Cambridge: Harvard University Press, 1963. Illustrated in black and white. xi + 431pp., large 8vo, red cloth. Cambridge: Harvard University Press, 1962. A very good copy lacking the dust wrapper. More

Lyons: Mathieu Liberal, 1684. Woodcut design on title page. 473, (7) pages. Thick 12mo, full calf, gilt spine (rubbed). Lyons: Mathieu Liberal, 1684. Revised and augmented. Very good. Drips of what looks to be sealing wax on endpapers. Old bookseller's label on front attached endpaper. Small oval abrasion though leather down to board on back cover. More

New Brunswick: Rutgers University Press, 1943. 383 pages, 8vo, beige cloth, d.w. New Brunswick: Rutgers University Press, 1943. A fine copy in a very good dust wrapper. More

New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 3/4 beige morocco, green leather spine label, tan cloth. London: Faber & Faber, (1976). First Edition. A fine copy. More

Torino: Radio Italiana, 1953. 6 color plates and 53 in black & white. Small 4to, stiff pictorial boards (spine darkened), deckled edge, board slipcase (rubbed). Torino: Radio Italiana, 1953. One of 1670 numbered copies. More

Leiden: Fransciscum Hackium, 1648. Thick 16mo, old leather; professionally re-backed to match, red leather spine label. Leiden: Fransciscum Hackium, 1648. Very good. Old stamp on title page. Very good copy of the first Latin edition (printed the same year by Elzevir). More

Boston: Houghton Mifflin, 1978. Illustrated in black and white. 246 pages, large 8vo, gilt-lettered blue cloth, dust wrapper. Boston: Houghton Mifflin, 1978. A fine copy. More

New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More

New York: Chesire House, 1932. Introduction by Christopher Morley. Wood engravings by Freda Bone. viii + 147pp., tall 8vo, half green leather over marbled boards, deckled edges; spine faded, lightly rubbed. New York: Chesire House, 1932. A near fine copy. One of 1200 numbered copies. More

Paris: Estienne Danguy, 1646. Woodcut initials and decorative head & tailpieces throughout. XII, 225 pages. 12mo, contemporary vellum with calligraphic spine lettering. Paris: Chez Estienne Danguy, 1646. For some reason an attempt was made to obliterate the publisher's information on title, otherwise a solid copy; some pages at rear with neat marginalia, but mostly clean. A very good copy of this scarce book. OCLC lists only 3 copies, including Cambridge & Bibliotheque Nationale de France. More

London: Phaidon, 1947. 292 photogravure plates. 255pp. 4to, cloth. WITH: BENESCH. A Catalogue of Rembrandt's Selected Drawings. 64pp., 4to, red cloth, d.w. Together, 2 vols. London: Phaidon, 1947. Very good in slightly rubbed dust jackets. More

Etching. Image measures 4" x 5 1/4". This etching of two goats is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, shows two goats, one in full profile and one laying down, facing away from the page. It is in good..... More

Etching. Image measures 4" x 5 1/4". This etching of two goats is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, shows two goats, one staring angrily at the viewer and the other eating grass. It is in good condition with..... More