Cambridge: Harvard University Press, 1963. Illustrated in black and white. xi + 431pp., large 8vo, red cloth. Cambridge: Harvard University Press, 1962. A very good copy lacking the dust wrapper. More

Lyons: Mathieu Liberal, 1684. Woodcut design on title page. 473, (7) pages. Thick 12mo, full calf, gilt spine (rubbed). Lyons: Mathieu Liberal, 1684. Revised and augmented. Very good. Drips of what looks to be sealing wax on endpapers. Old bookseller's label on front attached endpaper. Small oval abrasion though leather down to board on back cover. More

New Brunswick: Rutgers University Press, 1943. 383 pages, 8vo, beige cloth, d.w. New Brunswick: Rutgers University Press, 1943. A fine copy in a very good dust wrapper. More

New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 3/4 beige morocco, green leather spine label, tan cloth. London: Faber & Faber, (1976). First Edition. A fine copy. More

New York: Schocken Books, 1972. 309pp. Short 8vo, black cloth, d.w. New York: Schocken Books, (1972). A near fine copy in a very good(+) dust wrapper. More

New York: Basic Books, 1974. Illustrated in black and white. 308 pages, 8vo, gray cloth, dust wrapper (dusty and slightly edgetorn). New York: Basic Books, (1974). A very good copy in a very good(-) dust wrapper. "A Feminist Phenomenon in the Age of Louis XIV" More

Leiden: Fransciscum Hackium, 1648. Thick 16mo, old leather; professionally re-backed to match, red leather spine label. Leiden: Fransciscum Hackium, 1648. Very good. Old stamp on title page. Very good copy of the first Latin edition (printed the same year by Elzevir). More

Boston: Houghton Mifflin, 1978. Illustrated in black and white. 246 pages, large 8vo, gilt-lettered blue cloth, dust wrapper. Boston: Houghton Mifflin, 1978. A fine copy. More

New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More

New York: Chesire House, 1932. Introduction by Christopher Morley. Wood engravings by Freda Bone. viii + 147pp., tall 8vo, half green leather over marbled boards, deckled edges; spine faded, lightly rubbed. New York: Chesire House, 1932. A near fine copy. One of 1200 numbered copies. More

1705. Engraving with beautiful original hand coloring. 21" x 24.5". Some small tears repaired on verso. In very good condition. Dynamic and scarce battle plan of Hulst in the SW Netherlands. From 'A collection of plans of fortifications and battles', 1684-1709, depicting The War of the Spanish Succession. Anna Beek was a late-17th century publisher and engraver of maps based in the Hague. Her detailed maps and battle plans are often found in composite atlases and have become highly valued..... More

London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings. More

Etching. Image measures 4" x 5 1/4". This etching of a cow is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This image, printed in the mid-17th century, shows a cow in full profile, standing in a somewhat barren landscape. It is in good condition with no chips..... More