London: Dent, 1903. Newly translated out of the Italian by T.W. Arnold. Frontispiece portrait and decorative title page with tissue guard. 320 pages (deckle edges). 12mo, gorgeous ornately gilt stamped vellum binding with hand-painted red decorations, beveled edges, floral endpapers (front hinge cracking slightly but still very firm). London: J.M. Dent, 1903. A very good(+) copy. Adaptation of the work attributed to Urgolino Brunforte, 1390.
Refine search resultsSkip to search results
Munich: Hirmer, 1985. 73 full page color plates, plus additional color and black-and-white illustrations. 195pp., 4to, blue cloth, d.w., cardboard slipcase. Fribourg and Munich: Office du Livre and Hirmer, (1985). A fine copy in a fine dust wrapper.
Barcelona: 1369. 1 page manuscript document on vellum with 13 lines written in a fine chancery hand, 4.5 x 10.5 inches, notarized with a mark, Barcelona, December 18, 1369. This document is a receipt for the sale of a piece of land called Santa Fulla in the parish of S. Maria de Marturillis, once belonging to Ramon Marquen. It was issued by the rector of this parish Guillem of Figueras as executor of Marquen's testament. Evenly toned and wrinkled, but...
London: J. Wright, 1804. Translated from the Italian. Illustrated with black and white frontispiece and title vignettes. 2 volumes. 8vos, full tan calf, ornately gilt stamped spines with red and green leather labels, gilt stamped dentelles, marbled endpapers (Head of spine of vol 2 rubbed, crazing to front cover of vol 2 and slightly affecting back cover of volume 1. Two red pen lines on verso of the half title page. Some very light foxing confined to a handful of...
Philadelphia: George Barrie, 1900. Done into English Prose and Verse by John Payne. 2 volumes, illustrations in 2 states by Leopold Flameng, tissue guards. 8vo, blue cloth, paper spine labels. Philadelphia: George Barrie, N.d. ca. 1900. Near Fine. Number 68 of 100 numbered copies printed on Japan Vellum.
London: Navarre Society. 2 volumes. Translated by J.M. Rigg and illustrated with 15 photogravures with original drawings by Louis Chalon. Rubricated titles, thick 8vo, bound in full green straight grained morocco, brown leather spine labels, (one label lightly discolored), ornately gilt spines and covers, a.e.g. London: Navarre Society, n.d. ca. 1920.
New York: Limited Editions Club, 1930. Decorated title pages. 2 volumes. 4to, red cloth. New York: The Limited Editions Club, 1930. A very good copy, lacking the slipcase. One of 1500 numbered copies designed and decorated by T. M. Cleland, and signed by him.
Franklin Center: Franklin, 1979. Illustrated by Murray Tinkelman. 738 pages. Thick tall 8vo, gilt-stamped black leather, a.e.g. Franklin Library, 1979. A fine copy, as new in the original un-opened Franklin Library packing sleeve with embossed gold seal. 100 Greatest Books of All Time series.
Westminster: Folio Society, 2007. Translated by Richard Aldington and illustrated with aquatints by Buckland-Wright. 710pp. Thick tall 8vo, handsomely bound in publisher's full red leather with gilt and black-stamped pictorial designs, t.e.g. Westminster: Folio Society, (2007). Limited edition -- one of 1750 numbered copies. A fine copy, preserved in a green cloth clamshell case along with a slim pamphlet "The Happy Art of Narration: Readings of Boccaccio and the Decameron"
Geneve: Slatkine Reprints, 1974. 195pp. Wide, thin 8vo, red leatherette. Geneve: Slatkine Reprints, 1974. Reprint. A fine copy. Facsimile of the 1852 edition.
New York: Abrams, 1990. Profusely illustrated in color many full-bleed, fold-out, and detail images, folio, red blind-stamped cloth, dust wrapper. New York: Harry N. Abrams, (1990). A fine copy in a near fine dust wrapper.
