New York: Rizzoli, 1977. Illustrated mostly in black and white, 4 additional in color. 178 pages, 4to, green cloth, dust wrapper. New York: Rizzoli, 1977. A near fine copy in a near fine dust wrapper. More

Ann Arbor: University of Michigan Press, 1961. Maps. xi + 441pp. plus index. 8vo, cloth, d.w.; dust wrapper price clipped. Ann Arbor: University of Michigan Press, (1961). A very good copy in a very good (-) dust wrapper. More

New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 1/2 tan morocco, brown leather spine label, tan cloth. New York: Random House, (1976). A fine copy. More

Paris: Pierre Le Petit, 1653. Traduites en Francois par Monsieur Arnauld d'Andilly. Extra engraved title page by Champaige; some woodcut head and tail pieces throughout. [18], 600, [16] pages. Thick 12mo, bound in old vellum (early ownership signatures on endpapers; some worming to text but still solid and attractive). Paris: Chez Pierre Le Petit, 1653. Cinquiesme edition. A very good copy. More

Torino: Radio Italiana, 1953. 6 color plates and 53 in black & white. Small 4to, stiff pictorial boards (spine darkened), deckled edge, board slipcase (rubbed). Torino: Radio Italiana, 1953. One of 1670 numbered copies. More

Leiden: Fransciscum Hackium, 1648. Thick 16mo, old leather; professionally re-backed to match, red leather spine label. Leiden: Fransciscum Hackium, 1648. Very good. Old stamp on title page. Very good copy of the first Latin edition (printed the same year by Elzevir). More

Boston: Houghton Mifflin, 1978. Illustrated in black and white. 246 pages, large 8vo, gilt-lettered blue cloth, dust wrapper. Boston: Houghton Mifflin, 1978. A fine copy. More

New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More

New York: Chesire House, 1932. Introduction by Christopher Morley. Wood engravings by Freda Bone. viii + 147pp., tall 8vo, half green leather over marbled boards, deckled edges; spine faded, lightly rubbed. New York: Chesire House, 1932. A near fine copy. One of 1200 numbered copies. More

1705. Engraving with beautiful original hand coloring. 21" x 24.5". Some small tears repaired on verso. In very good condition. Dynamic and scarce battle plan of Hulst in the SW Netherlands. From 'A collection of plans of fortifications and battles', 1684-1709, depicting The War of the Spanish Succession. Anna Beek was a late-17th century publisher and engraver of maps based in the Hague. Her detailed maps and battle plans are often found in composite atlases and have become highly valued..... More

London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings. More

Etching. Image measures 4" x 5 1/4". This etching of a cow is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This image, printed in the mid-17th century, shows a cow in full profile, standing in a somewhat barren landscape. It is in good condition with no chips..... More