Beaux Arts Editions, 1999. Gorgeously illustrated in color with many full-bleed images. 328 pages, thick folio, pictorial boards backed in gold cloth with silver stamping. Beaux Arts Editions, (1999). A near fine copy of this large, attractively designed book.
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Paris: Maeght, 1996. Illustrations in color and in black & white. 294 pages. Square 4to, pale green cloth, d.w., cloth slipcase. Paris, Maeght, (1996). First Edition. Fine.
Paris: Maeght, 1998. Illustrations in color and in black & white. 250 pages. Square 4to, pale green cloth, d.w. Paris, Maeght, (2000). First Edition. A fine copy, lacking the slipcase.
Paris: Maeght, 1998. Illustrations in color and in black & white. 292 pages. Square 4to, pale green cloth, d.w., slipcase. Paris, Maeght, (2000). First Edition. Fine.
London: Modern Art Gallery, 1945. 30 black & white plates. Unpaginated. Slim & short 4to, cloth, edge-worn and sunned d.w. London: Modern Art Gallery, 1945. Fifth edition. Inscription on endpaper and edge-worn, still a very good copy in a very good dust wrapper.
London: Studio, 1962. 173 illustrations. 32pp. of text. Slim 4to, cloth, d.w. London: Studio, (1962). A near fine copy in a very good dust wrapper.
Milan: Leonardo Arte, 1994. Nearly 200 color illustrations, 100 black-and-white photographs. 400pp., folio, stiff, glossy pictorial wrappers. Milan: Leonardo Arte in association with the National Gallery of Art and The Museum of Modern Art, (1994). Internally fine, a near fine copy. Essays by Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, and Hans Janssen.
Milan: 5 Continents, 2005. Text in French. Preface by Thomas M. Messer, Intro by Pierre Descargues. Illustrated in color and black and white. 223 pages, square 4to, pictorial boards. Milan: 5 Continents, (2005). A near fine copy.
Milano: Electa, 1982. Illustrated in color and black & white. 198pp. square 8vo, pictorial wrappers. (Milano): Electa, 1982. Near fine.
Milan: Edizioni della Conchiglia, 1950. Illustrated with 401 plates, a few in color. 318 pages. Short folio, purple cloth-backed pictorial boards. Milano: Edizioni della Conchiglia, (1950). A very good copy.
New York: Mallard, 1991. Translated by Carol Marshall. 112 full color and 297 black & white illustrations. 259 pages. 4to, cream cloth, d.w. New York: Mallard Press, (1991). A fine copy in a very good(+) dust wrapper.
PICASSO, Pablo & MATISSE, Henr: Tate Publishing, 2002. Profusely color-illustrated. Catalogue by Anne Baldassari, Elizabeth Cowlong, John Elderfield, John Golding, Isabelle Monod-Fontaine, Kirk Varnedoe. Introduction by John Golding. 400pp. Thick 4to, yellow cloth, d.w.; dust wrapper rubbed. London: Tate Publishing, (2002). A fine copy in a very good dust wrapper. Published to accompany the exhibition at The Museum of Modern Art, New York 13 February - 19 May 2003.
New York: Arcade Publishing, 2005. Illustrated in color and black and white. 440 pages, 8vo, white boards, dust wrapper. New York: Arcade Publishing, 2005. A very good(+) copy in a very good(+) dust wrapper.
New York: Universe Books, Inc., 1958. Translated by Arnold Rosin. Illustrated with numerous mounted color plates. 181 pages, large 8vo, yellow pictorial cloth (spine slightly darkened), mylar sleeve. New York: Universe Books, Inc., (1958). A very good(+) copy.
Paris: Tisne, 1957. Illustrated with mounted color plates. 179pp with text in French. Tall square 8vo, yellow cloth with inset pictorial label; matching cloth box (a bit worn and soiled). Paris: Editions Pierre Tisne, (1957). A very good(+) copy.
London: National Portrait Gallery, 2008. Illustrated in color. 112 pages, slim 4to, pictorial wrappers. London: National Portrait Gallery, (2008). A fine copy.
London: Thames & Hudson, 1956. A Study of his Work by Elgar. A Biographical Study by Maillard. Translated by Francis Scarfe. 398 illustrations 75 in color. 315 pages, 8vo, light blue cloth (some subtle soiling), dust wrapper (worn and torn). London: Thames & Hudson, 1956. A very good copy in a good dust wrapper. Definitive full biography. Complete appraisal.
Norman: University of Oklahoma Press, 1971. Few black-and-white illustrations. 8vo, blue cloth, d.w. Norman: University of Oklahoma Press, (1971). A near fine copy in a very good(+) dust wrapper.
Paris: Bibliotheque des arts, 1956. 20 plates, 12mo, colored pictorial wrappers; uncut & partially unopened. Paris, (1956). Presentation copy by the artist.
Boston: New York Graphic Society, 1975. 64 color and 661 black-and-white illustrations. 267pp., square 8vo, white cloth, d.w.; minor edgewear and small tear to upper rear edge of dust wrapper. Boston: New York Graphic Society, (1975).
London: T. Fisher Unwin, 1913. Illustrated at rear with 25 b/w plates on coated paper, featuring works by Cezanne, Picasso, Derain, Metzinger, Laurencin, Gleizes, Leger; Duchamp; Gris & Picabia. 64pp of text; 1 ad leaf at rear for Galerie Clovis Sagot. Slim wide 8vo, gilt-lettered black cloth (head chipped and joints repaired; internally clean). London: T. Fisher Unwin, (1913). Translated from the French, this is the first edition in English with author's name [Metzinger] misspelled on the cover. Overall a....
New York: Scribner, 1988. 325 pages, 8vo, orange cloth backed orange boards. New York: Sribner's Sons, 1988. Blurb from d.w. pasted on endpaper, else a near fine copy. "The Armory Show and the Pageant, Martin Green shows so brilliantly, were the last manifestations of a pre World War I radicalism -- in art and in the ranks of the proletariat, of the old Interanational Workers of the World.
New York: Simon & Schuster, 1988. Some b/w illustrations. 558pp. Thick 8vo, grey cloth-backed boards, d.w. New York: Simon & Schuster, 1988. Lightly edgeworn, otherwise a very good(+) cop in a very good(+) dust wrapper.
Paris: Moreau, 1929. Theories et Realistions. Etude Critique. 34 black & white plates, (out of 48). 4to, pictorial wrappers, with colored pouchoir illustration; ends of spine torn. Paris: Editions D'Art Charles Moreau, (1929). Limited Edition. Very good First edition of this important study. Unfortunately, all the color plates have been removed. Ownership signature of art historian Meyer Schapiro, who has noted some missing plates.
Basel: Kunstmuseum Basel, 1987. Bilingual in German and English. With a contribution by John Richardson. Illustrated in both color and black and white. 231 pages, short 4to, pictorial wrappers. Basel: Kunstmuseum Basel and the Tate Gallery London, (1987). A very good(+) copy.