Paul Klee, the Bauhaus Years. Works from 1918-1931
New York: Dickinson Roundell, 2013. Many color plates, and several b/w illustrations. 101 pages. Slim 4to, green cloth, d.w. New York: Dickinson Roundell, 2013. Fine Exhibition catalogue. More
New York: Dickinson Roundell, 2013. Many color plates, and several b/w illustrations. 101 pages. Slim 4to, green cloth, d.w. New York: Dickinson Roundell, 2013. Fine Exhibition catalogue. More
New York: Rizzoli, 1986. Illustrated in black and white. 288 pages, 4to, printed wrappers (spine subtly toned). New York: Rizzoli, 1986. A near fine copy. More
New York: Guggenheim Museum, 1983. Text by Clark V. Poling. Illustrated in color and black and white. 360 pages, square 4to white pictorial wrappers (light wear to of spine; page edges foxed). New York: Guggenheim Museum, 1983. A very good copy. Exhibition catalog. More
New York: Praeger. Color frontispiece and illustrations in b/w. 211pp. 8vo, orange cloth (worn), d.w. (yellowed, dust rubbed, and edgeworn). New York: Praeger, (n.d., circa 1954). A good copy in a good dust wrapper. More
New York: Pantheon, 1980. With 150 duotone plates and 78 in-text illustrations. 77pp of text. Slim 4to, lavender cloth, d.w.; dust wrapper lightly edgeworn and a bit darkened on spine. New York: Pantheon Books, (1980). First American edition. A near fine copy in a very good dust wrapper. More
Bern: Benteli, 1964. Beitrag zur Analyse der Malerischen Elemente. Mit einer Einfuhrung von Max Bill. Illustrated in b/w with 103 in-text figures and 25 plates. 211pp. Thin 8vo, original printed wrappers and glassine overwrap. Bern-Bumpliz: Benteli-Verlag, 1964. 5th printing. A fine copy, with the small ownership signature of art historian Meyer Schapiro. More
Baltimore: The Baltimore Museum of Art, 1986. Profusely illustrated in color and black & white. 263 pages. 4to, glossy pictorial wrappers. Baltimore: The Baltimore Museum of Art, (1986). First softcover edition. A fine copy. Exhibition Catalogue. More
Stuttgart: Wurttembergischer Kunstverein, 1968. Profusely illustrated throughout, some in color. Large oblong octavo, softcover with pictorial wrappers (lightly worn at edges). 362 pages with text in French; complete with 12-page pamphlet "La Gravure au Bauhaus" laid-in. Stuttgart: Wurttembergischer Kunstverein, 1968. First edition. Some neat penciling in the text, otherwise a very good copy of this uncommon exhibition catalogue. Musee National d'Art Moderne & Musee d'Art Moderne de la Ville de Paris, 2 Avril - 22 Juin 1969. More
New York: Marisa Del Re Gallery, 1983. With b/w and color illustrations throughout. Unpaginated. Slim 4to, pictorial wrappers. New York: Marisa Del Re Gallery, (1983). A near fine copy. More
New York: Brewer, Warren & Putnam, 1932. Translated by Daphne M. Hoffmann. Illustrated with 170 black & white images. 191 pages. Short slim 4to, red-lettered gray cloth; spine sunned and with some light wear at ends; light foxing throughout, heavier on first and last several pages. New York: Brewer, Warren & Putnam, Inc., [1932]. First edition. A very good copy of this exceedingly scarce book. Printed in Berlin by Felgentreff & Co., with cuts by C. Dunnhaupt, Dessau -- Freitag..... More
Cambridge: M.I.T., 1969. Many black & white illustrations. 8vo, silver cloth. Cambridge: M.I.T. Press, (1969). Second Edition. Fine. Presentation from Sybil to Nan Piene. More
New York: Guggenheim Museum, 1983. Many Illus., some in color. 4to, pictorial wrappers. New York: Solomon R. Guggenheim Museum, (1983). Near Fine Exhibition catalogue. More
Berlin: Rembrandt, 1965. 106 illustrations, 33 in color. 203pp., square 8vo, gray boards, d.w. Berlin: Rembrandt, (1965). Near Fine. More
Berlin: Bauhaus-Archiv, 1972. Illustrated in b/w throughout. 77 pages. Slim, oblong 8vo, yellow pictorial wrapperse. Berlin: Bauhaus-Archiv, (1972). A very good copy--light scuffing to front panel. More
New York: Gallery Books, 1991. Over 140 color and b/w Illus. Square 4to, gray cloth, d.w. New York: Gallery Books, (1991). Fine. More
Thank you for your kind response. As it turns out, I was able to visit the Argosy on Tuesday. In fact, I arrived shortly after opening and stayed most of the morning, making a number of purchases. I notice that you wrote to me a 10:34 AM, meaning that I was in the store when you sent me an email. One of life's many coincidences... Again, many thanks for your courteous response. Best regards, until my next visit!
This morning in Arnhem I did receive the book in fine condition. Thank you for your careful sending!