YOHE FINE ART, 2003. Illustrated in color. 32 pages, blue cloth spine over tan boards, slim oblong 8vo. New York: Ameringer Yohe Fine Art, 2003. A fine copy.
Albert Bierstadt: Art & Enterprise
New York: Brooklyn Museum, 1990. Illustrated, mostly in color. 327 pages. Tall 4to, stiff glossy pictorial wrappers. New York: The Brooklyn Museum in association with Hudson Hills Press, (1990). First softcover edition. Gift inscription, possibly from the author, otherwise a fine copy. With a contribution by Helena E. Wright. Published on the occasion of the exhibition of the same title, organized by the Brooklyn Museum in association with the National Gallery of Art, Washington D.C.
From a Mighty Fortress: Prints, Drawings, and Books in the Age of Luther, 1483-1546.
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982).
Carl Andre: Sculpture 1958-1974
Bern: Kunsthalle, 1975. Many black-and-white photographs. 99pp., tall 8vo, printed red wrappers; lower front corner bumped. Bern: Kunsthalle Bern, (1975). A very good (+) copy.
Howard Hodgkin
New York: Gagosian, 2004. 40 full page color plates, including 6 folding. 102pp., 4to, blue cloth-backed boards, d.w.; minor bumping to bottom rear edge. New York: Gagosian Gallery, (2003). A near fine copy in a near fine dust wrapper. Published on the occasion of the exhibition: Howard Hodgkin 8 November - 20 December 2003.
Thomas Alexander Tefft: American Architecture in Transition, 1845-1860
Providence: Department of Art, Brown University, 1988. Many Illus. Square 4to, pr. wrs. Providence: Department of Art, Brown University, 1988. Fine Exhibition catalogue.
Pyramids Rise, Spheres Turn, and Cubes Stand Still: David Nash, 19 May - 16 July 2005
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
Richard Hamilton
London: Anthony d'Offay Gallery, 1991. Filled with color and black & white illustrations. 86 pages. 4to, black cloth, dust wrapper. London: Anthony d'Offay Gallery, 1991. Fine.