New York: Holt, 1984. Profusely illustrated with black-and-white photographs. 212 pages, 4to, blind-stamped gray leatherette, dust wrapper (closed tear on the back cover). New York; Holt, Rinehart and Winston, (1984). First edition. A fine copy in a very good(-) dust wrapper. Signed in full by Baryshnikov on the title page.
New York: Delilah Books, 1981. Book by Neal Peters and David Smith; signed by Ann-Margret. Profusely illustrated with color and black-and-white photographs. 256 pages, 4to, silver-stamped white boards, dust wrapper (edge-worn). New York: Delilah Books, (1981). A very good copy in a very good(-) dust wrapper. Boldly inscribed in purple marker on a preliminary blank page: "For David~ Affectionately, Ann-Margret."
Original poster. Color lithograph. 52.75 x 40.75 inches. This dance performance poster for the S. Hurok program of Antonio and the Ballets de Madrid is yellow and black, with dancers on the right side and text on the left. Antonio Ruiz Soler (1921-1996), professionally known as Antonio, was a Spanish flamenco dancer, choreographer, and director. Antonio and the Ballets de Madrid performed extensively in London, and later toured internationally under American impresario Sol Hurok. Good condition, with original folds as issued.
Los Angeles: Merle Armitage, 1937. Illustrated with black-and-white photographs. Edited and with a Foreword by Mere Armitage. Articles by John Martin, Lincoln Kirstein, Evangeline Stokowski, Stark Young, Wallingford Riegger, Edith J.R. Isaacs, Roy Hargrave, Hames Johnson Sweeney, Goerge Antheil, Margaret Lloyd, Louis Danz, and Martha Graham. Biography by Winthrop Sargeant. Paintings by Edward Biberman and Carlos Dyer. A Portrait of Louis Horst. Affirmations by Martha Graham. 132 pages, 8vo, small 8vo, printed gray cloth (uneven toning; hinges skillfully repaired; previous...
New York: 1930. Vintage matte-finish black-and-white photograph, 9.25 x 5.75 inches, Murray Korman, New York, A full-length image depicting Baker dressed in a sequined gown. Boldly signed in full. No date, circa 1930. Small crease on the right side, but still in very good condition. American-born French dancer, singer, and actress who came to be known in various circles as the "Black Pearl," "Bronze Venus," and the "Creole Goddess."
Paris: Mont- Parnasse, 1703. Two volumes bound together. Exquisite engraved frontispiece in each volume by Audran after Dieu. Illustrated on every page with printed musical scores and lyrics. [xviii], 293, ; [xviii], 296pp. Thick 24mo, magnificently bound by Trautz-Bauzonnet in full crimson levant; triple gilt fillet borders and ornate gilt-stamped spine with raised bands; inner dentelles, marbled endpapers, a.e.g. Paris: au Mont- Parnasse, 1703-04. A fine copy of this extremely rare, extensive collection of vocal music of the late 17th...
San Francisco: Blanche Evan Dance Foundation, 1991. Signed and inscribed by the compiler. Illustrated in black & white. 213pp. 4to, grey cloth. [San Francisco]: Blanche Evan Dance Foundation, 1991. A few ink marks on the front cover, still a very good(+) copy. Signed and inscribed by Ruth Gordon Benov on endpaper: "For my sister Lettie, Who allowed me to use her house, to cut, clip, & paste as I worked on this project. Lettie, loves the Dance and I love...
New York: Times Books, 1977. Profusely illustrated with black-and-white photographs. 288 pages, 4to, green cloth, dust wrapper (price-clipped, edgeworn and taped on rear). New York: Times Books, (1977). Second printing. A very good copy in a very good(-) dust wrapper. Boldly signed "Rudolf Noureev" -- the French spelling of his name -- on the title page.
New York: Macmillan, 1984. Illustrated with many black-and-white photographs and several other figures. 176 pages, 4to, black cloth, dust wrapper. New York; Macmillan, (1984). First American Edition. A very good copy in a very good dust wrapper. Signed in full by Rudolf Nureyev beside the title page and by Mikhail Baryshnikov on the title page. Additionally signed by Nureyev on page 140.
1965. 9.5 x 7.25-inch black-and-white photo of an animated Bolger kicking high and laughing -- no place, no date, circa 1965. Inscribed at the bottom left with excellent contrast: "To Terry T. Tobin, I've no kick coming! All the best, Ray Bolger." Double-matted in dark and light gray and set in a silver and black frame measuring 16.25 x 14 inches. Near fine condition. American vaudeville performer, actor, singer, and dancer best known for his portrayal of the scarecrow in "The Wizard of Oz."