Paris: Monelle Hayot, 1985. 101 plates, some in color. d.w. (Paris): Editions Monelle Hayot, (1985). Fine.
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Paris: Maeght, 1976. Illustrated with 3 double-page lithographs, including 2 in color; other reproductions in color and b/w. Slim folio. 32 pages with loose pages, as issued, in original printed wrappers. Paris: Maeght, 1976. First edition. A very good(+) copy, slightly torn at head.
New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper.
Milan: Amilcare Pizzi, 1955. Introductory texts in Italian, French, German & English. Profusely illustrated throughout with 100 plates showing 248 images. The mounted facsimiles are faithfully reproduced in original colors, embellished with gold, and protected with lettered tissue. Massive folio, bound in publishers leather-backed pictorial boards (reproducing the original gilt-decorated covers); worn at spine ends, board slipcase broken, worn. Milan: Amilcare Pizzi, 1955. Limited edition -- un-numbered copy from a run of 2030. Internally fine, a very good (+) copy...
Antibes: Editions Snoeck, 2009. Illustrated (color). 208 pages, 8vo., paperback with clear plastic wrapper. Antibes: Editions Snoeck/Musee Picasso Antibes, (2009). A fine copy. The catalog for an exhibition of the same title shown at the Musee Picasso, Antibes (March-June, 2009).
New York: Rizzoli, 1977. Illustrated mostly in black and white, 4 additional in color. 178 pages, 4to, green cloth, dust wrapper. New York: Rizzoli, 1977. A near fine copy in a near fine dust wrapper.
London: Annely Juda Fine Art, 1991. Illustrated with color photographs and drawings. 47 pages, slim small 4to, pictorial wrappers. London: Annely Jude Fine Art. A near fine copy. Exhibition catalog.
London: Anthony d'Offay Gallery, 1991. Filled with color and black & white illustrations. 86 pages. 4to, black cloth, dust wrapper. London: Anthony d'Offay Gallery, 1991. Fine.
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A....
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a fine dust wrapper. Limited edition -- number 23 of 100 copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered and 50 HC). A catalogue for the Matthew Marks Gallery exhibition, October 14 to November 28, 1992.
Milan: Fratelli Fabbri, 1971. 38 color plates, 35 b/w Illus. 96pp. 4to, gray cloth, d.w. (Milano): Fratelli Fabbri, (1971). A fine copy in a very good dust wrapper. I Desegni dei Maestri No. 13. Drawings of French artists of the 18th century.
Cambridge: MIT, 1981. Hundreds of black & white plates. 2 volumes, oblong 4to, grey cloth, housed in a blue cloth slipcase (stained). Cambridge: M.I.T., (1981). Both volumes are in fine condition.
Paris: Flammarion, 2007. Profusely illustrated in both color and black & white. 191pp., large 8vo, pictorial padded boards. Paris. Flammarion, (2007). A fine copy.
66 illustrations, including 5 tipped in color plates. Slim 4to, wrappers with printed dust wrapper; dust wrapper has spot on front cover. Paris; Galerie Claude Bernard, (1976). A very good copy in a very good dust wrapper.
New York: Metropolitan Museum of Art, 2003. 515 illustrations, including 333 color plates. xiv + 786pp., very thick brown cloth, d.w. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, (2003). A fine copy in a fine dust wrapper.
Bilbao: Guggenheim Museum, 1999. 150 full page plates, plus other illustrations. 223pp., 4to, black cloth, d.w. Bilbao: Guggenheim, (1999). A near fine copy in a very good (+) dust wrapper.
New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper.
New York: Metropolitan Museum of Art, 1964. Sepia frontispiece and 100 plates. 4to, gilt-lettered parchment-backed cloth, board slipcase. New York: Metropolitan Museum, (no date circa 1964). A near fine copy. Limited edition. Number 68 of 500 copies.
Munich: 1913. 60 Illus. 4to, cloth-backed boards. Muenchen, (1914).
Flagstaff: Northland Press, 1974. Many Illus. by Joe Beeler. 4to, two-toned cloth, d.w. Flagstaff: Northland Press, (1974). A fine copy in a very good dust wrapper.
Konisgstein Im Taunus: Langewiesche, 1960. More than 100 illustrations, a few in color. 8vo, blue cloth, d.w.; dust wrapper edgeworn. Konisgstein Im Taunus: Karl Robert Langewiesche, (1960). A very good copy in a very good(-) dust wrapper.
Konigstein im Taunus: Langewiesche, 1943. Illustrated with many plates, some in color. 80pp. Tall thin 8vo, printed wrappers; chipped at head of spine.. Konigstein im Taunus: Karl Robert Langewiesche, (1954). A very good copy.
Haarlem: De Erven F. Bohn, 1939. Text in Dutch. Veertigste Druk geillustreerd door Jo Spier. Profusely illustrated with full page and text drawings. 462 pages. Tall 4to, gilt decorated red buckram (paper over interior hinges repaired and slightly rumpled, but hinges firm). Haarlem: De Erven F. Bohn, 1939. A very good(+) copy. A collection of tales and sketches of life and manners in Holland, first published in 1839 by the Dutch cleric and professor of theology at Utrecht.
Greenwich: New York Graphic Society, 1973. Color frontispiece, 118 color and 103 black and white illustrations. 224pp., thick 4to, brown cloth, d.w.; (slightly chipped). Greenwich, CT: New York Graphic Society, (1973). Very Good (+).
Fine content typed letter signed with drawing and manuscript notes in ink. 11" x 8.5". The original sheet, typed on brittle heavily toned paper, is in two pieces with some loss of content at the mid-section, and has been expertly affixed to a larger sheet. "Friday 12pm", no date. In full: "Dear William - I am sending you some rabbit stew, I am sorry its all a little mixed up, but I think it will fit. I am a little...