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Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
Paris: Atelier Clot, 1989. A curious sewn pamphlet with no text (other than the title, list of plates, and colophon). Illustrated with 63 small lithographs of spectacles, each printed in black on a pale yellow field. Paris: Atelier Clot, (1989). A near fine copy of this unusual exhibition catalogue. The colophon indicates a printing of 940 numbered copies. This one is un-numbered, but does contain a lengthy pencil inscription from Alechinsky on the title, along with another signed note of.....
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck.
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982)...
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
New York: Random House, 2003. Profusely illustrated with b/w photographs. 352 pages. Thick 4to, stiff pictorial wrappers, lightly scuffed and with a faint reading crease in spine). New York: Random House, (2003). First softcover edition. A very good(+) copy. Published in conjunction with the international exposition premiering at the San Francisco Museum of Modern Art.