New York: Abrams, 1965. 368 illustrations, including 54 in full color. 38pp of text. Very thick 4to, orange cloth, d.w. (slightly torn at head of spine). New York: Abrams, [1965]. A near fine copy in a very good dust wrapper. More
Berlin: Euphorion Verlag, 1921. Etched title-page by Jan Tischold, and illustrated with 6 original etchings by Klaus Richter, each one signed in pencil. 3 blank leaves, 58, [1] pages, 3 leaves. Slim 8vo, lacking both covers but still firmly sewn; endpapers discolored but all other pages very clean -- an excellent candidate for rebinding. Berlin: Euphorion Verlag, 1921. Deluxe limited edition Number 75 of only 150 numbered copies of the deluxe edition with the signed etchings by Klaus Richter. The..... More
New York: Colophon, 1932. Various high-quality illustrations and text throughout. Unpaginated. Short 4to, pictorial boards, remnants of onionskin overwrapper. New York: Colophon/Pynson Printers, 1932. Limited first edition -- one of 3000 copies printed. A near fine copy. A notable part of this venerable publication, as it contains the original color woodcut "A Eagle Ceremony at Tesuque Pueblo" by German artist Gustave Baumann, known for his work of the American Southwest. More
Paris: A. Quantin, 1884. Illustrated with two original Manet etchings "L'Odalisque Couchee" and "La Convelescente." 3 etched plates by Henri Guerard after Manet, 6 heliogravure plates after Manet, a facsimile letter, and other illustrations throughout. 150 pages. 8vo, contemporary half black calf over green boards; some scuffing to extremities. Paris: A. Quantin, 1884. First edition, complete with all illustrations. A very good(+) copy of this scarce book with very clean interior. Inscribed by the author to Gustav Geoffrey on a...... More
Hamburg: Dr. Ernst Hauswedell, 1975. Translated into German by Sabine Solf. 343 illustrations. 560 pages plus table of contents, thick 4to, brown cloth, plain boards slipcase. Hamburg: Dr. Ernst Hauswedell, (1975). A fine copy. More
Warsaw: Sztuka, 1956. Illustrated. 63pp., thin 8vo, pictorial wrappers; some repaired damage to foot of spine. Warsaw: Sztuka, 1956. A very good copy. More
Boston: Houghton Mifflin, 1916. Illustrated in black and white. 107 pages, small 8vo, purple cloth, stamped in silver (spine a bit faded). Boston, Houghton Mifflin, 1916. A near fine copy. More
London: Studio Limited, 1953. Illustrated in black & white. 240pp. Tall 8vo, beige cloth. London: Studio Limited, (1953). Sunned spine, still a very good(+) copy. More
Milan: Toninelli, 1974. 132pp., numerous illustrations in b/w and a few in color. 4to, cloth, d.w. Milano: Toninelli Arte Moderna, (1974). Large ex-library stamp on flyleaf and page edges, else very good. Limited edition of 1500 copies. More
Boston: Boston Public Library, 1984. Foreword by Philip J. McNiff, introduction by David McCord. 286 black-and-white etchings, drypoints and lithographs. 364pp., 4to, cloth, d.w.; small hole to lower spine of dust wrapper. Boston: Boston Public Library, 1984. A near fine in very good dust wrapper. More
many plates. tall 8vo, red cloth. N.Y., (1941). More
Boston: Boston Public Library, 1968. Numerous black & white illustrations. 227 pages, small folio, turquoise cloth, d.w. Boston Public Library, 1968. First Edition. Fine. More
Winn, 1984. Contributions by Etel Adnan, Jim Fergus, Jim Harrison, Thomas McGuane & Hunter Thompson, & with an autobiographical sketch by R.C. 24 color plates and other illustrations in black & white. Small slim oblong 8vo, white linen, (lightly dust-soiled and with several small spots), brown label on front cover. Seattle: Winn, 1984. With 2 small charming (5 1/2 x 7") original sepia etchings, artists proofs, in a back pocket. More
Verona: 1989. Original signed etching by Fabio Zanzotto. 4to, 41p., siff printed wrappers. (Verona), 1989. Limited Edition. Fine. One of 100 numbered copies. Presentation copy from Cima to Meyer Schapiro. More
