New York: Delano Greenidge, 2002. 463 illustrations in color. 38/8 pages. Thick square 4to, yellow boards, d.w. (just a bit worn at top edge). New York: Delano Greenidge Editions, (2000). First edition. A fine copy in a very good(+) dust wrapper. Signed and dated on front endpaper, possibly by the author. With entries by more than 250 European artists, notes, list of illustrations, bibliography, and index. The result of 20 years of research by Jaroslav Andel, this authoritative survey is.....
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London: Arts Council of Great Britain, 1980. Illustrated with black and white photographs throughout. 8vo, glossy pictorial wrappers. London: Arts Council of Great Britain, (1980). A near fine copy. This catalog accompanies the exhibition of Moholy-Nagy's works arranged by the Arts Council of Great Britain and shown across England in the year 1980.
Paris: Musée d'Art Moderne de la Ville de Paris, 1982. Preface by Bernadette Contensou. Hundreds of illustrations. 559 pages, some with die-cut edges. Large, thick 8vo, flexible pictorial-boards with embossed image; minor edgewear. Paris: Musée d'Art Moderne de la Ville de Paris, (1982). A very good(+) copy. Essays by various authors. Texts in both English and French.
New York: Designers & Books, 2016. A recent facsimile which includes only material that was in the 1927 original, reproduced as faithfully as possible, with artwork showing the original printing quality permutations, entirely un-retouched. Illustrated throughout with Depero's futuristic work in painting, sculpture, architecture, theater and commercial designs, but above all his experimental avant-garde typography, all printed on paper of various colors, weights, and textures, plus 4 tissue (glassine) pages and 1 two-panel gatefold. Oblong 4to, blue printed paper boards.....
Boston: Museum of Fine Arts, 1991. With contributions by William S. Burroughs, Richard Serra and Susan Sontag. Illustrated. 143 pages. Square 8vo, pictorial boards, contains the CD with score for Robert Wilson's Vision by Hans Peter Kuhn in sealed clear pocket on rear cover. Boston: Museum of Fine arts in association with Harry N. Abrams, (1991). A fine copy, as new in shrinkwrap.