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New York: Pierpont Morgan Library, 1962. with 84 illustrations mostly in black & white, several folding, some color plates protected with tissue. Short folio, gilt-lettered blue and beige cloth, pictorial slipcase. New York: (Pierpont Morgan Library, 1962). First edition. A fine copy in a fine box. One of only 850 copies. With essays on Chinese painting, Chinese calligraphy and a glossary of Chinese characters for names and terms.
Philadelphia: Philadelphia Museum of Art, 2000. With essays and catalogue entries by several authors. More than 100 color plates, including one large double folding. 220 pages, large 8vo, cloth, d.w.; minor edgewear to dust wrapper. Philadelphia: Philadelphia Museum of Art, (2000). A near fine copy in a very good dust wrapper.
Paris: Krol, 1954. Burins et Bois Originaux. Illustrated with 22 engraved plates of decorative Hebrew letters. 4to, loose as issued, with tissue guards, in linen- backed folding board portfolio with linen ties. Paris: Chez A. Krol, 1954. Fine plates in very good, slightly edgeworn case. One of only 99 copies (121 total) signed by Krol.
Colorado College, 1978. Narrow Broadside, 66 x 21cm, folded in half in printed Japanese paper wrapper. Printed on Rives Heavyweight paper at the Press at Colorado College, 1978. This attractive broadside, designed printed and with hand -lettered calligraphy by James Trissell was published in an edition of 100 copies signed by Reid. This one is unnumbered, but has a penciled presentation signed "Alistair"
London: John Stuart, 1695. 33 copper engraved plates including title page. Slim oblong 4to, - contemporary 3/4 calf with marbled boards and inlaid title and date on front cover. Covers are detached, title page soiled and chipped, covers detached, backstrip lacking. Several water stains (in margins, one plate with a margin repaired). Many plates in nice clean condition and several soiled, some slight foxing. Lacks engraved portrait. London: John Stuart, 1695. A scarce well used rarity. He was hailed by.....