New York: Knopf, 1945. Rendered from the Greek by Olga Marx and Ernst Morwitz. Designed by Bruce Rogers. 33 page introductory essay by Ernst Morwitz. Thin 8vo, gilt-stamped decorative cloth; spine slightly darkened. New York: Alfred A. Knopf, 1945. First edition. Internally fine, a near fine copy. Text in Greek with English translation on facing page. One of 950 copies.
Refine search resultsSkip to search results
Birmingham: Classics of Ophthalmology, 1991. 95 text illustrations. 208pp. 8vo, full decoratively gilt green leather, a.e.g. (New York: Privately Printed for the Classics of Ophthalmology, 1991). A fine copy. German born ophthalmologist who founded the American Journal of Ophthalmology. Facsimile of the N.Y., 1880 edition.
New York: Limited Editions Club, 1959. Introduction by Dudley Fitts, Illustrations by Marian Parry. xii + 52pp. on double fold paper, tall 8vo, leather-backed patterned boards in decorative board portfolio, slipcase; bump to foredge of portfolio. New York: Limited Editions Club, 1959. A fine copy. One of 1500 numbered copies signed by the illustrator.
London: Odyssey, 1967. 8 full page black & white erotic illustrations by Aubrey Beardsley. Slim 4to, light blue paper covered boards, printed paper label on front cover. New York: Odyssey Publications, 1967. Limited edition. A fine copy in a faded and bumped lavender clamshell case. Number 5 of 515 numbered copies. This edition reproduces in facsimile the 1896 edition (100 copies) and is printed on handmade paper.
Londobn: George Bell. The Greek Texts Revised; with a Translation into Corresponding Meters, and Original Notes. By Benjamin Brinkley Rogers. 291 pages with text in English & Greek. Tall 8vo, brown blind-stamped cloth. London: George Bell, ca. 1875. Near Fine. With the bookplate of H. Buxton Forman.
Haarlem: Limited Editions Club, 1937. Translated from the Greek by William James Hickie with an introduction by Gilbert Seldes and wood-engravings by John Austen. 64pp. Tall slim 4to, pale pictorial cloth, brown board slipcase (broken). New York & Haarlem: The Limited Editions Club, 1937. A very good(+) copy in a poor box. One of 1500 numbered copies, signed by the illustrator, and printed in Haarlem by the office of Joh. Enschede en Zonen.
Oxford: Ex Tjheatrou en Oxonia, 1759. , 199, , cxcix,  page indexes. Tall 8vo, handsomely bound in full contemporary red straight-grained morocco with gilt-stamped covers, spine with inner and outer dentelles, all edges gilt; leather is lightly edgeworn and spine evenly faded; bookplate and faint remnant of bookplate on front endpaper. [Oxford & London]: J. Fletcher & J. Rivington, Ex Theatrou en Oxonia, 1759. A very good(+) clean copy in an attractive period binding. Title and imprint are Romanized.....
Firenze: Felice Le Monnier, 1968. Main text in Greek, supplementary text in Italian. Introduction, critical text and commentary by Umberto Albini. 97pp; unopened. Thin 8vo, stiff wrappers (slightly edge worn). Firenze: Felice Le Monnier, 1968. A very good(+) copy. Biblioteca Nazionale: Serie Dei Classici Greci e Latini.
Paris: Desaint & Saillant, 1758. Small engraved portrait on title page. One engraved plate. 374pp. + "Approbation". 12mo, full mottled leather; bookplate inside front cover, early ownership notes on title page, covers lightly worn with some minor loss at spine ends, front hinge mended. Paris: Chez desaint & Saillant, 1758, A very good copy.
New York: Limited Editions Club, 1952. Translated into Modern Verse by William Ellery Leonard. Illustrated by Lynd Ward. 4to, cloth-backed patterned boards; publisher's brown paper slipcase, sturdy but well-worn and battered at corners. New York.: Limited Editions Club, 1952. A fine copy in a good slipcase. Limited to one of 1500 numbered copies.
London: J. Wright, 1804. Translated from the Italian. Illustrated with black and white frontispiece and title vignettes. 2 volumes. 8vos, full tan calf, ornately gilt stamped spines with red and green leather labels, gilt stamped dentelles, marbled endpapers (Head of spine of vol 2 rubbed, crazing to front cover of vol 2 and slightly affecting back cover of volume 1. Two red pen lines on verso of the half title page. Some very light foxing confined to a handful of.....