Franklin Center: Franklin, 1992. Frontispiece by Norman Walker. 400 pages, 8vo, gilt-stamped red leather, a.e.g. Franklin Library, 1992. Fine. Signed first edition.
Refine search resultsSkip to search results
Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray.
New York: Leon Amiel, 1980. 160pp. with 126 color plates and 128 in b/w, plus 2 original color lithographs, blank on rear. Thin 4to, pink textured boards, d.w. New York: Leon Amiel, (1980). Text pages are a bit toned at edges, otherwise a near fine copy in very good(+) dust wrapper. This copy has an original ink drawing and signed inscription on the front end papers.
Londonderry: 1831. Fine content A.D.S., folio, 1 page, Londonderry, January 14, 1831, an affidavit by pub owner John Aiken to the Committee opposing the roadway that would pass his establishment, in part: "...I John Aiken keep a Public House in Londonderry on the road leading from Charter to Manchester - am well acquainted with the road all the way and think myself and have frequently heard the teamsters and other travelers remark that with some trifling attention in the town...
New York: Walker, 1992. 8vo, cloth, d.w. New York: Walker, (1992). First Edition. Autographed on the title page.
New York: Walker, 1991. 8vo, orange boards, d.w. N.Y.: Walker, (1991). First Edition. Fine. Scrawled autograph of the author on the title page, and with a publicity photo of him laid in.
London: Chatto & Windus, 1931. Tall 8vo, green cloth, uncut; spine faded. London: Chatto & Windus, 1931. Limited First Edition. One of 210 signed copies.
New York: Crosby Gaige, 1928. 8vo, original blue cloth. New York: Crosby Gaige, 1928. Limited First Edition. One of 900 copies, autographed by Aldington and by Bruce Rogers. Spine slightly faded, still a near fine copy.
New York: Doran, 1926. 2 vols. green cloth, dust wrappers (wrappers dust soiled, edgeworn and large closed tear on front panel of volume 1 wrapper). N.Y., 1926. Limited First Edition. One of 250 copies, autographed by the author and especially prepared for the Edgar Allan Poe Shrine, Richmond, Virginia. With the first issue point pertaining to the wineglass in the Longfellow plate. A fine set in very good(-) dust wrappers. Laid in is an A.L.S from bookseller John S. Van...
New York: Harper, 1925. 8vo, cloth, d.w. N.Y.: Harper, 1925. First Edition. Inscribed by the author.
Van Nuys: 2000. American television personality, author, composer, musician and actor who achieved national fame as the first host of The Tonight Show; the first late-night television talk show. Excellent content T.L.S. "Steve", reminiscing about the early days on the Tonight Show. 4to. 1 page, personal letterhead, Van Nuys, California, February 21st 2000 Written just a few months before his death, to long time friend and collaborator Herb Sargent. The letter reads in full: "I'm hurrying to finish up a....
Carbondale: Southern Illinois University Press, 1969. 177 pages, 8vo, red cloth with a gilt-lettered spine, dust wrapper (worn and chipped). Carbondale & Edwardsville: Southern Illinois University Press, (1969). A near fine copy in a very good(-) dust wrapper. Inscribed and signed "Marcia" by the editor on the front free endpaper.
New York: Vantage, 1994. Numerous black and white photographic illustrations. Slim 4to, black cloth, d.w. New York: Vantage, (1994). Fine. Inscribed by the author on the fly-leaf.
Norwalk: Easton, 1991. Illustrated. 667pp. Thick 8vo, gilt-stamped burgundy leather, a.e.g. Norwalk: Easton Press, (1991). First edition. A fine copy, signed by the author.
London: Macmillan, 1949. Black & white photographic illustrations. 319 pages, red cloth, edgeworn d.w. London: Macmillan & Co., 1949. A near fine copy in a very good dust wrapper. Inscribed by the author on the title page to Hamilton Fish Armstrong.
New York: Crown, 1984. Illustrated in color by Beni Montresor. Adapted by Alan Benjamin. 4to, cloth, d.w. New York: Crown, 1984. First Edition. Presentation copy: "For Howard and his family with a kiss from Beni Montresor 1985"
Santa Fe: Twin Palms, 2002. Illustrated throughout with duotone photographs. Slim 4to, white pictorial boards, matching d.w (a bit yellowed and scuffed on rear panel). Santa Fe: Twin Palms, 2002. Limited first edition - one of 1000 copies, this one signed by Anderson & Low on the limitation page. Near fine in a very good(+) dust wrapper. Based in London, Jonathan Anderson and Edwin Low have worked as the photographic team since 1990. This book features nude photographs of the...
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
Berkeley: Oyez, 1968. Essays in Tribute and Definition. 8vo, printed wrappers. Oyez, 1968. First Edition. Review copy. Inscribed by the author. Crease in front cover, otherwise fine.
New York: Abrams, 1979. Color and black and white illustrations throughout. 99pp. Slim square 8vo, purple cloth, d.w. New York: Abrams, (1979). First edition. A fine copy. Inscribed by Arakawa in ink on title page.
New York: Weyhe, 1956. 28 plates by Weston. 102pp., very small stain on fore edge, not affecting the margins. Square 4to, black cloth (extremities of spine rubbed and worn), d.w. is present, but tattered and in pieces. New York: Weyhe, (1956). First Edition. Very good(+). Inscribed on the fly-leaf by the author "Merle & Isabell"
New York: Duell, 1950. Illustrated. Large 12mo, decorative salmon and black boards, printed board slipcase, slightly sun-darkened. New York: Duell Sloan, (1950). Limited Edition. A fine copy, unfaded, in a very good(+) slipcase. One of 1050 copies designed and signed by Merle Armitage.
New York: Knopf, 1995. Illustrated with black & white photographs. 289 pages. Short 4to, beige cloth-backed boards, d.w. New York: Knopf, 1995. First Edition. A fine copy in a fine dust wrapper, inscribed by Arnold on a preliminary page.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler...
New York: Viking, 1947. Edited and illustrated with 20 wood engravings by Boris Artzybasheff. 86pp. Thin 8vo, red cloth with paper labels on cover and spine (top of front cover slightly faded and with small white stain below label). New York: Viking Press, 1947. Fifth printing. A very good copy, with a full page original pen and ink drawing and 3 line presentation by the artist on the half-title.