New York: Knopf, 1945. Rendered from the Greek by Olga Marx and Ernst Morwitz. Designed by Bruce Rogers. 33 page introductory essay by Ernst Morwitz. Thin 8vo, gilt-stamped decorative cloth; spine slightly darkened. New York: Alfred A. Knopf, 1945. First edition. Internally fine, a near fine copy. Text in Greek with English translation on facing page. One of 950 copies. More
Birmingham: Classics of Ophthalmology, 1985. Color frontispiece. 405pp. 8vo, full brown leather. a.e.g. (Birmingham: Privately Printed for the Classics of Ophthalmology, 1985). Fine. Facsimile of the 1871 edition. More
Illus. Small 12mo. London, (1927). More
Birmingham: Classics of Ophthalmology, 1991. 95 text illustrations. 208pp. 8vo, full decoratively gilt green leather, a.e.g. (New York: Privately Printed for the Classics of Ophthalmology, 1991). A fine copy. German born ophthalmologist who founded the American Journal of Ophthalmology. Facsimile of the N.Y., 1880 edition. More
Norwalk: Easton, 1999. Illustrations by A. Tassos. Short 4to, ornately gilt brown leather, a.e.g. Norwalk: Easton Press, (1999). Fine. More
Middkesex: Penguin, 1950. Translated by Robert Graves. 298pp. small 8vo, marbled boards, white spine, board slipcase. Middlesex: Penguin, (1950). Fine. One of 2000 copies signed and numbered by Robert Graves. More
Franklin Center: Franklin Library, 1985. 2 volumes. Tall thick 8vo, full blue morocco, ornately gilt covers and spines, all edges gilt. Franklin Center: Franklin Library, 1985. Some light scratching and faint spotting on gilt edges, still a near fine pair. More
Cambridge: Harvard University Press, 1987. Many illustrations throughout in color and in black & white. Tall thick 8vos, two-toned cloth, d.w. Cambridge: Harvard University Press, 1987, 1988, 1989, 1990, 1991. Near fine in very good(-) dust wrappers. Volume 1: Pagan Rome to Byzantium. Volume 2: Revelations of the Medieval World. Volume 3: Passions of the Renaissance. Volume 4: Fires of Revolution to the Great War. Volume 5: Riddles of Identity in Modern Times. More
New York: Limited Editions Club, 1959. Introduction by Dudley Fitts, Illustrations by Marian Parry. xii + 52pp. on double fold paper, tall 8vo, leather-backed patterned boards in decorative board portfolio, slipcase; bump to foredge of portfolio. New York: Limited Editions Club, 1959. A fine copy. One of 1500 numbered copies signed by the illustrator. More
London: Odyssey, 1967. 8 full page black & white erotic illustrations by Aubrey Beardsley. Slim 4to, light blue paper covered boards, printed paper label on front cover. New York: Odyssey Publications, 1967. Limited edition. A fine copy in a faded and bumped lavender clamshell case. Number 5 of 515 numbered copies. This edition reproduces in facsimile the 1896 edition (100 copies) and is printed on handmade paper. More
Franklin Center: Franklin, 1982. 2 volumes. 8vo, full brown morocco, ornately gilt covers and spines, all edges gilt. Franklin: Franklin Center, 1982. Limited Edition. Fine. More
Norwalk: Easton, 1979. The Birds illustrated by Marian Parry; The Frogs illustrated by John Austen. 52; 62pp. Thin 4to, gilt-stamped leather, a.e.g. Norwalk: Easton Press, (1979). A fine copy. More
Haarlem: Limited Editions Club, 1937. Translated from the Greek by William James Hickie with an introduction by Gilbert Seldes and wood-engravings by John Austen. 64pp. Tall slim 4to, pale pictorial cloth, brown board slipcase (broken). New York & Haarlem: The Limited Editions Club, 1937. A very good(+) copy in a poor box. One of 1500 numbered copies, signed by the illustrator, and printed in Haarlem by the office of Joh. Enschede en Zonen. More
Norwalk: Easton, 1983. A new version by Gilbert Seldes. Illustrated by Pablo Picasso. 117pp. Slim square 4to, gilt-stamped red leather, a.e.g. Norwalk: Easton Press, (1983). Spine ans part of cover are faded else near fine. More
Norwalk: Easton, 1983. A new version by Gilbert Seldes. Illustrated by Pablo Picasso. 117pp. Slim square 4to, gilt-stamped red leather, a.e.g. Norwalk: Easton Press, (1983). A fine copy. More
Oxford: Ex Tjheatrou en Oxonia, 1759. [8], 199, [1], cxcix, [21] page indexes. Tall 8vo, handsomely bound in full contemporary red straight-grained morocco with gilt-stamped covers, spine with inner and outer dentelles, all edges gilt; leather is lightly edgeworn and spine evenly faded; bookplate and faint remnant of bookplate on front endpaper. [Oxford & London]: J. Fletcher & J. Rivington, Ex Theatrou en Oxonia, 1759. A very good(+) clean copy in an attractive period binding. Title and imprint are Romanized..... More
Firenze: Felice Le Monnier, 1968. Main text in Greek, supplementary text in Italian. Introduction, critical text and commentary by Umberto Albini. 97pp; unopened. Thin 8vo, stiff wrappers (slightly edge worn). Firenze: Felice Le Monnier, 1968. A very good(+) copy. Biblioteca Nazionale: Serie Dei Classici Greci e Latini. More
Paris: Desaint & Saillant, 1758. Small engraved portrait on title page. One engraved plate. 374pp. + "Approbation". 12mo, full mottled leather; bookplate inside front cover, early ownership notes on title page, covers lightly worn with some minor loss at spine ends, front hinge mended. Paris: Chez desaint & Saillant, 1758, A very good copy. More
London: Ernest Benn, 1967. Illus. 8vo, red cloth, d.w. chipped, corners of cloth lightly bumped. London: Ernest Benn, (1967). Previous owner's inscription on front flyleaf. More
Paris: Flammarion, 1990. Translated by Bambi Ballard. Illustrated throughout in color and b/w. 271pp. Tall 4to, red cloth, d.w. (Paris: Flammarion, 1990). A fine copy in a fine dust wrapper. More
Princeton: Princeton University Press, 1961. Profusely illustrated. 343pp. Short 4to, dark blue cloth, edgworn d.w. Princeton: Princeton University Press, 1961. Second edition. A near fine copy in a good dust wrapper. More
New York: Praeger, 1960. Illus. 212pp. 8vo, black cloth, d.w. lightly soiled on spine portion, otherwise very good. New York: Praeger, (1960). More
New York: Columbia University Press, 1990. 395 pages. 8vo, blue cloth, d.w. New York: Columbia UP, (1990). First edition. A near fine copy. More
I wanted to thank you for the quality of this product as well as the way it was shipped. Not only did it arrive prior to the estimate but it was carefully wrapped. It is appreciated.
Dear Sir, I just received today my book in Paris. I am very happy. Thank you. I hope to find other books in your bookshop.