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Boston: Bulfinch, 1994. Nearly 200 color illustrations, and 100 black-and-white photographs. 400 pages. 4to, gray cloth, d.w. Boston: Bulfinch/Little Brown, (1994). First edition. A near fine copy in a near fine dust wrapper. Essays by Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, and Hans Janssen.
Milan: Leonardo Arte, 1994. Nearly 200 color illustrations, 100 black-and-white photographs. 400pp., folio, stiff, glossy pictorial wrappers. Milan: Leonardo Arte in association with the National Gallery of Art and The Museum of Modern Art, (1994). Fine. Essays by Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, and Hans Janssen.
Boston: New York Graphic Society, 1975. 64 color and 661 black-and-white illustrations. 267 pages. Square 4to, white cloth (slightly dust-soiled at bottom edge), d.w. (largely intact but rubbed and with on large tear on front panel, taped on rear). Boston: New York Graphic Society, (1975). First edition. Near fine in very good dust wrapper.
London: T. Fisher Unwin, 1913. Illustrated at rear with 25 b/w plates on coated paper, featuring works by Cezanne, Picasso, Derain, Metzinger, Laurencin, Gleizes, Leger; Duchamp; Gris & Picabia. 64pp of text; 1 ad leaf at rear for Galerie Clovis Sagot. Slim wide 8vo, gilt-lettered black cloth (head chipped and joints repaired; internally clean). London: T. Fisher Unwin, (1913). Translated from the French, this is the first edition in English with author's name [Metzinger] misspelled on the cover. Overall a......
New York: Museum of Modern Art, 1954. With 176 black & white plates. 240pp. Tall thin 8vo, gilt-stamped orange cloth, spine and front cover faded, upper front corner bent and cloth a bit rubbed at the corners. New York: The Museum of Modern Art, (1954). A very good copy. Inscribed on the front fly-leaf.
Paris: Moreau, 1929. Theories et Realistions. Etude Critique. 34 black & white plates, (out of 48 total). 4to, pictorial wrappers with a colored pouchoir illustration; spine darkened and creased with chips at ends. Paris: Editions D'Art Charles Moreau, (1929). Limited First edition of this important study. A very good(-) copy, but sadly all the color plates have been removed. Ownership signature of art historian Meyer Schapiro, who has noted some missing plates.
Paris: 1929. A.L.S. 8vo. 1 page, Paris, November 12th 1929, in French (with translation), giving permission to the recipient to reproduce and article, in part: "...You may reproduce the article in your magazine. I would like you to dedicate it to Blaise Cendrars. Please ask Mr. Hetbertat, on my behalf, for "The End of the World" - perhaps you have a copy? In order to obtain this, tell Mr. Hetbertat that your magazine is neither in favor of supporting his.....