Cambridge: Harvard University Press, 1963. Illustrated in black and white. xi + 431pp., large 8vo, red cloth. Cambridge: Harvard University Press, 1962. A very good copy lacking the dust wrapper. More

Houston: Museum of Fine Arts, 1983. Color frontispiece and other b/w illustrations. 69 pages. Slim oblong 8vo, pictorial wrappers, lightly scuffed. Houston: Museum of Fine Arts, 1983. A very good solid copy. Exhibition catalogue. More

Ann Arbor: University of Michigan Press, 1961. Maps. xi + 441pp. plus index. 8vo, cloth, d.w.; dust wrapper price clipped. Ann Arbor: University of Michigan Press, (1961). A very good copy in a very good (-) dust wrapper. More

New York: Random House, 1976. 696 pages, tall thick 8vo, handsomely rebound in 3/4 beige morocco, green leather spine label, tan cloth. London: Faber & Faber, (1976). First Edition. A fine copy. More

Franklin Center: Franklin Library, 1982. Facsimile title page from first complete edition of Bacon's essays. 391 pages, 8vo, gilt-stamped gray leather, all edges gilt, silk moire endpapers. Franklin Center: Franklin Library, 1982. A fine copy. 100 Greatest Books of All Time series. More

Boston: Houghton Mifflin, 1978. Illustrated in black and white. 246 pages, large 8vo, gilt-lettered blue cloth, dust wrapper. Boston: Houghton Mifflin, 1978. A fine copy. More

Cambridge: Harvard University Press, 1961. 3 maps. xiii + 369pp., 8vo, cloth, d.w.; dust wrapper chipped at spine ends. Cambridge: Harvard University Press, 1961. A very good copy in a very good (-) dust wrapper. More

New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More

New York: Chesire House, 1932. Introduction by Christopher Morley. Wood engravings by Freda Bone. viii + 147pp., tall 8vo, half green leather over marbled boards, deckled edges; spine faded, lightly rubbed. New York: Chesire House, 1932. A near fine copy. One of 1200 numbered copies. More

London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings. More

Etching. Image measures 4" x 5 1/4". This etching of a cow is from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This image, printed in the mid-17th century, shows a cow in full profile, standing in a somewhat barren landscape. It is in good condition with no chips..... More

Etching. Image measures 4" x 5 1/4". This etching of a shepherd and his dog is the title page from an edition of Nicolaes Berchem's "Animalia," sometimes known as "A Man's Sketchbook." Like other artists of the Dutch Golden Age, during which realistic landscape painting flourished, Berchem made these series of etchings to hone his skills in rendering animals. This etching, printed in the mid-17th century, features a shepherd reclining on a rock while his dog stands guard toward the..... More

Cornelius Claesz. Map. Copper engraving with original hand coloring. Image measures 3.75" x 5". This miniature map shows the region of Istria, the largest peninsula in the Adriatic Sea. The map extends from the Gulf of Trieste to the Bay of Kvarner and includes parts of modern-day Italy, Croatia, and Slovenia. The map also includes the Gulf of Venice in the Adriatic Sea. The moiré patterned sea has two tiny ships and sea monsters, and there is a small title..... More