Prolegomena to the History of the Byzantine Empire.
Chicago: Argonaut, 1969. Translated by Kenneth Johnstone. viii + 199pp., 8vo, cloth. Chicago: Argonaut, 1969. A very good copy. More
Chicago: Argonaut, 1969. Translated by Kenneth Johnstone. viii + 199pp., 8vo, cloth. Chicago: Argonaut, 1969. A very good copy. More
Boston: Porter Sargent, 1935. 80 black & white plates. Thick 4to, full vellum. Boston: Porter Sargent, (1935). Limited Edition. Very good(+). One of 50 copies signed by the author. Chamberlin 1817; Lucas p. 111. More
New York: Abrams, 1978. Translated from Russian by Inna Sorokina. Photos by Lydia Tarasova. 319 illustrated, mainly in color. 338 pages. Thick small folio, gray cloth, d.w. New York and Leningrad: Abrams/Aurora Art, (1978). First American edition. A near fine copy in a near fine dust wrapper, with ownership signature of art historian Meyer Schapiro. More
Cambridge: Harvard University Press, 1971. 9 plates with black & white illustrations, charts, maps. x + 159pp., large 4to, gilt-stamped purple cloth, d.w.; (slightly rubbed at edges). Cambridge: Harvard UP, 1971. A near fine copy in a very good dust wrapper. Archaeological Exploration of Sardis. More
Middlesex: Penguin, 1970. Black and white illustrations. Color frontispiece. 211 pages. Tall 8vo, red cloth, d.w. (tape on verso), slipcase (edgeworn). Middlesex: Penguin, (1970). A fine copy in a near fine dust wrapper. More
London: Scribner, 1940. 71 plates, including 23 in color. 106 pages. Slim 4to, red cloth. London: Scribner, (1940). First English Edition. A fine copy, lacking the dust wrapper. More
New York: Harry N. Abrams, 1958. Black & white and color photographic illustrations throughout, many full-page. Map at rear. 81 pages. Slim 4to, black cloth-backed pictorial boards with gilt lettering at spine, transparent d.w. with printed lettering. New York: Harry N. Abrams/Hanns Reich Verlag, (1958). A near fine copy in a near fine dust wrapper. More
New York: Abrams, 1972. 139 illustrations, including 60 tipped color plates plus 31 drawings. Photographs by Leonard von Matt. Large square 4to, blue cloth lettered in gilt, d.w. New York: Abrams, (1972). Large ink stamps from the publisher on front and rear fly-leaves, otherwise a fine copy in a near fine dust wrapper. More
New York: Abrams, 1972. 139 illustrations, including 60 tipped color plates plus 31 drawings. Photographs by Leonard von Matt. Large square 4to, blue cloth lettered in gilt, faint stains at bottom edge of cloth, edgeworn and de-laminated d.w. New York: Abrams, (1972). A very copy in a good dust wrapper. More
New York: Putnam, 1974. Illustrated profusely in color and in black and white. 239 pages. Large 8vo, green cloth, d.w. (sunned at spine, slightly wrinkled laminate). New York: G.P. Putnam's Sons, (1974). A fine copy in a very good(+) dust wrapper. More
London: Cassell, 1978. Illustrated. ix + 194pp. small 8vo, cloth. London: Cassell, 1978. A very good (+) copy in a very good dust jacket. More
New York: Praeger Publishers, 1971. Illustrated throughout in black and white and color. 272 pages. Small 4to, brown cloth with gilt design, d.w. with mylar wrapper. New York: Praeger Publishers, (1971). Pages very lightly toned. A near fine copy in a near fine dust wrapper. More
Athens: MELISSA, 1985. Illustrated in color and b/w throughout. 119 pages. Slim 4to, pictorial wrappers. (Athens): MELISSA, (1985). A fine copy. More
Athens: MELISSA, 1989. Illustrated in color and b/w throughout. 104 pages. Slim 4to, pictorial wrappers. (Athens): MELISSA, (1989). A fine copy. More
Athens: 1990. Illustrated in color and b/w throughout. 40 pages. Very slim 4to, pictorial wrappers. (Athens): MELISSA, (1990). A fine copy. More
illus. 8vo, cloth, d.w. N.Y.: Norton, (1982). Survey of ancient Greek and Byzantine archaeological sites. More
New Brunswick: Rutgers University Press, 1957. Translated from the French by Naomi Walford. With an introduction and bibliography by Peter Charanis. Illustrated. xviii + 366pp., 8vo, cloth, d.w.; dust wrapper chipped. New Brunswick: Rutgers University Press, 1957. A very good copy in a very good (-) dust wrapper. More
New York: Metropolitan Museum of Art, 2012. Illustrated with color photographs throughout. 332 pages. 4to, glossy pictorial wrappers. New York: Metropolitan Museum of Art, (2012). A bit faded at fore-edge, else fine. More
New York: Abrams, 1997. Color frontis., 667 illus., including 542 color plates. 604 pages. Thick 4to, dark red cloth, dust wrapper. New York: Metropolitan Museum of Art/Abrams, (1997). A fine copy in a fine dust wrapper. Published to accompany the exhibit at the Metropolitan Museum of Art. More
Garden City: Doubleday, 1980. Introduction by Kurt Weitzmann and George Forsyth. Color illustrations throughout, map at the rear. 191 pages. 4to, brown cloth with gilt lettering at the spine, pictorial d.w. (repaired with tape in several places). Garden City: Doubleday & Co., 1980. A very good(+) copy in a very good(-) dust wrapper. More
New York: Viking, 1967. Numerous color and black and white plates, 120 pages. Slim large 4to, cloth, d.w. (top edge ragged). New York: Studio/Viking, (1967). A near fine copy in a good dust wrapper. More
New Haven: Yale University Press, 1976. 8vo, purple cloth, d.w. New Haven: Yale Univ. Press, 1976. Very Good (+). With the ownership signature of art historian Meyer Schapiro. More
Geneva: Skira, 1957. Translated by Stuart Gilbert. Illustrated with 101 mounted plates, 98 color. 241 pages. Square 4to, green cloth, d.w (Geneva): Skira, 1957). First edition. Pages uniformly toned, still a near fine copy in a very good chipped dust wrapper. The Great Centuries of Painting. Survey of mosaics, mural painting and book illumination. With the small ownership signature of Gordon Bundshaft. More
Washington DC: Dumbarton Oaks, 2015. Illustrated in color & b/w. 368 pages. 4to, red cloth, d.w. Washington DC: Dumbarton Oaks, (2015). First edition. A fine copy in a fine dust wrapper. Dumbarton Oaks Byzantine Symposia and Colloquia. More
Thanks for getting back to me so quickly. I wish all booksellers were as quick as you!
I wanted to let you know that the Lehár autograph quotation arrived safe and sound having made its transatlantic journey without any problems. It’s a beautiful thing, and I can’t wait to get it up on the wall. I’m absolutely delighted with it – thank you!