New York: Metropolitan Museum of Art, 2004. Profusely illustrated in color and black and white. 658 pages. Very thick heavy 4to, glossy pictorial wrappers. New York and New Haven: The Metropolitan Museum of Art and Yale University Press, (2004). Near fine.
New York: Phaidon, 1969. Extensively illustrated. viii + 254pp., 8vo, stiff pictorial wrappers. New York: Phaidon, (1969). A very good copy.
Cambridge: Cambridge University Press, 1981. Volume I. With some musical notation throughout. vii, 381pp. 8vo, blue cloth. Cambridge: Cambridge University Press, (1981). Internally fine; a very good(+) copy.
Czechoslovakia: Artia. Translated by I. R. Gottheimer. 20 color plates, 176 black and white illus. 111pp. of text. 4to, gilt decorated red cloth (a bit edgeworn; foot of spine lightly stained; internally clean). Czechosolovakia: Artia, (no date, circa 1947). The mural and wood panel paintings of Karlstein Castle by the Court Painter of Charles IV.
Philadelphia: University of Pennsylvania Press, 1969. Illustrated frontispiece. 267pp. 8vo, taupe cloth, very slightly worn d.w. Philadelphia: University of Pennsylvania Press, (1969). A fine copy in a near fine dust wrapper.
Princeton: Princeton University Press, 1986. 359 pages, black cloth, d.w. Princeton: Princeton University Press, (1986). First Edition. Fine.
Lombarde: Caripoli, 1986. Numerous illustrations in color & in black & white. Oblong 4to, black cloth, d.w., slipcase. Lombarde: Caripoli, 1986. First Edition. Fine.
New York: Crescent Books, 1995. Profusely illustrated in color. 320 pages, 4to, white pictorial boards, matching dust wrapper. New York: Crescent Books, 1995. A fine copy in a near fine dust wrapper.
New York: Pierpont Morgan, 1958. Numerous black & white illustrations and several in full color. 4to, blue cloth, gilt device on front cover, black board slipcase, bumped & edgeworn. New York: Pierpont Motgan Library, 1958. First Edition. A fine copy in a very good slipcase.
Cleveland: World, 1961. Translated by Janet Sondheimer. Illustrated. xiii + 365pp., 8vo, cloth, d.w.; dust wrapper price clipped, worn. Cleveland: The World Publishing Company, (1961). A very good (-) copy in a good dust wrapper.
New York: Grolier Club, 1964. Profusely illustrated, 449pp. Large 4to, two-tone blue and gray cloth, t.e.g., slipcase. New York: The Grolier Club, 1964. Fine. One of 1000 copies, printed on rag paper by the Meriden Gravure Company. Inscribed on flyleaf by the author.
Garden City: Garden City Publishing Inc., 1949. Two volumes. Translated by Richard Aldington. Illustrated by Rockwell Kent. 562 total pages, tall 8vos, brick-colored cloth (previous owner's bookplates pasted neatly on the front endpapers; tiny chip at the top of the spine of Volume Two). Garden City; Garden City Publishing Inc., 1949. Very good(+) condition. Signed in full by Kent on the limitation page in Volume One; No. 958 of 1,500 copies.
San Juan: Biblioteca de Autores Puertorriquenos, 1950. Inscribed by the author to Jose Ferrer. 132pp. 12mo, stiff printed wrappers. San Juan: Biblioteca de Autores Puertorriquenos, 1950. Foxed cover, otherwise an internally clean and very good copy. Inscribed by Mercedes Negron Munoz to Jose Ferrer on the title page: "A Jose Ferrer - Por quien le ha realizado el milagro de que una pequena isla aislada, nuestra patria, sea hoy universal. Clara Lair, Puerto Rico, 1950."
Cambridge: Cambridge University Press, 1982. ix + 206 pages. 8vo with orange cloth, dust wrapper. Cambridge: Cambridge University Press, (1982). Price stamp on front endpaper, otherwise a fine copy.