New York: Farrar Straus & Giroux, 1993. Black & white photo illustrations. 305pp, tall 8vo, cloth-backed boards, dust wrapper; light edge-wear on bds. and d.w. New York; Farrar Straus & Giroux, (1993). First edition.
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New York: Holt, 1984. Profusely illustrated with black-and-white photographs. 212 pages, 4to, blind-stamped gray leatherette, dust wrapper (closed tear on the back cover). New York; Holt, Rinehart and Winston, (1984). First edition. A fine copy in a very good(-) dust wrapper. Signed in full by Baryshnikov on the title page.
New York: Pantheon, 1946. 8 color plates, 202 black & white illustrations. 4to, cloth, spine rubbed. New York: Pantheon, (1946). First Edition. Very good.
Iowa City: University of Iowa Press, 1997. Black & white photo illustrations. 346pp, 8vo, cloth, dust wrapper; d.w. torn & taped back together. Iowa City; University of Iowa Press, (1997). Near fine with a good d.w.
New York: Delilah Books, 1981. Book by Neal Peters and David Smith; signed by Ann-Margret. Profusely illustrated with color and black-and-white photographs. 256 pages, 4to, silver-stamped white boards, dust wrapper (edge-worn). New York: Delilah Books, (1981). A very good copy in a very good(-) dust wrapper. Boldly inscribed in purple marker on a preliminary blank page: "For David~ Affectionately, Ann-Margret."
Original poster. Color lithograph. 52.75 x 40.75 inches. This dance performance poster for the S. Hurok program of Antonio and the Ballets de Madrid is yellow and black, with dancers on the right side and text on the left. Antonio Ruiz Soler (1921-1996), professionally known as Antonio, was a Spanish flamenco dancer, choreographer, and director. Antonio and the Ballets de Madrid performed extensively in London, and later toured internationally under American impresario Sol Hurok. Good condition, with original folds as issued.
London: George Routledge, 1939. With an Appreciation by Sacheverell Sitwell. 31 tipped in black & white plates, 4to, green cloth, rubbed and spine head repaired. London: George Routledge, (1939). A very good(-) copy.
Portland, Oregon: Amadeus Press, 2001. With a foreword by Sir Peter Ustinov. Color and black & white illustrations. 296pp, short 4to, cloth, dust wrapper. Portland, Oregon; Amadeus Press, (2001). Very good(+).
Los Angeles: Merle Armitage, 1937. Illustrated with black-and-white photographs. Edited and with a Foreword by Mere Armitage. Articles by John Martin, Lincoln Kirstein, Evangeline Stokowski, Stark Young, Wallingford Riegger, Edith J.R. Isaacs, Roy Hargrave, Hames Johnson Sweeney, Goerge Antheil, Margaret Lloyd, Louis Danz, and Martha Graham. Biography by Winthrop Sargeant. Paintings by Edward Biberman and Carlos Dyer. A Portrait of Louis Horst. Affirmations by Martha Graham. 132 pages, 8vo, small 8vo, printed gray cloth (uneven toning; hinges skillfully repaired; previous...
London: George Allen & Unwin, 1952. 364pp., many intersting black & white illustrations. 8vo, yellow cloth, d.w. (chipped). London: George Allen & Unwin, (1952). Pages evenly toned, otherwise very good (+) in torn d.w.
New York: Random House, 1993. Over 80 photo Illus. 532pp. 8vo, 1/2 black cloth, d.w. with a small dampstain on blank side. New York: Random House, (1993). Very good(+) Presentation copy from Jean-Claude Baker. Biography of Josephine Baker.
New York: 1930. Vintage matte-finish black-and-white photograph, 9.25 x 5.75 inches, Murray Korman, New York, A full-length image depicting Baker dressed in a sequined gown. Boldly signed in full. No date, circa 1930. Small crease on the right side, but still in very good condition. American-born French dancer, singer, and actress who came to be known in various circles as the "Black Pearl," "Bronze Venus," and the "Creole Goddess."
