Profusely illustrated. 264pp. Folio, leather-backed cloth, chipped d.w. PA: The Annenberg School Press, 1972. Very good.
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London: Constable, 1950. Several Illus. 8vo, green cloth, front cover warped, edges of corners lightly worn, spine sunned, front flyleaf and last blank page browned. London: Constable, (1950).
Berlin: Walter de Gruyter, 1932. 20 in text images and 64 pages of black & white illustrations at rear. xiii, (iii), 96 pages plus index. Tall slim 8vo, red cloth. Berlin: Walter de Gruyter, 1932. First edition. A very good(+) copy. Ownership label of art historian Meyer Schapiro on the pastedown endpaper. Series: Grundriss der slavischen Philologie und Kulturgeschichte.
Berlin: Walter de Gruyter, 1933. Illustrated with 73 black & white plates and 7 in-text figures. 135 pages plus index. Tall 8vo, original white pictorial wrappers (quite worn at edges and spine but internally clean). Berlin: Walter de Gruyter, (1933). First edition. A very good copy. With the small ownership label of art historian Meyer Schapiro.
New York: Anson D. F. Randolph, 1888. 8vo, original brown cloth, pages slightly wavy throughout, cloth covers slightly bowed. New York: Anson D. F. Randolph, .
Cambridge: University Press, 1938. Illustrated with black and white photographs. 99 pages, 12mo, red cloth with gilt stamped elephant on cover (wear along exterior of back hinge, still completely firm). Cambridge: University Press, 1938. A very good copy.
London: Cambridge University Press, 1938. Illustrated. 99 pages. Slim 8vo, stamped red cloth, missing dust wrapper. London: Cambridge University Press, 1938. A very good(+) copy.
New York: William Morrow, 1951. Illustrated. 328pp., 8vo, cloth, d.w.; dust wrapper lightly worn, small tear mid spine. New York: William Morrow and Co., (1951). A very good copy in a very good (-) dust wrapper.
New York: 1948. Frontispiece. 337 pages, slim 8vo, cloth. New York, 1948. A very good copy.
New York: Harper, 1911. Illus. 508pp. 8vo, red cloth, head of spine worn, corners lightly bumped, many pages slightly wavy, cloth lightly soiled, spine sunned. New York: Harper, 1911.
New York: 1921. Photo Illus. 8vo, green cloth, paint on head of spine, front flyleaf, last blank page, and endpapers, all partially browned. New York, 1921. Very good Architectural description of a church in Washington Heights in Northern Manhattan.
New York: 1921. Photo Illus. 8vo, green cloth, spine ends worn, pages throughout slightly wavy, corners bumped, front flyleaf, last blank page, and endpapers, all partially browned. New York, 1921. Architectural description of a church in Washington Heights in Northern Manhattan.
London: W. H. Allen, 1893. Illus. 12mo, original red cloth, cloth lightly soiled, head of spine lightly worn. London: W. H. Allen, 1893.
Cambridge: Mediaeval Academy, 1943. Edited by Charles W. Jones. 416p. small 4to, cloth. Cambridge, Mass.: Mediaeval Academy of America, 1943. First Edition. Ownership signature of art historian Meyer Schapiro.
Lyon: Societe Anonyme, 1929. Preface by Marcel Aubert. 26 full page plates, a few in full color, 136 text illustrations, 4to, stiff printed wrappers. Lyon: Societe Anonyme, 1929. One of only 500 copies. Very good. With a 2" tear in the preface not affecting the text. Small ownership signature of art historian Meyer Schapiro.
New York: Simon & Schuster, 1981. 32 color and 175 black & white photo illustrations by Roloff Beny. 288 pages. 4to, gray cloth, d.w. New York: Simon and Schuster, (1981). First edition. A fine copy in a fine dust wrapper.
London. Gorgeous signature as Bishop, "C.J. London", directly below his large embossed coat of arms, 3.25" x 6.5", removed from a Church document, c. 1830's. Excellent condition. English prelate and classical scholar who served as Bishop to London (1828 - 1856).
Many illus. 8vo, cloth. Boston: Houghton Mifflin, 1925. vg.
London: Oxford University Press, 1913. VOLUME I ONLY. Hundreds of illustrations -- photographs, drawings and plans. xxix + 486pp., 4to, gilt-lettered and decorated blue cloth; extensive pencil notes inside rear cover, ownership signature inside front cover, corners bumped, spine faded, spine ends frayed and torn. London: Oxford University Press, 1913. Internally very good, a worn, very good (-) copy.
Oxford: Henry Frowde, 1910. 124 black & white illustrations. 8vo, blue cloth, white type. Oxford: Henry Frowde, 1910. Very good (+).
London: B.T. Batsford, 1905. An Analysis of the Origin & Development of English Church Architecture From the Norman Conquest to the Dissolution of the Monasteries. 1254 illustrations including photgraphs, sketches, plans and diagrams. Over 780pp. Short very very thick tall 4to, original gilt-lettered burgundy cloth, t.e.g. London: B.T. Batsford, 1905. First Edition. Binding slightly cocked, but still a very good copy. With the author's inscription and the small ownership signature of art historian Meyer Schapiro.
Culpeper: Little Fork Preservation Committee, 1983. Illus. 107pp. 8vo, red boards. (Culpeper, VA: Little Fork Presevation Committee, 1983). Fine Presentation copy.
229pp. 8vo, fabricoid, d.w. New York: Paulist Press, (1978).
many color illus. oblong 4to, cloth, d.w.; (d.w. lightly soiled, otherwise very good). London: Weidenfeld and Nicolson, (1985).
Cologne: Braun & Hogenberg. Two bird's-eye plans on one sheet. Copper engraving with original hand coloring. Image measures 13" x 18.75". These two bird's-eye plans on one sheet depict the French cities of Chartres and Châteaudun. Chartres is shown from the southeast, with its famous cathedral at the center of the frame towering over the comparatively diminutive city around it. This prized church became the model for many other Gothic churches and is nearly synonymous with the city in which...