Tapestries and Mosaics of Marc Chagall at the Knesset
New York: Tudor, 1973. Numerous Illustrations, 27 Color Plates, 2 Folding. 4to, tan cloth, a bit finger-soiled New York: Tudor, (1973). A very good copy, lacking the dust wrapper. More
TAPESTRY
Tapestries and Mosaics of Marc Chagall at the Knesset
New York: Tudor, 1973. Numerous Illustrations, 27 Color Plates, 2 Folding. 4to, tan cloth, d.w. New York: Tudor, (1973). A near fine copy in a very good dust wrapper. More
Die Apokalypse von Angers: Ein Meisterwerk mittelalterlicher Teppichwirkerei
Munich: Hirmer, 1985. 73 full page color plates, plus additional color and black-and-white illustrations. 195pp., 4to, blue cloth, d.w., cardboard slipcase. Fribourg and Munich: Office du Livre and Hirmer, (1985). A fine copy in a fine dust wrapper. More
Rideaux et Tentures: Fenetres et Ports, Lits, Passementerie, Tentures de Tissus et de Papier Peint, Garniture de Sieges Depuis le Moyen Age.
Paris: Baschet et Cie. Numerous illustrations in color & in black & white. Square 4to, tan boards, d.w. Paris: Baschet et Cie, n.d. ca. 1990. First Edition. Fine. More
Muraille et Laine: La Tapisserie Francaise.
Paris: Pierre Tisne, 1946. 69 plates, some tipped-in and in color, 25 pages of text, slim 4to, white boards with title in red on front cover; covers soiled. Paris: Editions Pierre Tisne, 1946. Covers quite soiled and foxed but internally clean, a very good copy. Chronologically covers medieval tapestries to those of the 20th century. More
L'Art Populaire en Europe: Tissus. Tapis. Broderies & 2nd series Ceramique. Bois. Metal.
Paris: Morance. 2 volumes. Profusely illustrated in color. Small slim folio, cloth backed boards, d.w. (lightly rubbed). Paris: Morance, n.d. ca. 1960. Very good (+). More
Tapestry in the Renaissance: Art and Magnificence
New York: Metropolitan Museum of Art, 2002. Photography by Bruce White. 400 illustrations, 250 in color. x + 594pp., large, thick 4to, blue cloth, d.w. New York: The Metropolitan Museum of Art, (2002). A near fine copy in a near fine dust wrapper. More
Tapestry in the Baroque: Threads of Splendor
New York: Metropolitan Museum of Art, 2007. Photography by Bruce White. More than 200 illustrations, primarily in color. 563pp., thick 4to, glossy pictorial wrappers; some minor scratching to front cover and creasing to rear, internally fine. New York: The Metropolitan Museum of Art, (2007). A very good copy. Essays and cataloging by various authors. More
Tapestry in the Baroque: Threads of Splendor
New York: Metropolitan Museum of Art, 2007. Photography by Bruce White. More than 200 illustrations, primarily in color. 563 pages. Thick 4to, burgundy cloth, d.w. New York: The Metropolitan Museum of Art, (2007). A fine copy in a near fine dust wrapper. Essays and cataloging by various authors. More
Tapestries of Europe and of Colonial Peru in the Museum of Fine Arts, Boston.
Boston: 1967. 2 volumes in slipcase. Many plates, a few in color. Thin 4to (plate volume is wide), blue cloth with gilt lettered spines (spines faded, else near fine). Boston: Museum of Fine Arts, (1967). Very good(+) copies in a very good slipcase (sunned and somewhat stained but sturdy). More
The Irwin Untermyer Collection.
New York: Metropolitan Museum of Art, 1956. Complete set in 6 volumes. Illustrated throughout with some in-text figures and many full-page plates, some in color. Thick 4tos, blue cloth-backed patterned boards with red spine labels (bindings are rubbed and corners somewhat worn on several volumes; tight and internally clean). New York: Metropolitan Museum of Art, 1956-1963. A very good set of these desireable catalogs - usable and reasonably attractive. Catalogue of the collection in the following subject areas -- Volume..... More
The Barberini Tapestries: Women Monuments of Baroque Rome
Milan: Officina Libraria, 2017. With a chapter on conservation by Marlene Eidelheit. Photography by John Bigelow and Dianne Dubler. Beautifully and extensively illustrated. 187 pages, 4to, pictorial boards. Milan: Officina Libraria, (2017). A fine copy. More
The Practical Book of Tapestries.
