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New York: Weatherhill, 1973. Translated, annotated, and illustrated by Elaine Spaulding Atwood. Foreword by Arthur W. Hummel. 152 pages, small 4to, decorative red cloth, dust wrapper (dust wrapper rubbed and with some soiling to back panel). New York: Weatherhill, (1973). First English edition. A fine copy in a very good dust wrapper.
New York: Dodd, Mead & Co., 1898. 19 volumes, title-pages with decorative red borders. 8vo. Publisher's deluxe binding, gold-decorated full blue crushed morocco, ornately gilt spines and covers, full finely tooled burgundy leather inside all covers, top edge gilt, deckled fore - and bottom edges. New York: Dodd, Mead and Company 1898-1918. Near Fine. Autograph Edition limited to 150 copies. Volume 1 signed by Maeterlinck on blank leaf. Previous owners bookplates,
New York: Garland, 1976. Illustrated a rear with b/w images. 291 pages. 8vo, blue cloth (lightly rubbed at spine ends). New York: Garland Publishing, 1976. College ownership information of Nan Rosenthal who went on to become curator of Modern art at the Metropolitan Museum and the National Gallery. Reprint of the famous dissertation. Very scarce. Garland Series: Outstanding Dissertations in the Fine Arts.
New Haven: Yale University Press, 1979. Illustrated. Small 4to, pictorial wrappers. New Haven: Yale Univ. Press, (1979). Fine. Presentation copy to art historian Meyer Schapiro- "40 years ago you....gave excellent advice to a recent and destitute immigrant from Vienna which enabled him to establish a little niche in America. All this has not been forgotten..."