Baltimore: The Walters Art Museum, 2009. Illustrated throughout, mostly in color. Wide 4to, black cloth, d.w. Baltimore: The Walters Art Museum, (2009). A fine copy in a near fine dust wrapper. Catalog for a traveling exhibition. With essays by Michal J. Anderson, Jorge J. Bravo III, Gunnel Ekroth, Guy Hedreen, Ralf von den Hoff, Jennifer Larson, Jenifer Neils, John H. Oakley, Corinne Ondine Pache, H.A. Shapiro.
Birmingham: Classics of Ophthalmology, 1991. 95 text illustrations. 208pp. 8vo, full decoratively gilt green leather, a.e.g. (New York: Privately Printed for the Classics of Ophthalmology, 1991). A fine copy. German born ophthalmologist who founded the American Journal of Ophthalmology. Facsimile of the N.Y., 1880 edition.
Cambridge: Harvard University Press, 1987. Many illustrations throughout in color and in black & white. Tall thick 8vos, two-toned cloth, lightly worn d.w. Cambridge: Harvard University Press, 1987, 1988, 1989, 1990, 1991. A very good(+) copy in a very good dust wrapper. Volume 1: Pagan Rome to Byzantium. Volume 2: Revelations of the Medieval World. Volume 3: Passions of the Renaissance. Volume 4: Fires of Revolution to the Great War. Volume 5: Riddles of Identity in Modern Times.
New York: Limited Editions Club, 1959. Introduction by Dudley Fitts, Illustrations by Marian Parry. xii + 52pp. on double fold paper, tall 8vo, leather-backed patterned boards in decorative board portfolio, slipcase; bump to foredge of portfolio. New York: Limited Editions Club, 1959. A fine copy. One of 1500 numbered copies signed by the illustrator.
London: Odyssey, 1967. 8 full page black & white erotic illustrations by Aubrey Beardsley.Aubrey Beardsley.Limited edition. Slim 4to, light blue paper covered boards, printed paper label on front cover. New York: Odyssey Publications, 1967. A fine copy in a bruised lavender clamshell case. Number 5 of 515 numbered copies. This edition reproduces in facsimile the 1896 edition (100 copies) and is printed on handmade paper.
Haarlem: Limited Editions Club, 1937. Translated from the Greek by William James Hickie with an introduction by Gilbert Seldes and wood-engravings by John Austen. 64pp. Tall slim 4to, pale pictorial cloth, brown board slipcase (broken). New York & Haarlem: The Limited Editions Club, 1937. A very good(+) copy in a poor box. One of 1500 numbered copies, signed by the illustrator, and printed in Haarlem by the office of Joh. Enschede en Zonen.
Oxford: Ex Tjheatrou en Oxonia, 1759. , 199, , cxcix,  page indexes. Tall 8vo, handsomely bound in full contemporary red straight-grained morocco with gilt-stamped covers, spine with inner and outer dentelles, all edges gilt; leather is lightly edgeworn and spine evenly faded; bookplate and faint remnant of bookplate on front endpaper. [Oxford & London]: J. Fletcher & J. Rivington, Ex Theatrou en Oxonia, 1759. A very good(+) clean copy in an attractive period binding. Title and imprint are Romanized...
Firenze: Felice Le Monnier, 1968. Main text in Greek, supplementary text in Italian. Introduction, critical text and commentary by Umberto Albini. 97pp; unopened. Thin 8vo, stiff wrappers (slightly edge worn). Firenze: Felice Le Monnier, 1968. A very good(+) copy. Biblioteca Nazionale: Serie Dei Classici Greci e Latini.
Paris: Desaint & Saillant, 1758. Small engraved portrait on title page. One engraved plate. 374pp. + "Approbation". 12mo, full mottled leather; bookplate inside front cover, early ownership notes on title page, covers lightly worn with some minor loss at spine ends, front hinge mended. Paris: Chez desaint & Saillant, 1758, A very good copy.