London: Fine Art Society & Gordon Cooke, 1994. 40 Illus. Thin, small 4to, pictorial wrs. (London): Fine Art Society & Gordon Cooke, 1994. Fine Exhibition catalogue. More
New York: Spencer Hutson, 1929. Introduction by Elizabeth Whitmore. 12 tipped-in black-and-white plates. Slim 4to, gray boards with paper label on spine and front cover; spine and edges worn, hinges starting. New York: T. Spencer Hutson, (1929). Plates fine, butr overall a very good(-) copy. More
New York: Spencer Hutson, 1929. Introduction by Elizabeth Whitmore. 12 tipped-in black-and-white plates. Slim 4to, red cloth, d.w. New York: Crafton Collection, (1929). Third printing. A near fine copy in a very good(-) dust wrapper. More
Zurich: Manesse, 1947. With 215 black & white illustrations. Square 4to, white cloth-backed brown boards. Zurich: Manesse Verlag, (1947). A very good copy. More
Paris: Editions du Delta, 1935. Illustrated with 5 original etchings by Lydis, tissue guards. Title page printed in red and black. 45pp. Short thin square 4to, original printed wrappers (worn and clumsily taped along spine; new plain white outer wrapper), interior is fine, uncut edges. Paris: Editions du Delta, (no date, circa 1935). A very good copy. Scarce. Number 92 of only 300 copies printed. Inscribed by both author and artist on the front endpaper. More
New York: Viking, 1967. Profusely illustrated with mounted color plates; other black and white photos, and facsimiles. 283pp. Large 4to, green silk cloth, edgeworn d.w. New York: Viking, 1967. First edition. A near fine copy in a very good dust wrapper. Includes many of Rodin's little-known paintings, drawings, and etchings. More
London: The Studio, 1922. 96 plates. 4to, vellum-backed gray boards, gilt top. London: The Studio, 1922. First Edition. There is a large chip at the head of the spine, not affecting the lettering, and the covers are dusty; otherwise a sound, internally clean copy. More
Paris: Bernheim, 1924. Illustrated with 41 plates, including several in color, and the original etching "Portrait de Berthe Morisot." 120, [5]pp. Short 4to, handsomely rebound in contemporary 3/4 black morocco over marbled boards; ornate gilt- stamped spine with raised bands; marbled endpapers, uncut edges, t.e.g. With the original pictorial wrappers bound-in. Paris: Bernheim- Jeune, 1924. Very light rubbing to leather at corners; binder's blank flyleaves are discolored and slightly chipped, otherwise a near fine copy with the etching in fine..... More
Paris: Jouaust, 1876. Illustrated with 25 large gravure plates on laid paper. 49 pages. Thin 4to, rebound in pale cloth with leather spine label (cloth rubbed and darkened; scattered foxing throughout); original wrappers bound-in. Paris: Imprimerie de D. Jouaust, 1876. Text in French. Very good. More
Princeton: Princeton University Press, 1983. 9 color plates, 114 black-and-white illustrations. xxviii + 302 pages, 4to, cloth, d.w.; covers very slightly bowed. Princeton: Princeton University Press, (1983). A near fine copy in a near fine dust wrapper. More
New York: ACA Gallery, 1946. In addition to 58 b/w images, there are 2 mounted color plates and 1 full-page color etching signed in pencil. 108 pages. Tall slim 8vo, blue printed boards (dust soiled and a bit worn at spine ends; internally clean and fine) New York: ACA Gallery Publication/Simon & Schuster, (1946). Limited edition - number 134 of 150 copies, this one with an additional lengthy personal inscription. More
I'd like to say thank you very much for this wonderful book! The parcel arrived yesterday in best condition. Thank you also for the very professional processing, especially the customs formalities. I've already browsed through it briefly: a very interesting work in its original, very well preserved condition. Simply wonderful!
Just a note to let you know that my book order was received and I was very pleased with both the merchandise and the well-packaged and quick delivery of it. It was a pleasure doing business with you, and hopefully, I will be back again soon!