Philadelphia: Lippincott, 1925. Illustrated with 12 color plates and 236 in doubletone. 302pp. Thick 8vo, two-toned cloth (spine just a bit darkened as usual, otherwise a near fine copy). Philadelphia: Lippincott, 1925. Limited subscription edition. Very good (+). One of 300 copies with extra plates (4 color and 16 b/w). More
Great Tapestries: The Web of History from the 12th to the 20th Century.
Lausanne: Edita, 1965. Translated by Peggy R. Oberson. Illustrated with hundreds of plates, many mounted & in color. Large Square folio, red cloth, d.w. and slipcase. Lausanne: Edita S.A., (1965.). A fine copy in near fine dust wrapper & very good solid box. More
La Tapisserie Medievale au Musee de Cluny
Paris: de la Reunion des Musees Nationaux, 1987. Extensively illustrated n both color and black & white. 224pp., 8vo, green cloth, d.w. Paris: De la Reunion des Musees Nationaux, 1987. A fine copy in a near fine dust wrapper. More
Les Tapisseries de l'Apocalypse de la Cathedrale d'Angers.; Accompagnees Du Texte De L'Apocalypse De Saint Kean Dans La Traduction De Le Maistre De Sacy.
Paris: Albin Michel, 1942. 72 illustrations in color and in black and white, rubricated title page. Pages are loose as issued, in printed wrappers, protected in a plain board slipcase (broken and quite worn). Short 4to, red & blue printed wrappers. Paris: Albin Michel, 1942. First edition. A very good copy in poor slipcase. More
William Morris by Himself
Boston: Little Brown, 1988. Illustrated with color reproductions throughout. 328 pages. Tall 4to, blue cloth, d.w. Boston: Little Brown, (1988). First U.S. edition. A very good copy, light foxing to top of text block, minor bowing to boards; in a very good(+) dust wrapper, slightly soiled and sunned at spine. More
William Morris by Himself
Boston: Little Brown, 1988. Illustrated with color reproductions throughout. 328 pages. Tall 4to, blue cloth, d.w. Boston: Little Brown, (1988). First U.S. edition. More
La Tapisserie.
Paris: A. Quantin, 1880. Numerous Illustrations. 372pp., short 8vo, pictorial cloth; spine quite worn. Paris: A. Quantin, ca. 1880. A very good copy. More
Tapisseries et Tapis de la Ville de Paris
Paris: Librarie Grund, 1948. In French. Illustrated (56 black and white plates, some in-text sepia illustrations). 100 uncut pages + 56 plates, loose as issued. Folio, string-tie green cloth, printed boards, lacking spine label. Paris: Librarie Grund, (1948). Limited edition, number 667 of 1000 copies. Text fine within very good boards. More
A Passion for Needlepoint
New York: Rizzoli, 1991. Patterned endpapers. Illustrated with color photographs by Jean-Pierre Henfrey, many full-bleed. 160 pages, burgundy cloth, dust wrapper. New York: Rizzoli, (1991). A fine copy in a near fine dust wrapper. More
The Colonial Andes: Tapestries and Silverwork, 1530-1830
New York: Metropolitan Museum of Art, 2004. Extensively illustrated in color. xiii + 396 pages, large 4to, stiff glossy pictorial wrappers. New York: Metropolitan Museum of Art, (2004) Slight bump at bottom corners, else near fine. More
The Colonial Andes: Tapestries and Silverwork, 1530-1830
New York: Metropolitan Museum of Art, 2004. Profusely illustrated in color and black and white. 396 pages, 4to, red cloth (covers cocked), dust wrapper. New York: Metropolitan Museum, (2004). A near fine copy in a fine dust wrapper. More
Bild Teppiche: Geschichte der Gobelinwirkerei.
Berlin: Kunstwissenschaft. 158 plates. 8vo, linen-backed printed boards, d.w., board slipcase (worn). Berlin: Kunstwissenschaft, ca. 1920. A fine copy in a rubbed slipcase. Fine. Copy sold 6/89. More
A Renaissance Tapestry: The Gonzaga of Mantua
New York: Harper, 1988. Illustrated with a section of black and white photographs and paintings. 309 pages. 8vo, red boards, dust wrapper. New York: Harper & Row, (1988). A fine copy in a near fine dust wrapper, small tear at bottom front corner repaired with some tape. More