Paris: Mont- Parnasse, 1703. Two volumes bound together. Exquisite engraved frontispiece in each volume by Audran after Dieu. Illustrated on every page with printed musical scores and lyrics. [xviii], 293, ; [xviii], 296pp. Thick 24mo, magnificently bound by Trautz-Bauzonnet in full crimson levant; triple gilt fillet borders and ornate gilt-stamped spine with raised bands; inner dentelles, marbled endpapers, a.e.g. Paris: au Mont- Parnasse, 1703-04. A fine copy of this extremely rare, extensive collection of vocal music of the late 17th...
New York: Crown, 1992. Illustrated in color by Carolyn George d'Amboise. Slim, oblong 8vo, glossy pictorial boards. New York: Crown, (1992). First edition. A near fine copy. Signed on the front free endpaper by both Jacques d'Amboise and Carolyn George d'Amboise.
1985. 9.75 x 7.75 inches, no place, no date, circa 1985 -- a black-and-white image of Baryshnikov performing on stage holding a prop. Photographer Leslie E. Spatt's ownership stamp on the back. Very good(+) condition. Russian-born ballet dancer, choreographer, and actor.
Chicago: Chicago U. Press, 1929. Frontispiece with tissue guard, 642pp., tall thick 8vo, red cloth; ownership signature front free endpaper, small library numbering on spine. Chicago: UP Chicago, (1929). First Edition. Very good copy.
London: Studio, 1946. Profusely illustrated with many in color. Slim 4to, purple cloth, d.w. (London: Studio Ltd., 1946). A fine copy in a good dust wrapper.
Profusely illus. in b/w, 203pp., 4to, cloth, d.w.; d.w. torn with pieces missing. Connecticut: New York Graphic Society, n.d.
San Francisco: Blanche Evan Dance Foundation, 1991. Signed and inscribed by the compiler. Illustrated in black & white. 213pp. 4to, grey cloth. [San Francisco]: Blanche Evan Dance Foundation, 1991. A few ink marks on the front cover, still a very good(+) copy. Signed and inscribed by Ruth Gordon Benov on endpaper: "For my sister Lettie, Who allowed me to use her house, to cut, clip, & paste as I worked on this project. Lettie, loves the Dance and I love...
Berlin: Julius Bard, 1919. Profusely illustrated throughout with single-sided plates, some in color. 394 pages. very thick 8vo, original cloth-backed pictorial boards (well-worn and cracked at rear joint). Berlin: Julius Bard, 1919. Second edition. Overall a poor copy but plates are clean.
New York: Times Books, 1977. Profusely illustrated with black-and-white photographs. 288 pages, 4to, green cloth, dust wrapper (price-clipped, edgeworn and taped on rear). New York: Times Books, (1977). Second printing. A very good copy in a very good(-) dust wrapper. Boldly signed "Rudolf Noureev" -- the French spelling of his name -- on the title page.
New York: Macmillan, 1984. Illustrated with many black-and-white photographs and several other figures. 176 pages, 4to, black cloth, dust wrapper. New York; Macmillan, (1984). First American Edition. A very good copy in a very good dust wrapper. Signed in full by Rudolf Nureyev beside the title page and by Mikhail Baryshnikov on the title page. Additionally signed by Nureyev on page 140.
New York: Doubleday, 1981. Profusely illustrated in color and black & white. 320pp, 4to, cloth, dust wrapper. N.Y.: Doubleday & Company, Inc, 1981. Near fine with a very good d.w.
1965. 9.5 x 7.25-inch black-and-white photo of an animated Bolger kicking high and laughing -- no place, no date, circa 1965. Inscribed at the bottom left with excellent contrast: "To Terry T. Tobin, I've no kick coming! All the best, Ray Bolger." Double-matted in dark and light gray and set in a silver and black frame measuring 16.25 x 14 inches. Near fine condition. American vaudeville performer, actor, singer, and dancer best known for his portrayal of the scarecrow in "The Wizard of Oz."
8vo, cloth, d.w. Dallas: Baskerville, (1993).