Berkeley: University of California Press, 1998. Profusely illustrated in color & b/w. 288 pages. Short 4to, glossy printed wrappers. Berkeley: University of California Press, (1998). First paperback edition. A fine copy.
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New York: Delano Greenidge, 2002. 463 illustrations in color. 38/8 pages. Thick square 4to, yellow boards, d.w. (just a bit worn at top edge). New York: Delano Greenidge Editions, (2000). First edition. A fine copy in a very good(+) dust wrapper. Signed and dated on front endpaper, possibly by the author. With entries by more than 250 European artists, notes, list of illustrations, bibliography, and index. The result of 20 years of research by Jaroslav Andel, this authoritative survey is...
The Hague: Mouton, 1974. NO illustrations. 176 pages. 8vo, cloth, d.w (spine and top front edge of dust wrapper faded). The Hague: Mouton, 1974. A fine copy in a very good dust wrapper.
New York: Guggenheim Museum, 2000. Extensively ilustrated, including several many full-page color plates. 366 pages. large 8vo, stiff printed wrappers with mounted color plate front cover. New York: Guggenheim Museum Publications, (2000). A fine copy. Exter, Goncharova, Popova, Rozanova, Stepanova, Udaltsova.
New Brunswick: Rutgers University Press, 1988. Illustrated in color and black and white. 197 pages, 4to, red cloth with silver stamping, dust wrapper. New Brunswick: Rutgers University Press, 1988. A fine copy in a fine dust wrapper.
New York: Oxford University Press, 1970. 409 pages. 8vo with brown cloth, d.w. is slightly edge-worn. New York: Oxford University Press, 1970. A near-fine copy in a very good dustwrapper.
Paris: Musée d'Art Moderne de la Ville de Paris, 1982. Preface by Bernadette Contensou. Hundreds of illustrations. 559 pages, some with die-cut edges. Large, thick 8vo, flexible pictorial-boards with embossed image; minor edgewear. Paris: Musée d'Art Moderne de la Ville de Paris, (1982). A very good(+) copy. Essays by various authors. Texts in both English and French.
Paris: Bibliotheque des Arts, 1972. 30 tipped in color plates, plus many black-and-white illustrations. 158 pages, folio, green cloth, d.w.; dust wrapper torn. Paris: La Bibliotheque des Arts, (1972). Internally fine, a very good copy in a very good(-) dust wrapper.
New York: Skira, 1980. 75 illustrations in color and 270 in black and white. 223 pages, large square 4to, tan cloth, dust wrapper (light surface rubbing to wrapper). New York: Skira, (1980). A fine copy in a very good(+) dust wrapper.
New York: Designers & Books, 2016. A recent facsimile which includes only material that was in the 1927 original, reproduced as faithfully as possible, with artwork showing the original printing quality permutations, entirely un-retouched. Illustrated throughout with Depero's futuristic work in painting, sculpture, architecture, theater and commercial designs, but above all his experimental avant-garde typography, all printed on paper of various colors, weights, and textures, plus 4 tissue (glassine) pages and 1 two-panel gatefold. Oblong 4to, blue printed paper boards...
Munich: Prestel, 2005. Beautifully illustrated throughout with Kuehn's photographs. 131 pages, slim 4to, pale blue cloth, dust wrapper. Munich: Prestel, 2005. A fine copy in a near fine dust wrapper. Catalogue accompanying an exhibition at the Neue Galerie.
Los Angeles: Los Angeles County Museum of Art, 1987. foreword by Earl A. Powell III. Well illustrated. 187pp., oblong 8vo, stiif, pictorial wrappers; small fold to lower rear cover. Los Angeles: Los Angeles County Museum of Art, (1987). A near fine copy.
Boston: New York Graphic Society, 1975. 64 color and 661 black-and-white illustrations. 267pp., square 8vo, white cloth, d.w.; minor edgewear and small tear to upper rear edge of dust wrapper. Boston: New York Graphic Society, (1975).
New York: Scribner, 1988. 325 pages, 8vo, orange cloth backed orange boards. New York: Sribner's Sons, 1988. Blurb from d.w. pasted on endpaper, else a near fine copy. "The Armory Show and the Pageant, Martin Green shows so brilliantly, were the last manifestations of a pre World War I radicalism -- in art and in the ranks of the proletariat, of the old Interanational Workers of the World.
Milan: Fratelli Fabbri, 1970. 58 full-page color plates, plus black-and-white illustrations. 100pp., thin 4to, cloth d.w. Milano: Fratelli Fabbri, (1970). A very good(+) copy in a very good(+) dust wrapper.
Chicago: University of Chicago Press, 1983. Illus., 277pp., 8vo, blue cloth, d.w. Chicago: University of Chicago Press, (1983). Very good(+).
Cambridge: MIT Press, 2003. Illus. 418pp. 8vo, black cloth, d.w. Cambridge: MIT Press, (2003). Very good.
New York: Pointed Leaf, 2004. Numerous photographic illustrations in color & in black & white. Small 4to, blue boards, d.w. (New York): Pointed Leaf Press, (2004). First Edition. A fine copy in a fine dust wrapper. With a warm inscription from the artist on preliminary page, along with small sketch a sofa.
Munich: Prestel, 2014. 115 full-page color plates, other illustrations. 223pp., 4to, grey boards, d.w.; very minor bumping to lower corners. Munich: Pretel, (2014). A fine copy in a fine dust wrapper. Chapters by various authors.
New York: Whitney Museum, 1996. Profusely illustrated in both color and black and white. 300pp. 4to, pictorial wrappers. New York: The Whitney Museum of American Art, (1996). A fine copy of this scarce book. This book was published on the occasion of the exhibition "Kienholz: A Retrospective" at the Whitney Museum of American Art.
New York: E.P. Dutton & Co., Inc, 1965. Scripts and reproductions by Jim Dine, Red Grooms, Allan Kaprow, Claes Oldenburg, Robert Whitman. Illustrated in black and white. 288 pages, 8vo, white patterned boards backed in black cloth with orange and white stamping (lightly rubbed at base of spine; ownership stamp on end paper), dust wrapper. New York: E.P. Dutton & Co., Inc. a very good copy in a very good(-) dust wrapper.
New York: Princeton Architectural Press, 2014. Foreword by Wes Anderson. Profusely illustrated. 255 pages. Short 4to, glossy pictorial boards. New York: Princeton Architectural Press, (2014). A fine copy. Presentation copy, inscribed by Mothersbaugh. Fine.
Amsterdam: Stedelijk Museum, 1981. Text in Dutch and English. Profusely illustrated in color and black & white. 280 pages. 4to, glossy pictorial self wrappers (one bump to upper right wrapper corner). Amsterdam: Stedeljik, (1981). A very good(+) copy.
Cambridge: MIT Press, 1991. 182 illustrations, in both color and black-and-white. 240 pages, 4to, green cloth, d.w.; minor bump to head of spine. Cambridge: MIT Press, (1991). A near fine copy in a very good(+) dust wrapper. With contribution by various authors.
Troy: Whitson, 1981. Foreword by Beatrice Wood. Illustrated. 475 pages. Thick 8vo, cream cloth; minor dust soiling to covers. Troy: The Whitson Publishing Company, 1981. Spine slightly creased, else a near fine copy.