Wilfedo Lam
Paris: Galerie Fabien Boulaki, 1985. 19 illustrations, in both color and black and white. Tall, thin pictorial wrappers. Paris: Galerie Fabien Boulakia, (1985). Near fine., Text in both English and Frrench. More
ART
Jackson Pollock: 21 Janvier - 19 Avril 1982.
Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
The Great Houses of Cayetana, Duchess of Alba.
El Viso, 2012. Profusely illustrated in color. 221 pages, 4to, scarlet cloth, d.w. N.p.: Fundacion Casa de Alba, (2012). Small bump at head, still near fine. More
Between Continents/Between Seas: Precolumbian Art of Costa Rica.
New York: Abrams, 1981. 333 Illus., 100 in color. 4to, black cloth, d.w. lightly soiled on spine portion. New York: Abrams, (1981). With the rubberstamp of the Harry Abrams out of print library on front flyleaf. More
Representation and Form: A Study of Aesthetic Values in Representational Art.
New York: 1936. Introduction by Arthur Pope. Illus, 172pp. 4to, cloth. New York, (1936). More
The Anglo-Saxons in England During the Early Centuries After the Invasion.
Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala. More
Die Franken und Westgoten in der Volkerwanderungszeit.
Uppsala: Vilhelm Ekmans Universitetsfond, 1922. Hundreds of black & white illustrations throughout the text, 7 maps. 282pp., tall 8vo, original stiff printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1922). First Edition. Very good (+). More
Die Goten Und Langobarden in Italien
Uppsala: Vilhelm Ekmans Universitetsfond, 1923. Many black & white illustrations throughout the text. 166pp., tall 8vo, original printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1923). First Edition. A fine copy but for a small chip on the back cover. More
L'univers Magique de Lyonel Laurenceau.
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
John Ruskin: The Passionate Moralist.
New York: Knopf, 1981. 363pp. 8vo, cloth- backed boards, d.w. New York: Knopf, 1981. Very good. More
Gropper.
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen. New York; ACA Gallery Publications, 1938. First Edition. Very good(+). + 2 exhibition catalogues from the Associated American Artists Galleries, 1944 and the other undated, ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in. More
Michel Comte: Twenty Years, 1979-1999
New York: Neues, nd. With a text by Moritz von Ulsar. Profusely illustrated in color and black & white. Tall 4to, blue pictorial boards, dust wrapper. New York: Neues Publishing Company. Fine. More
Rhythms of Modern Life: Briitish Prints 1914-1939
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Terry Winters, Prints & Sequences
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
Three Extraordinary Ambassadors
London: Thames & Hudson, 1983. 47 Illus. 64pp. 8vo, gray cloth, d.w. lightly soiled. (London): Thames and Hudson, (1983). Biography of three British ambassadors who lived in Italy: Sir Henry Wooton, Sir Horace Mann, and Sir William Hamilton. More
Yosemite and the Range of Light.
Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, d.w. Boston: New York Graphic Society, 1979. First edition. Some rippling along top & bottom edge of pages, still a very good copy. More
America: Art and the West.
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
American Lithographers, 1900-1960: the Artists and Their Printers
Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper. More
Bow Porcelain.
London: Faber & Faber, 1981. Illustrated in color & in black & white, 8vo, cloth, d.w., board slipcase. London: Faber and Faber, (1981). Fine. More
Eakins Revealed: The Secret Life of An American Artist
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper. More
Art of the Third Reich
New York: Abrams, 1992. 321 illustrations, including 33 full color plates. 332pp., 8vo, grey cloth, d.w. New York: Harry N. Abrams, (1992). A fine copy in a near fine dust wrapper. Based on the BBC series created by Peter Adams. More
Mary Callery Sculpture.
New York: Wittenborn, 1961. With 172 black & white illustrations. 164pp. Slim square 4to, white cloth, d.w. New York: Wittenborn and Company, (1961). First edition. A fine copy in a very good dust wrapper. More
The Lost Museum, Glimpses Of Vanished Originals.
New York: Viking, 1980. Black & white illustrations. 253pp. Folio, cloth, dust wrapper. N.Y: The Viking Press, (1980). Near fine copy in a near fine d.w. More
The Eye of Thomas Jefferson.
Washington: National Gallery of Art, 1976. Many Illus., some in color. 411pp. 4to, pr. wrs. Washington: National Gallery of Art, 1976. Very good. More