London: Arts Council of Britain, 1978. Profusely illustrated in black & white and color. 506pp., folio, stiff pictorial gray wrappers (edges slightly rubbed). (London): Arts Council of Great Britain, 1978. First Edition. Very good (+). Published in association with the exhibition held at the Hayward Gallery, London from 11 January to 27 March 1978.
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Washington: National Gallery of Art, 2005. 403 color plates, 217 in black-and-white. xv + 519pp., thick 4to, stiff pictorial wrappers; minor bump to upper front corner. Washington, D.C: National Gallery of Art, (2005). A near fine copy. With Essays by Brigid Doherty, Dorothea Dietrich, Sabine T. Kriebel, Michael R. Taylor, Janine Mileaf, and Matthew S Witkovsky.
New York: Abrams, 1968. Packed with 851 illustrations, including 60 color plates. 525 pages. Very thick square 4to, gray velveteen (just a little scuffed and lightly worn at edges). New York: Abrams, . First edition. Wrapper is folded a bit sloppily at the joints, otherwise a very good(+) solid copy of this impressive reference.
New York: Museum of Modern Art, 1968. Profusely illustrated in black and white. 252 pages, small square 4to, beige cloth, cloth covers slightly warped, a few pages creased in upper right corner margins. New York: Museum of Modern Art, (1968). From the library of Nan Rosenthal with her ownership signature. Nan Rosenthal was a curator of modern art at the Metropolitan Museum of Art and the National Gallery of Art. Exhibition catalogue.
New York: Delano Greenridge, 1997. 974 pages in all, replete with 1000 black and white illustrations & 222 color plates. Two very thick 4to volumes, black cloth, d.w., housed in a black cloth slipcase, somewhat worn. New York: Delano Greenridge, (1997). Third edition, revised and expanded. The massive catalogue raisonne. A fine copy in a fine dust wrapper and very good(+) slipcase.
Philadelphia: Philadelphia Museum of Art, 2014. More than 300 illustrations, including many full-page color plates. xv + 275pp., 4to, pictorial boards. Philadelphia: Philadelphia Museum of Art, (2014). A fine copy. Essays by Christian Derouet, Maria Gough, Spyros Papapetros, Anna Vallye, and Jennifer Wild.