Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
Refine search resultsSkip to search results
New York: New York Public Library, 1989. Illustrated with many black & white photographs by Bernice Abbott. 96pp. Thin 4to, printed wrappers. New York: New York Public Library, (1989). A fine copy. A Selection of Photographs and Essays. Edited, with introductions and checklist by Julia Van Haaften.
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce.
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine.
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue.
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper.
New York: Wittenborn, 1961. With 172 black & white illustrations. 164pp. Slim square 4to, white cloth, d.w. New York: Wittenborn and Company, (1961). First edition. A fine copy in a very good dust wrapper.
New York: Adelson, 2010. Introduction by Warren Adelson. Essay by James Gardner. 36 full color plates plus additional illustrations. Tall thin 8vo, pictorial boards. New York: Adelson Galleries, 2010. A fine copy. Includes price list.
London: Hayward Gallery, 1995. Foreword by Eric Hobsawm. Afterword by Neal Ascherson. Extensively illustrated in both color and black & white. 360pp., thick 4to, stiff, glossy pictorial wrappers. London Hayward Gallery, (1995). A near fine copy. Compiled and selected by Dawn Ades, Tim Benton, David Elliott and Iain Boyd Whyte.
New York: Grove Press, 1984. With a few b/w illustrations. xi, 222pp. 8vo, blue cloth-backed boards, d.w. New York: Grove Press, (1984). A near fine copy in a near fine dust wrapper.
New York: Museum of Modern Art, 2012. 489 color reproductions. 376 pages, 4to, pink cloth with red type. New York: Museum of Modern Art, (2012). A fine copy.
New York: Walker and Company, 1967. 79 illustrations. Square 8vo, pr. wrs., wrappers lightly soiled, otherwise very good. New York: Walker & Company, (1967).
Paris: Fundacio Antoni Tapies, 1989. 3 volumes. Volume 1: 1943-1960. 548 pages with 983 illustrations, 133 in color. Volume 2: 1961-1968. 512 pages with 1027 illustrations, 189 in color. Volume 3: 1969-1975. 576 pages with 1303 illustrations, 253 in color. Tall, thick square 4tos, gray decorative cloth, d.w., slipcases. Paris: Fundacio Antoni Tapies - Editions Cercle D'Art, 1989-1992. Fine.
Seattle: Farwest Lithograph and Printing Co., 1939. Map. Color Lithograph. 21" x 28". This beautifully colored map of Alaska and the Gulf of Alaska shows the Alaskan boat lines from Seattle and was first drawn by Edward Camy for the Alaska Steamship Company in 1934. A great pictographic map, includes an inset showing the Alaska Railways route from Seward to Fairbanks and the Richardson Automobile Highway. The bottom of the map shows a series of cartoons of events on the...
Detroit: Calvert Lithographing Company, 1903. Original poster. Color lithograph. 42 x 28 inches. This incredible 1903 advertising poster advertises the Satin Skin Powder and the Satin Skin Cream, both products manufactured by the Albert F. Wood Manufacturing Company. The poster features a woman holding a hand fan which reads 'Don't you want a satin skin?' Illustrations of the product packaging are also featured. Available in 4 tints - Flesh, White, Pink and Brunet, the packaging for Satin Skin Powder reads...
Pittsburgh: Museum of Art, Carnegie Institute, 1977. Many color and b/w illustrations throughout. 4to, pictorial wrappers; very minor bumping at ends. (Pittsburgh): Museum of Art, Carnegie Institute, (1977). Near fine. Exhibition catalogue.
Tucson: Center for Creative Photography, University of Arizona, 1986. xiii, 207pp. 4to, glossy printed wrappers. Tucson: University of Arizona, (1986). A near fine copy. Bibliography Series : Number Two. Center for Creative Photography, University of Arizona.
Mannheim: Stadtische Kunsthalle Mannheim, 1990. Many plates, several in color. Square, small 4to, pictorial wrs. Mannheim: Stadtische Kunsthalle Mannheim, 1990. Fine Exhibition catalogue.
New York: Random House, 1975. 415 pages. Thick 8vo., black cloth-backed boards, d.w. New York: Random House, 1975. Fine, large, full signature of Ali on the half-title page. A fine copy in a near fine wrapper.
New York: Gallery Books, 1977. Profusely illustrated with black and white photography and additional color artwork. 208 pages. 4to, brown cloth, dust wrapper (sunned spine). New York: Gallery Books (1977). A near fine copy in a very good(+) dust wrapper.
Washington: National Geographic, 2010. Foreword by William Kittredge. Illustrated throughout in striking b/w photographs. 304pp. Wide 4to, red cloth, d.w. Washington: National Geographic, (2010). A fine copy in a fine dust wrapper.
New York: Harper, 1931. Illustrated in black and white. 370 pages, 8vo, red cloth (cloth a bit soiled, spine darkened and top lightly frayed). New York: Harper, 1931. Internally a very good copy. Signed in full and dated by the author on the front free endpaper: "Frederick L. Allen, September 28, 1932. [1st textbook edition]"
New York: Harper, 1940. Frontispiece, black and white plates, 362 pages, thick 8vo, red cloth (spine a bit toned). New York and London: Harper, 1940. First Edition. A near fine copy. Signed in full and inscribed on the front free endpaper: "When I write inside every other copy of this book that I write inside, I say "For" so-and-so. In this one and only copy I can say To Letitia Cunningham Rogers February 7, 1940."
New York: Macmillan, 1974. 105 plates, a few in color. xii + 144pp. Large 8vo, white cloth, d.w.; dust wrapper lightly rubbed. New York: Macmillan, (1974). Very good (+) copy in a very good dust wrapper.
London: The Bodley Head, 1961. 256 pages. 8vo, red cloth, dust wrapper. Wrapper is price-clipped but still very good (+). London: The Bodley Head, (1961). Very good (+). Story of a young girl's life in St. Petersburg.