New York: Dia Art Foundation, 2012. 100 drawings, ink on photographic paper. 290 pages. 4to, yellowish printed wrappers, protected with mylar. New York: Dia Art Foundation, (2012). First Edition. A fine copy. Foreword by Phillipe Vergne. Contains 10 critical essays by various authors. Catalogue published in conjunction with the 2010-2011 presentation of Koo Jeong A's work at Dia Beacon and several other sites. More
New York: Metropolitan Museum of Art, 2012. 203 illustrations, including 150 in color. xii + 260 pages, 4to, light green cloth, d.w. New York: Metropolitan Museum of Art, (2012). First edition. A fine copy in a fine dust wrapper. With essays by several authors. More
Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
New York: Abrams, 1981. Illustrated abundantly in color and in black and white. 495 pages. Very thick 4to, tan cloth with gold lettering, d.w. (lightly rubbed, spine sunned with some chips). New York: Abrams, 1981. First edition. A near fine copy in a very good(+) dust wrapper. More
Greenwich: New York Graphic Society, 1981. Illustrated in b/w and color throughout. 295 pages. 4to, navy cloth, d.w. Greenwich: New York Graphic Society, (1981). First edition. A touch shelfworn, still near fine. More
New York: 1936. Introduction by Arthur Pope. Illus, 172pp. 4to, cloth. New York, (1936). More
Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala. More
Uppsala: Vilhelm Ekmans Universitetsfond, 1922. Hundreds of black & white illustrations throughout the text, 7 maps. 282pp., tall 8vo, original stiff printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1922). First Edition. Very good (+). More
Uppsala: Vilhelm Ekmans Universitetsfond, 1923. Many black & white illustrations throughout the text. 166pp., tall 8vo, original printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1923). First Edition. A fine copy but for a small chip on the back cover. More
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
New York: Knopf, 1981. 363pp. 8vo, cloth- backed boards, d.w. New York: Knopf, 1981. Very good. More
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen spine darkened, worn at corners. New York; ACA Gallery Publications, 1938. First Edition. A very good copy. Includes 2 exhibition catalogs from the Associated American Artists Galleries from 1994 and ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in. More
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen (toned to tan, spine toned small damp stain on upper spine). New York: ACA Gallery Publications, 1938. A very good(+) copy. Presentation copy signed " from Gropper" on the fly leaf. More
Milan: Electa, 1990. Illustrated with b/w images throughout. 166 pages. Square 4to, navy cloth, d.w. (Milan): Electa, (1990). A fine copy in a near fine dust wrapper, slight scuffing to front cover. Scarce. More
New York: Neues, nd. With a text by Moritz von Ulsar. Profusely illustrated in color and black & white. Tall 4to, blue pictorial boards, dust wrapper. New York: Neues Publishing Company. Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, blue cloth, pictorial dust wrapper. Boston: Museum of Fine Arts, (2008). Near fine. More
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
New York: Knopf, 1996. Color and black & white reproductions throughout. 399 pages. 8vo, black cloth-backed orange boards with gilt lettering at the spine, uncut fore-edge, pictorial d.w. (slightly edgeworn). New York: Alfred A. Knopf, 1996. Second printing. Red inked mark at the top outer page edge, else a near fine copy in a near fine dust wrapper. More
Havana: Museo Nacional de Bellas Artes, 2002. Text in Spanish. Illustrated with b/w and some color images. 47 pages. Slim 4to, pictorial wrappers. Havana: Museu Nacional de Bellas Artes, 2002. A very good(+) copy, scuffing to covers. More
New York: Rizzoli, 2018. Numerous color illustrations throughout. 188 pages. 4to, aqua cloth, d.w. New York: Acquavella Gallery and Rizzoli, 2018. First edition. A fine copy, as new in the original shrinkwrap. More
Worcester: Worcester Art Museum, 2001. Profusely illustrated in color. 4to, stiff pictorial wrappers. Worcester: Worcester Art Museum, (2001). First edition. Signed and inscribed by Acton on the half-title page. A fine copy. Essays by David Amram, and David Lehman. More
Hoboken: John Wiley & Sons, 2009. Some illustrations, a few in color. 242 pages. 8vo, black boards, d.w. (Hoboken): John Wiley & Sons, (2009). First edition. Pages are uniformly toned, else a near fine in near fine dust wrapper. More
Just a quick thank you note. The Great Upheaval was tenderly packed. I can tell you love your profession as much as I love books. I'm reading it right now and enjoying the quiet of a new snow in New Mexico. Thanks, again!
I wanted to let you know that the Lehár autograph quotation arrived safe and sound having made its transatlantic journey without any problems. It’s a beautiful thing, and I can’t wait to get it up on the wall. I’m absolutely delighted with it – thank you!