Jacobean Pageant: Or, The Court of King James I
Cambridge: Harvard University Press, 1963. Illustrated in black and white. xi + 431pp., large 8vo, red cloth. Cambridge: Harvard University Press, 1962. A very good copy lacking the dust wrapper. More
Cambridge: Harvard University Press, 1963. Illustrated in black and white. xi + 431pp., large 8vo, red cloth. Cambridge: Harvard University Press, 1962. A very good copy lacking the dust wrapper. More
New York: Rizzoli, 1977. Illustrated mostly in black and white, 4 additional in color. 178 pages, 4to, green cloth, dust wrapper. New York: Rizzoli, 1977. A near fine copy in a near fine dust wrapper. More
Lyons: Mathieu Liberal, 1684. Woodcut design on title page. 473, (7) pages. Thick 12mo, full calf, gilt spine (rubbed). Lyons: Mathieu Liberal, 1684. Revised and augmented. Very good. Drips of what looks to be sealing wax on endpapers. Old bookseller's label on front attached endpaper. Small oval abrasion though leather down to board on back cover. More
Ann Arbor: University of Michigan Press, 1961. Maps. xi + 441pp. plus index. 8vo, cloth, d.w.; dust wrapper price clipped. Ann Arbor: University of Michigan Press, (1961). A very good copy in a very good (-) dust wrapper. More
New Brunswick: Rutgers University Press, 1943. 383 pages, 8vo, beige cloth, d.w. New Brunswick: Rutgers University Press, 1943. A fine copy in a very good dust wrapper. More
New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 1/2 tan morocco, brown leather spine label, tan cloth. New York: Random House, (1976). A fine copy. More
New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 3/4 beige morocco, green leather spine label, tan cloth. London: Faber & Faber, (1976). First Edition. A fine copy. More
Paris: Pierre Le Petit, 1653. Traduites en Francois par Monsieur Arnauld d'Andilly. Extra engraved title page by Champaige; some woodcut head and tail pieces throughout. [18], 600, [16] pages. Thick 12mo, bound in old vellum (early ownership signatures on endpapers; some worming to text but still solid and attractive). Paris: Chez Pierre Le Petit, 1653. Cinquiesme edition. A very good copy. More
Torino: Radio Italiana, 1953. 6 color plates and 53 in black & white. Small 4to, stiff pictorial boards (spine darkened), deckled edge, board slipcase (rubbed). Torino: Radio Italiana, 1953. One of 1670 numbered copies. More
Franklin Center: Franklin Library, 1982. Facsimile title page from first complete edition of Bacon's essays. 391 pages, 8vo, gilt-stamped gray leather, all edges gilt, silk moire endpapers. Franklin Center: Franklin Library, 1982. A fine copy. 100 Greatest Books of All Time series. More
Leiden: Fransciscum Hackium, 1648. Thick 16mo, old leather; professionally re-backed to match, red leather spine label. Leiden: Fransciscum Hackium, 1648. Very good. Old stamp on title page. Very good copy of the first Latin edition (printed the same year by Elzevir). More
Paris: Jean Roger, 1639. Ornamental copperplate initials and endpieces. 369 pages,. Thick short 8vo, full contemporary mottled calf, red leather spine label, gilt spine. Paris: Jean Roger, 1639. Very good(+). More
Boston: Houghton Mifflin, 1978. Illustrated in black and white. 246 pages, large 8vo, gilt-lettered blue cloth, dust wrapper. Boston: Houghton Mifflin, 1978. A fine copy. More
Cambridge: Harvard University Press, 1961. 3 maps. xiii + 369pp., 8vo, cloth, d.w.; dust wrapper chipped at spine ends. Cambridge: Harvard University Press, 1961. A very good copy in a very good (-) dust wrapper. More
New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More
London: George Bell, 1904. 4 volumes. Thick 8vo, minor bumping to spine ends and corners, untrimmed. London: George Bell and Sons & A. H. Bullen, 1904-1912. A very good(+) set Variorum edition. More
New York: Chesire House, 1932. Introduction by Christopher Morley. Wood engravings by Freda Bone. viii + 147pp., tall 8vo, half green leather over marbled boards, deckled edges; spine faded, lightly rubbed. New York: Chesire House, 1932. A near fine copy. One of 1200 numbered copies. More
Boston: Twayne Publishers, 1978. Illustrated frontispiece. 182pp. 8vo, gilt-stamped green cloth. Boston: Twayne Publishers, (1978). First edition. Cover slightly rubbed, otherwise a near fine copy. Twayne's World Authors Series: A Survey of the World's Literature, No. 477. The Netherlands. General editor: Egbert Krispyn. More
Paris: Estienne Danguy, 1646. Woodcut initials and decorative head & tailpieces throughout. XII, 225 pages. 12mo, contemporary vellum with calligraphic spine lettering. Paris: Chez Estienne Danguy, 1646. For some reason an attempt was made to obliterate the publisher's information on title, otherwise a solid copy; some pages at rear with neat marginalia, but mostly clean. A very good copy of this scarce book. OCLC lists only 3 copies, including Cambridge & Bibliotheque Nationale de France. More
London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings. More
London: Phaidon, 1947. 292 photogravure plates. 255pp. 4to, cloth. WITH: BENESCH. A Catalogue of Rembrandt's Selected Drawings. 64pp., 4to, red cloth, d.w. Together, 2 vols. London: Phaidon, 1947. Very good in slightly rubbed dust jackets. More
Etching. Image measures 4" x 5 1/4". This etching of a cow is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This image, printed in the mid-17th century, shows a cow in full profile, standing in a somewhat barren landscape. It is in good condition with no chips..... More
Etching. Image measures 4" x 5 1/4". This etching of two goats is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, shows two goats, one in full profile and one laying down, facing away from the page. It is in good..... More
Etching. Image measures 4" x 5 1/4". This etching of a shepherd and his dog is the title page from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, features a shepherd reclining on a rock while his dog stands guard toward the..... More
Etching. Image measures 4" x 5 1/4". This etching of two goats is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, shows two goats, one staring angrily at the viewer and the other eating grass. It is in good condition with..... More
Dear Sir Today, I received the Eleanor Roosevelt letter. Thank you for your rapid and reliable mailing. My wife and her company are very pleased and grateful. May your shop continue to prosper.
Many thanks for your prompt reply informing me that the book is now set aside for the library. It's great that you are willing and able to send an invoice with the book -- it makes life a little easier when you work for a very large institution! Thanks again.