Emmarentia: A Day in the Life of South Africa, 1982. Profusely illustrated with b/w and color photography throughout. Unpaginated. Folio, red leatherette. (Emmarentia): A Day in the Life of South Africa, 1982. A very good(-) copy--boards slightly bent near lower edge, light foxing to first several pages. More
New Haven: Yale University Press, 1998. With b/w and color images throughout. 409 pages. 4to, pictorial wrappers. New Haven: Yale University Press, (1998). A fine copy with just a touch of scuffing to spine head. More
Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
Los Angeles: Getty, 2010. Illustrated throughout in color and b/w photographs. 236 pages. Square thick 4to, brown cloth-backed pictorial boards. Los Angeles: Getty, (2010). First edition. A near fine copy. Catalog for exhibition at the J. Paul Getty Museum in Los Angeles from June 29 - November 14, 2010. Includes the work of Leonard Freed, Philip Jones Griffiths, W. Eugene and Aileen M. Smith, Susan Meiselas, Mary Ellen Mark, Lauren Greenfield, Larry Towell, Sebastiao Salgado, James Nachtwey. More
Suffolk: ACC Editions, 2013. Illustrated with b/w photos throughout. 168 pages. Thin 4to, pictorial boards. (Suffolk): ACC Editions, (2013). A near fine copy -- light sunning to spine and rear panel. More
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
Milan: Electa, 1990. Illustrated with b/w images throughout. 166 pages. Square 4to, navy cloth, d.w. (Milan): Electa, (1990). A fine copy in a near fine dust wrapper, slight scuffing to front cover. Scarce. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper. More
Boston: Countway Library of Medicine, 1991. Frontis portrait, lightly illustrated in b/w. 369 pages. 8vo, brown cloth, d.w. Boston: Countway Library of Medicine, 1991. A very good copy with light foxing to outer edges; in a very good(+) wrapper. More
New York: Adelson, 2010. Introduction by Warren Adelson. Essay by James Gardner. 36 full color plates plus additional illustrations. Tall thin 8vo, pictorial boards. New York: Adelson Galleries, 2010. A fine copy. Includes price list. More
New York: Grove Press, 1984. With a few b/w illustrations. xi, 222pp. 8vo, blue cloth-backed boards, d.w. New York: Grove Press, (1984). A near fine copy in a near fine dust wrapper. More
New York: Museum of Modern Art, 2012. 489 color reproductions. 376 pages, 4to, pink cloth with red type. New York: Museum of Modern Art, (2012). A fine copy. More
New York: Walker and Company, 1967. 79 illustrations. Square 8vo, pr. wrs., wrappers lightly soiled, otherwise very good. New York: Walker & Company, (1967). More
Paris: Fundacio Antoni Tapies, 1989. 3 volumes. Volume 1: 1943-1960. 548 pages with 983 illustrations, 133 in color. Volume 2: 1961-1968. 512 pages with 1027 illustrations, 189 in color. Volume 3: 1969-1975. 576 pages with 1303 illustrations, 253 in color. Tall, thick square 4tos, gray decorative cloth, d.w., slipcases. Paris: Fundacio Antoni Tapies - Editions Cercle D'Art, 1989-1992. Fine. More
New York: Princeton Architectural Press, 2003. With b/w and color images throughout. 224 pages. New York: Princeton Architectural Press, (2003). A near fine copy in a very good dust wrapper, lightly sunned with bumping to lower edge of front wrapper/board. More
New York: Museum of the City of New York, 2003. With photos throughout. 96 pages. Large, slim 4to, pictorial wrappers. New York: Museum of the City of New York, (2003). A near fine copy. More
Mannheim: Stadtische Kunsthalle Mannheim, 1990. Many plates, several in color. Square, small 4to, pictorial wrs. Mannheim: Stadtische Kunsthalle Mannheim, 1990. Fine Exhibition catalogue. More
Washington: National Geographic, 2010. Foreword by William Kittredge. Illustrated throughout in striking b/w photographs. 304pp. Wide 4to, red cloth, d.w. Washington: National Geographic, (2010). A fine copy in a fine dust wrapper. More
Golden: Fulcrum, 2001. Illustrated with a handful of b/w photos. 202 pages. 8vo, cloth-backed boards, d.w. featuring an Al Hirschfeld illustration of Allen. Golden, CO: Fulcrum, (2001). A fine copy in a near fine wrapper, price-clipped. More
New York: Macmillan, 1974. 105 plates, a few in color. xii + 144pp. Large 8vo, white cloth, d.w.; dust wrapper lightly rubbed. New York: Macmillan, (1974). Very good (+) copy in a very good dust wrapper. More
New York: Holt, Rinehart & Winston, 1968. 256 pages. 8vo, white pictorial boards, d.w. (spine sunned and ends chipped; price-clipped). New York: Holt, Rinehart & Winston, 1968. A very good(+) copy in a poor dust wrapper Story of a young girl's life in St. Petersburg. More
![Das Paradies Experiment [The Paradise Experiment]: Die Utopie der freien Sexualitat Kommune...](/pictures/thumb/307578.jpg?v=1655501412)
Vienna: Triton, 2001. With b/w and color images photos throughout. 176 pages. 8vo, pictorial boards. (Vienna): Triton, (2001). A near fine copy with slight sunning to spine, ex-library stamp of the Zwirner & Wirth Gallery on front pastedown. Scarce. More
Bahia: Imprensa Oficial, 1968. Many illustrations in color & in black & white. Slim 4to, pictorial endpapers, tan linen, d.w. Bahia: Imprensa Oficial Salvador, 1968. First Edition. A fine copy in a rubbed dust jacket. Inscribed by the artist with a pen and ink drawing on the half-title. More
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