New York: Holt, 1984. Profusely illustrated with black-and-white photographs. 212 pages, 4to, blind-stamped gray leatherette, dust wrapper (closed tear on the back cover). New York; Holt, Rinehart and Winston, (1984). First edition. A fine copy in a very good(-) dust wrapper. Signed in full by Baryshnikov on the title page.
Original poster. Color lithograph. 52.75 x 40.75 inches. This dance performance poster for the S. Hurok program of Antonio and the Ballets de Madrid is yellow and black, with dancers on the right side and text on the left. Antonio Ruiz Soler (1921-1996), professionally known as Antonio, was a Spanish flamenco dancer, choreographer, and director. Antonio and the Ballets de Madrid performed extensively in London, and later toured internationally under American impresario Sol Hurok. Good condition, with original folds as issued.
New York: Times Books, 1977. Profusely illustrated with black-and-white photographs. 288 pages, 4to, green cloth, dust wrapper (price-clipped, edgeworn and taped on rear). New York: Times Books, (1977). Second printing. A very good copy in a very good(-) dust wrapper. Boldly signed "Rudolf Noureev" -- the French spelling of his name -- on the title page.
New York: Macmillan, 1984. Illustrated with many black-and-white photographs and several other figures. 176 pages, 4to, black cloth, dust wrapper. New York; Macmillan, (1984). First American Edition. A very good copy in a very good dust wrapper. Signed in full by Rudolf Nureyev beside the title page and by Mikhail Baryshnikov on the title page. Additionally signed by Nureyev on page 140.
Rio de Janeiro: Grafica, 1984. Profusely illustrated with black-and-white photographs. 183 pages, 4to, black cloth, dust wrapper (worn). Rio de Janeiro: Grafica, 1984. A very good(+) copy in a very good(-) dust wrapper. Boldly inscribed across the half-title page: "To Jacqueline and David, Warmest Wishes, Fernando Bujones."
Milan: Editoriale Domus, 1949. Color vignette on title, and many other illustrations throughout in color, black & white and sepia. 119 pages with text in Italian. Slim folio, stiff pictorial wrappers (covers quite worn and chipped; lower corner bumped, effecting some pages). Milano: Editoriale Domus, (1949). Limited Edition, one of 994 copies on "rilegatura speciale." An internally very good copy in a chipped and worn binding.
Paris: Guillard, 1984. Edited by Jacqueline & Maurice Guillaud. 340 illustrations in color and black & white. Small square 4to, pictorial orange boards (one corner worn spine of book lightly sunned, page margins slightly toned, margins of some pages bumped, one margin torn but neatly repaired), dust wrapper (wrapper spine evenly sunned to white). Paris: Guillard, 1984. A very good copy in a very good dust wrapper.
London: Dance Books, 1981. Beautiful black-and-white photographic illustrations by Leslie E. Spatt. 128pp. Tall slim 4to, blue cloth with silvery lettering, dust wrapper (price-clipped and faded). London: Dance Books, (1981). First edition. A fine copy in a very good(+) dust wrapper. Boldly signed by Antoinette Sibley on the title page in a blue felt-tip pen.